Portrait of Lise Campineanu
Framed: 30 1/2 × 27 × 3 1/2 inches (77.47 × 68.58 × 8.89 cm)
- 127
Manet and Renoir , Pennsylvania Museum of Art, Philadelphia, November 29, 1933–January 1, 1934, unnumbered, erroneously as Portrait of Mlle. Bellio.
One Hundred Years of French Painting 1820–1920 , The Nelson-Atkins Museum of Art, Kansas City, March 31–April 28, 1935, no. 33, erroneously as Portrait of Lina Campineanu.
Edouard Manet, 1832–1883: a retrospective loan exhibition for the benefit of the French Hospital and the Lisa Day Nursery , Wildenstein and Co., New York, March 19–April 17, 1937, no. 23, erroneously as Portrait de Line Campineanu (Portrait of Line Campineanu).
Five Years of Collecting , The Nelson-Atkins Museum of Art, Kansas City, MO, December 4–11, 1938, no cat., erroneously as Portrait of Lina Campineanu.
The Child through Four Centuries: Portraits of Children, 17th to 20th centuries; for the benefit of the Public Education Association , Wildenstein and Co., New York, March 1–March 28, 1945, no. 31, erroneously as Portrait of Lina Campineanu.
Portrait Panorama: An Exhibition of Portraits by Artists of Six Centuries , Virginia Museum of Fine Arts, Richmond, September 10–October 12, 1947, no. 17, erroneously as Lina Campineanu.
A Loan Exhibit of Manet for the Benefit of the New York Infirmary , Wildenstein and Co., New York, February 26–April 3, 1948, no. 21, erroneously as Portrait of Line Campineanu.
Forerunners of Modern Painting , Albright Art Gallery, Buffalo, NY, March 23–April 10, 1952, no cat, erroneously as Portrait of Line Campineanu.
Paintings, Drawings and Graphic Works by Manet, Degas, Berthe Morisot and Mary Cassatt , Baltimore Museum of Art, April 18–June 3, 1962, no. 6, erroneously as Portrait of Line Campineanu.
Édouard Manet 1832–1883 , Philadelphia Museum of Art, November 3–December 11, 1966; Art Institute of Chicago, January 13–February 19, 1967, no. 151, erroneously as Line de Bellio or Line Campineanu (Fillette à mi-corps).
Faces from the World of Impressionism and Post-Impressionism: A Loan Exhibition for the Benefit of the New York Chapter of the Arthritis Foundation , Wildenstein and Co., New York, November 2–December 9, 1972, no. 39, as Lise Campineanu.
Edouard Manet , Isetan Museum of Art, Tokyo, June 26–July 29, 1986; Fukuoka Art Museum, August 2–31, 1986; Osaka Municipal Museum of Art, September 6–October 12, 1986, no. 23, as Portrait of Lise Campineano [sic].
Impressionism: Selections From Five American Museums , The Carnegie Museum of Art, Pittsburgh, November 4, 1989–December 31, 1990; The Minneapolis Institute of Arts, January 27–March 25, 1990; The Nelson-Atkins Museum of Art, Kansas City, MO, April 21–June 17, 1990; The Saint Louis Art Museum, July 14–September 9, 1990; The Toledo Museum of Art, OH, September 30–November 25, 1990, no. 44, as Portrait of Lise Campineanu.
Faces of Impressionism: Portraits from American Collections , Baltimore Museum of Art, October 10, 1999–January 30, 2000; Museum of Fine Arts, Houston, March 15–May 7, 2000; Cleveland Museum of Art, May 27–July 30, 2000, no. 37, as Portrait of Lise Campinéanu [ sic].
Manet: Portraying Life, Toledo Museum of Art, October 7, 2012–January 1, 2013; Royal Academy of Arts, London, January 26–April 14, 2013, no. 48, as Portrait of Lise Campinéanu [sic].
Manet—Sehen Der Blick Der Moderne , Hamburger Kunsthalle, May 27–September 4, 2016, no. 31, asPortrait de Lise Campinéanu [sic] and Porträt Lise Campinéanu [sic].
