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Portrait of Alexander James Dallas
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Portrait of Alexander James Dallas

Artist John Smart (English, 1741 - 1811)
Dateca. 1780
MediumWatercolor and pencil on card; Gilt copper alloy case
DimensionsSight: 2 1/4 × 1 11/16 inches (5.72 × 4.29 cm)
Framed: 2 7/16 × 2 inches (6.19 × 5.08 cm)
Credit LinePurchase: acquired through the generosity of the Martha Jane Phillips Starr Field of Interest Fund at the Greater Kansas City Community Foundation
Object number2023.22
InscribedInscribed on backing, top center: “Mr Dallas / of Jamaica”
On View
On view
Gallery Location
  • 128
Collections
DescriptionPortrait drawing of a man in oval format, wearing a light green coat facing to the viewer’s left, white knotted tie, powdered white hair with pink tinge, worn en queue. Sitter has light brown eyes and ruddy cheeks and confronts the viewer with a penetrating gaze.Exhibition History
John Smart: Virtuoso in Miniature, The Nelson-Atkins Museum of Art, Kansas City, MO, December 21, 2024–January 4, 2026, no cat., as Portrait of Alexander James Dallas.
Gallery Label

Drawing formed a cornerstone of John Smart’s artistic practice. He created detailed sketches of his sitters, like Alexander James Dallas (nos. 4 & 5), before finishing the portraits on ivory. Occasionally, these initial drawings were completed as stand-alone works of art, offering more affordable and larger alternatives to ivory miniatures, like the drawing he gave to his friend, the engraver James Fittler (no. 1).

 

Smart kept many of these preparatory drawings, using them as a visual record of his work and facilitating the creation of additional versions if needed. He compiled them into large albums, often annotated on the back with color notes and the sitter’s name.

 

Initially intended for personal use, Smart’s preparatory drawings were later removed from the albums by his descendants and sold in the 1930s. Since then, they have become highly prized by collectors, including the Starr family.

Provenance

John Smart (1741–1811), by around 1780–1811;

By descent to his son, John James Smart (1805–1870), 1811–1870;

By descent to his daughter, Mary Ann Bose (née Smart, 1856–1934), 1870–1934;

By descent to her daughter, Lilian Mary Dyer (née Bose, 1876–1955), 1934–1937;

Purchased from her sale, Sketches and Studies for Miniature Portraits by John Smart, Christie’s, London, November 26, 1937, lot 10, as Mr. Dallas, of Jamaica, by R. Workman, 1937;

Peter Kaufmann, by 1975;

Sold from his sale, A Collection of Fine Portrait Miniatures, Sotheby’s, London, October 13, 1975, lot 86, as Mr. Dallas of Jamaica;

With Bruton Knowles and Co., Gloucestershire, lot 77, April 25, 1996;

Sold, Centuries of Style: Silver, European Ceramics, Portrait Miniatures and Gold Boxes, Christie’s, London, November 17, 2009, lot 335, as Mr. Dallas;

Private Collection, USA, possibly by 2009;

With Philip Mould, London, by 2022–2023;

Purchased from Philip Mould by the Nelson-Atkins Museum of Art, Kansas City, MO, 2023.

Published References

Sketches and Studies for Miniature Portraits by John Smart (London: Christie’s, November 26, 1937), lot 10, as Mr. Dallas, of Jamaica.

Advertisement, Burlington Magazine 117, no. 871 (October 1975): viii, xix, (repro.), as A watercolor sketch of Mr. Dallas of Jamaica.

A Collection of Fine Portrait Miniatures (London: Sotheby’s, October 13, 1975), lot 86, as Mr. Dallas of Jamaica.

Centuries of Style: Silver, European Ceramics, Portrait Miniatures and Gold Boxes (London: Christie’s, November 17, 2009), lot 335, as Mr. Dallas.

Aimee Marcereau DeGalan, “John Smart, Portrait of Alexander James Dallas, ca. 1780,” catalogue entry in Aimee Marcereau DeGalan, Blythe Sobol, and Maggie Keenan, The Starr Collection of Portrait Miniatures, 1500–1850: The Collections of the Nelson-Atkins Museum of Art, vol. 4, ed. Aimee Marcereau DeGalan (Kansas City, MO: Nelson-Atkins Museum of Art, 2025), https://doi.org/10.37764/8322.5.1563.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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