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Salone (originated from No. 2 St. Margaret's Place, King's Lynn, Norfolk)
Salone (originated from No. 2 St. Margaret's Place, King's Lynn, Norfolk)

Salone (originated from No. 2 St. Margaret's Place, King's Lynn, Norfolk)

CultureEnglish
Dateca. 1740
MediumPine with paint and gold leaf
DimensionsOverall: 19 × 28 feet (228 1/16 × 336 1/4 inches)
Credit LinePurchase: William Rockhill Nelson Trust
Object number31-116
On View
Not on view
DescriptionA panelled room made of yellow deal with four doors, one of which is a dummy, and three windows. The chimney-piece is designed with an overmantel which contains a contemporary landscape. This chimney-piece is of an important design, the overmantel being terminated by a pediment top and the frieze of the chimney-piece is elaborately decorated with motifs of sheels, fruit, and flowers. The cornice to the shelf is supported by well-designed carved trusses. The room has a full entablature--cornice, frieze, and architrave. The cornice is of the Corinthian order with plain medallions. The chair rail and dado mouldings are of a bold and deep projection. The panel mouldings are unusual, being of a section formed by an ovolo and an ogee. The four doors have carved, enriched architraves and are surmounted by overdoors with carved, enriched ogee frieze. The panelling originally came from a mansion known as St. Margaret's Place, King's Lynn, Norfolk.Gallery Label
This room, originally exhibited as the "Georgian Drawing Room," traces its origins to a residence, which still exists, at No. 2 St. Margaret's Place, King's Lynn, Norfolk, England. Although the interior architecture is in keeping with that of an English drawing room, the room most likely served as a salone, the Italian word anglicized by the English to "saloon." The room was used for such social festivities as gaming, dancing and musical performances. 

This salone was constructed during the reign of King George II of England (1727-1760) when England was emerging as the strongest commercial power in 18th-century Europe. The architectural style of the 1730s and 1740s incorporated the final phase of the dramatic, symmetrical and bold Baroque style and the beginning of the fanciful and elaborate ornamentation of the Rococo style. As the English rediscovered classical architecture with its accompanying motifs of columns, shells and garlands, they combined these various forms, as seen in the salone, to create a style of restrained elegance unique to 18th-century England.

During the mid 18th century King's Lynn boasted many wealthy merchants eager to display their successes. Walter Kirby IV, the owner of No. 2 St. Margaret's Place from 1733-1752, and the likely builder of this salone, was one such merchant. Kirby, who served as city mayor from 1744-1745, entertained his family, neighbors and guests in this impressive room of the latest style indicating that he was not only a prominent business man, but a cultured one at that. 

Upon its completion circa 1740, the scale and grandeur of this salone, were an anomaly to the interior architecture of No. 2 St. Margaret's Place, King's Lynn, whose construction began in the 14th century. Although this sizeable room seems an unlikely addition to the modest nature of the original floor plan, rooms designated for lavishly entertaining friends and neighbors were not unprecedented among the wealthy merchant class. The Countess of Hertford describes the custom of the second quarter of the century: "Assemblies are now so much in fashion that most persons fancy themselves under a necessity of inviting all their acquaintances three or four times to their houses, not in small parties." Walter Kirby IV, the likely builder of this room, enhanced both his property and social position in King's Lynn with this spacious and fashionable salone.
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