This portrait of Lise Campineanu, a Romanian girl of about six or seven years old, reveals the bold, freely applied brushstrokes and flat patches of pure color for which Edouard Manet is celebrated.
The painting was commissioned by Georges de Bellio, the sitter’s great-uncle and Manet’s personal physician, while Lise was in Paris visiting the 1878 world’s fair with her parents. She is presented as a well-to-do young lady wearing a gold bracelet, fingerless gloves, and a fashionable dress with satin ribbons.
Commissioned from the artist by the sitter’s great-uncle, Dr. Georges de Bellio (né Gheorge Bellu, 1828–1894), by August 31, 1878 [1];
His gift to the sitter’s parents, Ion (or Jean, 1841–1888) and Irina (née Bellu, 1854–1919) Campineanu, Bucharest, 1878–1919;
By descent to their daughter, the sitter, Mrs. Grégoire Greceanu (née Eliza [or “Lise”] Campineanu, 1872–1949), Bucharest, 1919–at least 1921 [2];
With Eugène Blot, Louis Vauxcelles, and André Schoeller, Paris, by November 18, 1930 [3];
Purchased from Eugène Blot, Louis Vauxcelles, and André Schoeller by Wildenstein, stock no. 5199, New York, November 18, 1930–January 1, 1936 [4];
Purchased from Wildenstein by the Nelson-Atkins Museum of Art, Kansas City, MO, 1936.
NOTES:
[1] “Manet…a fait le portrait de ma petite-nièce, ravissante enfant de huit [sic] ans avec des cheveux blonds et de grands yeux bleus étonnés et étonnants.” Letter from Georges de Bellio to Claude Monet, August 31, 1878, private collection, cited in Denis Rouart and Daniel Wildenstein, Edouard Manet: Catalogue raisonné (Lausanne, Switzerland: La Bibliothèque des arts, 1975), 1:226.
[2] See Remus Niculescu, “Georges de Bellio, l’ami des impressionnistes (I),” Paragone: Arte, 21, no. 247 (September 1970): 82, and Remus Niculescu, Georges de Bellio: L’Ami des Impressionnistes (Firenze: Paragone, 1970), 86. Niculescu states that the painting was sold in Paris around 1930, but does not say who sold it.
[3] Eugène Blot (1857–1938) owned a gallery at 5 Boulevard de la Madeleine. Louis Vauxcelles (né Mayer, 1870–1943) was an art critic who coined the term “Les Fauves” in 1905. André Schoeller (1879–1955) was an expert in French nineteenth-century painting, who in 1947 was arrested for his collaboration with the Nazis. Schoeller sold several works on behalf of the De Bellio extended family in the 1930s.
[4] See email from Sophie Pietri, Wildenstein Institute, Paris, to Meghan Gray, NAMA, July 22, 2011, NAMA curatorial files. Pietri also confirmed that “Wildenstein and Co., Inc. NY” bought the painting rather than Georges Wildenstein, who is listed as the buyer in Tabarant 1931. See email from Sophie Pietri, Wildenstein Institute, Paris, to Meghan Gray, NAMA, November 4, 2011, NAMA curatorial files.
Claymoor [Mihail Văcărescu], “Échos Mondains,” L’Indépendance Roumain 5, no. 27 (January 1882).
Léon Leenhoff, “Manet [ensemble de notes et de documents sur le peintre; recueillis et transcrits par Léon Leenhoff],” 1900–10, Bibliothèque nationale de France, département Estampes et photographie, RESERVE 8-YB3-2401, p. 76 as Portrait enfant.
Possibly Ioan Câmpineanu-Cantemir, Dosarul de partaj no. 1276/921 la Tribunalul Ilfov, secţia IV-a civ. cor.. Iunie 1921 - Aprilie 1923. Partea 2, Partea 2 . Dosarul De Partaj No. 1276/921 La Tribunalul Ilfov, Secţia IV-a Civ. Cor. (Bucharest: Tipografia Profesională Dimitrie C. Ionescu, 1923), 46.
A[dolphe] Tabarant, Manet: Histoire catalographique (Paris: Éditions Montaigne, 1931), no. 294, pp. 341–42, as Fillette à mi-corps.
