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Gazing at a Waterfall

Original Language Title南宋 觀瀑圖
CultureChinese
Datemid-12th century
MediumAlbum leaf; ink and color on silk
DimensionsOverall: 9 3/8 × 9 7/8 inches (23.81 × 25.08 cm)
Credit LineGift of Robert H. Ellsworth
Object number2007.7
On View
On view
Gallery Location
  • 222
Collections
Exhibition History

Eight Dynasties of Chinese Painting, The Nelson-Atkins Museum of Art, November 7,1980- January 4,1981;The Cleveland Museum of Art, February 7, 1981- April 5,1981;The Asia Society, December 3, 1981- February 28, 1982; Tokyo National Museum, October 4, 1982- November 17, 1982. No. 30.

Senses and Sensibilities in Chinese Painting, The Nelson-Atkins Museum of Art, February 14, 2008- August 24, 2008.


Gallery Label
A gentleman at the pavilion calmly gazes at the waterfall from the towering cliff. He may be a scholar or a poet seeking self-reflection amid the mountains and water. On the lower left, a woodcutter is crossing a wood bridge toward the scholar. The poet and woodcutter, despite their contrasting roles, might start a dialogue regarding each other’s views about nature.
Provenance

Possibly Abel William Bahr (1877-1959), Weybridge, England; Montreal, Canada; and Ridgefield, CT, by 1959 [1];

With Robert H. Ellsworth (1929-2014), New York, by February 1970;

His gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1970.

NOTES:

[1] In a letter to Robert H. Ellsworth dated February 3, 1970, thanking him for his gift of the painting to the Nelson-Atkins, Laurence Sickman, Director, wrote: “It will not only be an addition of merit, but also a memento of a very great collector, A. W. Bahr.” It is unclear what Sickman meant by this, but it is possible he knew the painting had once been in the Bahr collection. Research to confirm this possibility is currently ongoing.

Published References

Wai-Kam Ho, et al., Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of Art. (The Cleveland Museum of Art in cooperation with Indiana University Press, c1980), 50, no. 30.

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 316.

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 342.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.