Edmond Jaloux, “Le Tragique de Manet,” Formes, no. 24 (April 1932): (repro.), erroneously as Portrait de Mlle de Bellio.
A[dolphe] Tabarant, “À propos de la Rétrospective de Manet à l’Orangerie,”La Renaissance, no. 7–9 (July–September 1932): 139, (repro.), as Portrait de Fillette.
Paul Jamot and Georges Wildenstein, Manet (Paris: Beaux-arts, édition d’études et de documents, 1932), no. 286, pp. 1:155, 2:99, (repro.), erroneously as Portrait de Line Campineanu.
“Manet and Renoir,” exh. cat., Bulletin of the Pennsylvania Museum 29, no. 158 (December 1933): 19, erroneously as Portrait of Mlle de Bellio.
“Manet and Renoir,” Art Digest 8, no. 6 (December 15, 1933): 9, (repro.), erroneously as Portrait of Mlle. de Bellio.
One Hundred Years: French Painting 1820–1920 , exh. cat. (Kansas City, MO: C.E. Brown, 1935), unpaginated, erroneously as Portrait of Lina Campineanu.
M[inna] K. P[owell], “In Gallery and Studio: News and Views of the Week in Art,” Kansas City Star 55, no. 186 (March 22, 1935): [E].
M[inna] K. P[owell], “In Gallery and Studio: News and Views of the Week in Art,” Kansas City Star 55, no. 193 (March 29, 1935): unpaginated, erroneously as Portrait of Lina Campineanu.
“Important Exhibition of French Painting,” News Flashes (The William Rockhill Nelson Gallery of Art and Atkins Museum of Fine Arts) 1, no. 9 (March 31–April 20, 1935): 1, erroneously as Portrait of Lina Campineanu.
“Art News,” Kansas City Journal-Post, no. 190 (March 31, 1935): 8-B, erroneously as Portrait of Lina Campineanu.
“2,000 See Loan Display: Many Masterly Works Are Shown at the Gallery,” Kansas City Times 98, no. 78 (April 1, 1935): 8.
Art News 33 (April 6, 1935): 3, (repro.), erroneously as Portrait de Mlle. Bellio.
“Art News,” Kansas City Journal-Post, no. 197 (April 7, 1935): 8-B, erroneously as Portrait of Lina Campaineanu [sic].
“Wilmington Sees Old Masters’ Art: Exhibition Is Chief Feature of Week's Observance—Beaux Arts Ball Tomorrow. Show At Everbrook, PA. Philadelphia Artists' Work Is on View—French Paintings Are Shown at Kansas City,” New York Times 84, no. 28,202 (April 12, 1935): L21.
“French Paintings Favored in Popular Vote Here,” Kansas City Star 55, no. 209 (April 14, 1935): 6, (repro.).
“Art News,” Kansas City Journal-Post 81, no. 211 (April 21, 1935): 8B, erroneously as Lina Campineaunu [sic].
M[inna] K. P[owell], “In Gallery and Studio: News and Views of the Week in Art,” Kansas City Star 55, no. 221 (April 26, 1935): 15, erroneously as Portrait of Lina Campineanu.
“French Loan Exhibition Last Call,” News Flashes (The William Rockhill Nelson Gallery of Art and Atkins Museum of Fine Arts) 1, no. 10 (April 21–May 3, 1935): 1, erroneously as Portrait of Lina Campineanu.
“The Fine Arts,” Musical Bulletin 23, no. 8 (May 1935): 13.
“Manet Portrait,” News Flashes (The William Rockhill Nelson Gallery of Art and Atkins Museum of Fine Arts) 2, no. 5 (January 16–31, 1936): 2, erroneously as Portrait of Lina Campineanu.
M[inna] K. P[owell], “In Gallery and Studio: News and Views of the Week in Art,” Kansas City Star 56, no. 129 (January 24, 1936): unpaginated.
“Portrait by Manet Chosen as Week’s Nelson Gallery Masterpiece,” Kansas City Journal-Post 82 (January 26, 1936): 2-B, (repro.), erroneously as Portrait of Lina Campineanu.
“Manet, Clouet, Lorenzo Monaco, Paintings Newly Acquired by the Nelson Galleries in Kansas City,” Art News 34, no. 20 (February 15, 1936): 5, (repro.), erroneously as Portrait of Mme. Line Campineanu.
“Out of Town Visitors,” News Flashes (The William Rockhill Nelson Gallery of Art and Atkins Museum of Fine Arts), vol. 2, no. 8 (March 15–31, 1936): 4, erroneously as Portrait of Line Campineanu.
“One of the Most Important Purchases,” Musical Bulletin (March 1936), clipping, NAMA Archives, erroneously as Lina Campineanu.
“Out of Town Visitors,” News Flashes (The William Rockhill Nelson Gallery of Art and Atkins Museum of Fine Arts) 2, no. 8 (March 15–31, 1936): 4, erroneously as Portrait of Line Campineaunu [ sic].
Helen Comstock, “The Connoisseur in America,” Connoisseur (May 1936): 282–83, (repro.), erroneously as Portrait of Line Campineau [sic] as a Child.
“Local Museums, Art Associations, and Other Organizations,” American Art Annual 33, For the Year 1936 (1937): 239, erroneously as Portrait of Lina Campineanu.
Paul Jamot , Édouard Manet, 1832–1883: A Retrospective Loan Exhibition for the Benefit of the French Hospital and the Lisa Day Nursery, exh. cat. (New York: Wildenstein, 1937), 36, 69 (repro.), erroneously as Portrait de Line Campineanu (Portrait of Line Campineanu).
Edward Alden Jewell, “Manet Exhibition Will Open Today,” New York Times 86, no. 28,909 (March 19, 1937): 21.
Paul Gardner, “New Prize in Cezanne Landscape Acquired by the Nelson Gallery: ‘La Montagne Sainte-Victoire’ Is Exhibited as the Masterpiece for the Month—French Painter’s Unique Contribution to Art is Represented Dramatically in hitherto Unknown Canvas Added to Kansas City’s Permanent Collection,” Kansas City Star 58, no. 169 (March 5, 1938): D, erroneously as Lina Campineaunu [sic].
“Nelson Gallery’s Masterpiece of the Month: Cezanne Landscape Year’s First Purchase at Nelson Art Gallery,” Kansas City Journal-Post, no. 165 (March 6, 1938): 4-B, erroneously as Lina Campineaunu [ sic].
H.C.H, “Five 1-Man Art Shows; Diversification and Interest in April Loan Exhibition; The Nelson Gallery Displays Works of Jon Corbino, Waldo Pierce, Reginald Marsh, Sidney Laufman, and Frederic Taubes,” Kansas City Star 58, no. 198 (April 3, 1938): 12A, erroneously as Lina Campineanu.
“Museum Directors Have to Play Detective Now and Then,” Kansas City Star 58, no. 210 (April 15, 1938): 14.
“‘Visit Your Gallery Week’ Designated December 4–11,” Kansas City Journal, no. 66 (November 27, 1938): 36, erroneously as Lina Campineaunu [sic].
“Five Years of Collecting,” News Flashes (The William Rockhill Nelson Gallery of Art and Atkins Museum of Fine Arts) 5, no. 2 (December 1, 1938): 1, erroneously as Lina Campineaunu [sic].
“Footnotes,” Evening State Journal (Lincoln, NE) (December 2, 1938): 8.
H. C. H., “Art and Artists: The Nelson Gallery Reflects the Spirit of a Modern Medici—The Gallery’s Fifth Anniversary Recalls its Founder’s Resemblance to a Great Florentine Patron of the Arts—Two Shows Begin Sunday,” Kansas City Star 59, no. 76 (December 2, 1938): 19, (repro.), erroneously as Portrait of Lina Campineaunu [ sic].
Paul Gardner, “Kansas City: Jubilee and an Acquisition,” Art News 37, no. 10, Special Issue for the “1870s” Exhibition: From Greco to Goya in London, Kansas City Jubilee (December 3, 1938): 19, (repro.), erroneously as Portrait of Lina Campineanu.
Kansas City Journal , no. 73 (December 4, 1938): unpaginated, (repro.), erroneously as Portrait of Lina Campineau.
“A Good Start on Art: Paintings of Nelson Gallery Are Described by Advisor,” Kansas City Times 101, no. 299 (December 15, 1938): 6.
“Kansas City’s Nelson Gallery Celebrates its Fifth Anniversary,”Art Digest 13, no. 6 (December 15, 1938): 7, erroneously as Lina Camineaunu [sic].
H.C.H., “Art and Artists: Gallery’s New Credi Shows Greatness of Florentine; The “Madonna and Child With St. John” Brings a Fine Painting as Well as a Famous Name—A Garden Figure by Rosenbauer,” Kansas City Star 59, no. 167 (March 3, 1939): 15, erroneously as Portrait of Lina Campineanu.
Landon Laird, “About Town,” Kansas City Times 103, no. 253 (October 21, 1940): 6, erroneously as Lina.
H.C.H., “Art and Artists: American Art Gets Surveyed By the Carnegie Institute; Pittsburgh’s Home of International Shows Goes Native This Year—‘Susanna’ Is Given to San Francisco,” Kansas City Star 61, no. 45 (November 1, 1940): 20.
The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, The William Rockhill Nelson Collection, 2nd ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1941), 41, 51, (repro.), erroneously as Portrait of Lina Campineanu.
“Nelson Gallery Celebrates First Decade,” Art Digest 18, no. 6 (December 15, 1943): 6–7, (repro.), erroneously as Portrait of Lina Campineau.
Ethlyne Jackson, “Museum Record: Kansas City’s Tenth Birthday,” Art News 42, no. 15, (December 15–31, 1943): 16, 19, (repro.), erroneously as Portrait of Line Campineanu.
Edward Jewell and Aimée Crane, French Impressionists and their Contemporaries Represented in American Collections (New York: Hyperion Press, 1944), 5, 75, (repro.), erroneously as Portrait of Lina Campineanu.
The Child through Four Centuries: Portraits of Children, 17th to 20th Centuries , exh. cat. (New York: Wildenstein, 1945), unpaginated, (repro.), erroneously as Portrait of Lina Campineanu.
Edward Alden Jewell, “The Child in Art: The Benefit Exhibition at Wildenstein’s Portrays Youth Through Centuries,” New York Times 94, no. 31,816 (March 4, 1945): 8X, as Portrait of Lina Campineanu.
“Loans,” Gallery News (The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts) 13, no. 10 (October 1947): unpaginated, erroneously as Line Campineanu.
Fred G Hoffherr, ed., Book of Friendship: le livre de l’amité (New York: La Maison de France, 1947), unpaginated, (repro.), erroneously as Portrait de Line Campineanu.
A[dolphe] Tabarant, Manet et ses œuvres, 5th ed. (Paris: Gallimard, 1947), no. 309, pp. 334–35, 541, 612, (repro.), as Fillette à mi-corps.
Portrait Panorama: An Exhibition of Portraits by Artists of Six Centuries , exh. cat. (Richmond, VA: Virginia Museum of Fine Arts, 1947), unpaginated, erroneously as Lina Campineanu.
Dorothy Adlow, “Art in Kansas City—Music and Theaters—Exhibitions in San Francisco: Masterpieces of Many Schools To Be Seen in Nelson Gallery,” Christian Science Monitor 40, no. 197 (July 17, 1948): 4C, as Portrait of a Little Girl.
A Loan Exhibition of Manet for the Benefit of the New York Infirmary , exh. cat. (New York: Wildenstein, 1948), 56–57, (repro.), erroneously as Portrait of Line Campineanu.
Aline B. Louchheim, “Children Should Be Seen,” Art News Annual 46, no. 9 (1948): 74, 137, (repro.), erroneously as Line Campineanu.
Howard Devree, “Manet Art Works Go On View Tonight: Notable Paintings Included in Display at Wildenstein Infirmary Here to Gain,” New York Times 97, no. 32,904 (February 25, 1948): L21.
“Loans to Special Exhibitions,” Gallery News (The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts) 14, no. 5 (March 1948): unpaginated, erroneously as Portrait of Line Campineaunu [ sic].
Art in America (April 1948): (repro.), erroneously as Line Campineanu.
“Gallery Notes,” Gallery News (The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts) 14, no. 7 (May 1948): unpaginated, erroneously as Line Campineanu.
“Special Exhibitions,” Gallery News (The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Art) 15, no. 7 (April 1949): unpaginated, erroneously as Portrait of Line Campineanu.
“Art and Artists: New Wing of Nelson Gallery To Be Opened to Public Sunday; Roman Portrait Busts, Medieval Sculpture, Chinese Paintings Among New Acquisitions—North Loan to Feature Outstanding Pieces of European Works,” Kansas City Star 69, no. 196 (April 1, 1949): 29, erroneously as Portrait of Lina Campineanu.
The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, The William Rockhill Nelson Collection, 3rd ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1949), 65, (repro.), erroneously as Portrait of Line Campineanu.
Alice Elizabeth Chase, Famous Paintings: an Introduction to Art for Young People (New York: Platt and Munk, 1951), 82, (repro.), erroneously as Portrait of Line Campineanu.
Raymond Cogniat, French Painting at the Time of the Impressionists , trans. Lucy Norton (New York: Hyperion, 1951), 29, (repro.), erroneously as Portrait of Lina Campineanu.
P[atrick] J. K[elleher], “Forerunners of Modern Painting,” Gallery Notes (The Buffalo Fine Arts Academy, Albright Art Gallery) 16, nos. 2–3 (May–October 1952): 11, 14, (repro.), erroneously as Portrait of Line Campineanu.
Aline B. Louchheim , The Metropolitan Museum of Art Miniatures: Children in Art (New York: Metropolitan Museum of Art, 1953), unpaginated, (repro.), erroneously as Line Campineau [sic].
“New Acquisition,” Gallery News (The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts) 22, no. 8 (May 1955): unpaginated, (repro.), erroneously as Portrait of Line Campineanu.
Isabel Stevenson and Kate M. Monro, Index to Reproductions of European Paintings; A Guide to Pictures in More Than Three Hundred Books (New York: Wilson, 1956), 99, 372, erroneously as Lina Campineanu.
Ross E. Taggart, “Kansas City Art,” Library Journal 82, no. 12 (June 15, 1957): 1596.
“Open House for New K.U. Art,” Kansas City Times 122, no. 46 (February 23, 1959): 9.
Ross E. Taggart, ed., Handbook of the Collections in the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts , 4th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of fine Arts, 1959), 121, 261, (repro,), erroneously as Portrait of Line Campineanu.
The American Library Compendium and Index of World Art; Architecture, Sculpture, Painting, and the Minor Arts As Compiled from the Archives of the American Library of Color Slides (New York: American Archives of World Art, 1961), 150, erroneously as Portr. of Line Campineanu.
Estere Rubin, “If at First You Don’t Succeed,” Kansas City Star 82, no. 353 (September 5, 1962): 10F, (repro.).
Robert K. Sanford, “Stolen Manet Is of Academic Value,” Kansas City Star 82, no. 357 (September 9, 1962): 11D.
Alice Elizabeth Chase, Famous Paintings: An Introduction to Art (New York: Platt and Munk, 1962), 52, (repro.), erroneously as Portrait of Line Campineanu.
Pierre Courthion, Edouard Manet (New York: Harry N. Abrams, 1962), 21, (repro.), erroneously as Portrait of Line Campineanu.
Paintings, Drawings and Graphic Works by Manet, Degas, Berthe Morisot and Mary Cassatt, exh. cat. (Baltimore: Baltimore Museum of Art, 1962), 20, 45, 51, (repro.), erroneously as Portrait of Line Campineanu.
“Lost K.U. Art Work Is Found: FBI Recovers the $40,000 Manet Painting in Los Angeles,” Kansas City Times 126, no. 13 (January 15, 1963): 1.
Margaret Harold and Gus Baker, Portraits by the Masters (Fort Lauderdale, FL: Allied, 1963), P-26, (repro.), erroneously as Portrait of Line Campineanu.
Remus Niculescu, Georges de Bellio, l’ami des impressionnistes: Tirage à Part de la ‘Revue Roumaine d’Histoire de l’Art’, Tome 1, No 2 ([Bucarest]: Éditions de l’Académie de la République Socialiste de Roumaine, 1964), 220–21, 277, (repro.), as Portrait de Lise Campineano [sic].
Marilyn Stokstad, ed., Images: 23 Interpretations, exh. cat. (Lawrence, KS: University of Kansas Museum of Art, 1964), 31.
“Rare Pot Is Stolen From Folger Show,” Kansas City Times 98, no. 21 (October 1, 1965): 3A.
Henry C. Haskell, “Scanning the Arts,” Kansas City Star 86, no. 72 (November 28, 1965): [1]F.
Anne Coffin Hanson, Édouard Manet 1832–1883, exh. cat. (Philadelphia: Philadelphia Museum of Art, 1966), 164–65, (repro.), erroneously as Line de Bellio or Line Campineanu (Fillette à mi-corps).
George Heard Hamilton, “Is Manet still ‘Modern’?,” Art News Annual 31 (1966): 125, (repro.), erroneously as Line Campineanu.
Martha Schmierer and Richard Verdi, “Some Thoughts Arising from the Philadelphia-Chicago Manet Exhibition,” Art Quarterly (Fall–Winter 1967): 243.
Sandra Orienti, The Complete Paintings of Manet (New York: Harry N. Abrams, 1967), no. 255A, pp. 108–09, (repro.), erroneously as Fillette à Mi-Corps (Line Campineanu) (Half-Length Portrait of a Little Girl) .
Remus Niculescu, “Georges de Bellio: L’Ami des Impressionnistes,” Paragone 21, no. 247 (September 1970): 40, 81–82, (repro.) [repr. in, Remus Niculescu, Georges de Bellio: L’Ami des Impressionnistes (Florence: Paragone, 1970), 18, 40n59, 85–86], as Portrait de Lise Campineanu.
Sandra Orienti, The Complete Paintings of Manet (London: Weidenfeld and Nicolson, 1970), no. 255A, pp. 108–09, (repro.), erroneously as Fillette à Mi-Corps (Line Campineau) (Half-Length Portrait of a Little Girl) .
Marion Downer, Children in the World’s Art (New York: Lothrop, Lee, and Shepard, 1970), 114–15, (repro.), erroneously as Portrait of Line Campineanu.
Randolph A. Youle, et al., from the collection of the University of Kansas Museum of Art, exh. cat. (Houston: Museum of Fine Arts Houston, 1971), unpaginated.
“Indomitable Innovation: Influence of Edouard Manet on Modern painting,” MD: Medical Newsmagazine 15, no. 9, (September 1971): 132, (repro.), erroneously as Portrait of Line Campineanu.
Ellen Goheen, “From Romanticism to Pop,” Apollo 96, no. 130 (December 1972): 77, (repro.), erroneously as Portrait of Line Campineanu.
Anne Poulet, Faces from the World of Impressionism and Post-Impressionism: A Loan Exhibition for the benefit of The New York Chapter of The Arthritis Foundation , exh. cat. (New York: Wildenstein, 1972), unpaginated, (repro.), as Lise Campineanu.
John Rewald, The History of Impressionism, 4th rev. ed. (New York: Museum of Modern Art, 1973), 421, (repro.), as Lise Campineanu.
Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri , vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 161, (repro.), as Portrait of Lise Campineanu.
Denis Rouart and Daniel Wildenstein, Edouard Manet: Catalogue raisonné, vol. 1, Peintures (Lausanne, Switzerland: La Bibliothèque des arts, 1975), no. 284, pp. 226–27, (repro.), as Portrait de Lise Campinéano [sic].
“The Fourth Annual Joseph S. Atha Lecture: “The Part or the Whole: Manet, Degas and the Transformation of Space in Painting,” Anne Coffin Hanson, Ph.D., John Hay Whitney Professor, Yale University,” Kansas City Times 118, no. 51 (November 6, 1985): A-2, (repro.), as Portrait of Lise Campineanu.
Charles F. Stuckey and Juliet Wilson Bareau, Edouard Manet, exh. cat. (Tokyo: Art Life, 1986), 59, 159, (repro.), asPortrait of Lise Campineano (Portrait de Lise Campineano) [ sic].
Marc S. Gerstein, Impressionism: Selections from Five American Museums, exh. cat. (New York: Hudson Hills Press, 1989), 110–11, (repro.), as Portrait of Lise Campineanu.
Anne Distel, Impressionism: The First Collectors, trans. Barbara Perroud-Benson, (New York: Harry N. Abrams, 1990), 115, as Portrait of Lise Campineanu.
Bernard Denvir, Chronicle of Impressionism: An Intimate Diary of the Lives and World of the Great Artists (London: Thames and Hudson, 1993), 279.
Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 208, (repro.) as Portrait of Lise Campineanu.
Toledo Treasures: Selections from the Toledo Museum of Art, exh. cat. (Toledo, OH: Toledo Museum of Art, 1995), 21, (repro.).
Sona Johnston, Faces of Impressionism: Portraits from American Collections, exh. cat. (New York: Rizzoli International, 1999), 112-13, (repro.) as Portrait of Lisa Campinéanu [sic].
“Know Your Museum Tour,” Newsletter (The Nelson-Atkins Museum of Art) (Summer 2002): 8, (repro.), as Portrait of Lise Campineanu.
Marco Goldin, L’Impressionismo e l’età di Van Gogh, exh. cat. (Treviso, Italy: Fondazione Cassamarca/Casa dei Carraresi, 2002), 482.
“The Past Updated: Aspects of Manet’s Realism,” Newsletter (The Nelson-Atkins Museum of Art) (March–April 2004): 4, (repro.), as Portrait of Lise Campineanu.
Marianne Delafond, À l’apogée de l’impressionnisme: La collection Georges de Bellio, exh. cat. (Lausanne, Switzerland: La Bibliothèque des Arts, 2007), 32.
Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), XII, 119, (repro.), as Portrait of Lise Campineanu.
MaryAnne Stevens et al., Manet: Portraying Life, exh. cat. (London: Royal Academy of Arts, 2012), 125, 142, 196, (repro.), as Portrait of Lise Campinéanu [sic].
“First major exhibition to showcase Manet’s portraiture opens at the Royal Academy,” artdaily.org (January 26, 2013): https://artdaily.cc/news/60356/First-major-exhibition-to-showcase-Manet--146-s-portraiture-opens-at-the-Royal-Academy-of-Arts#.XxhrAqaWy0E, (repro.), as Portrait of Lise Campineanu.
Nicholas Wadley, “Faces in the crowd: A few of Manet’s majestic portraits shine through an uneven exhibition,” Times Literary Supplement, no. 5733 (February 15, 2013): 20.
Catherine Futter et al., Bloch Galleries: Highlights from the Collection of the Nelson-Atkins Museum of Art (Kansas City, MO: Nelson-Atkins Museum of Art, 2016), 71, (repro.), as Portrait of Lise Campineanu.
Hubertus Gaßner and Viola Hildebrand-Schat, eds., Manet—Sehen Der Blick Der Moderne, exh. cat. (Petersberg, Germany: Michael Imhof Verlag, 2016), 158, 160, 162, 166n13, (repro.), as Portrait de Lise Campinéanu [sic] and Porträt Lise Campinéanu [sic].
Glynnis Stevenson, “Edouard Manet, Portrait of Lise Campineanu, 1878,” catalogue entry, and Diana M. Jaskierny, “Edouard Manet, Portrait of Lise Campineanu, 1878,” technical entry in French Paintings and Pastels, 1600–1945: The Collections of The Nelson-Atkins Museum of Art, Aimee Marcereau DeGalan, ed., (Kansas City: The Nelson-Atkins Museum of Art, 2021), https://doi.org/10.37764/78973.5.524.4033.
