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Betrothal Portrait of a Man

Artist Barthel Bruyn the Younger and Workshop (German, ca.1530 - 1607/1610)
Formerly attributed to Hans Holbein the Younger (German, 1497/1498 - 1543)
Date1558
MediumDiptych, oil on wood panel (oak)
Dimensionsoverall: 22 × 16 inches (55.88 × 40.64 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number46-9/1
SignedNone
InscribedA DM 1558 AETATIS SV[A]E 38
On View
Not on view
Collections
DescriptionThree-quarter-length portrait of a man facing right, wearing a black coat with broad collar and lapels of brown fur, black hat, white lace at throat, beard and mustache. Holding pair of gloves in left hand, right hand with ringed forefinger resting on table in foreground. Background green.Exhibition History

Masterpiece of the Month, Nelson-Atkins Museum of Art, Kansas City, MO, Summer 1946, no cat.

Provenance

Private collection, Scotland, by 1936;

Purchased from the latter by an unknown dealer, England, by 1936;

Purchased from the latter by Albert Duveen (1892-1965), New York, 1936 [1];

Private collection, U.S., by January 16, 1946 [2];

Purchased from the latter through Clyfford Trevor, New York, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1946.

NOTES:

[1] Comments by Albert Duveen dated March 5, 1940, preserved in the Frick Art Reference Library, New York, indicate the picture was once in a castle in Scotland where it had been attributed to Hans Holbein the Younger. It was sold through an unnamed English dealer to Duveen in 1936.

[2] See correspondence from Clyfford Trevor, NAMA curatorial files. Trevor described himself as a “consultant on art matters.”

Published References

Possibly Catalogue of the Genuine and Valuable Collection of Pictures, chiefly French, Flemish and Dutch, the Property of a Gentleman (London: Christie, Manson and Woods, February 20, 1824), unpaginated, as by Hans Holbein the Younger.

Possibly Catalogue of the First Part of the Extensive and Very Valuable Collection of Italian, French, and Dutch Pictures, and Some Drawings Framed and Glazed, Formed at the Great Expense by the late George Gillow, Esquire (London: Christie, Manson and Woods, April 8, 1824), 10, as by Hans Holbein the Younger.

Written attestation by Albert Duveen, March 5, 1940, in Frick Art Reference Library, New York, as by Hans Holbein the Younger.

“Two new German Portraits Acquired by Nelson Gallery,” Kansas City Star (January 14, 1946), clipping, NAMA curatorial files.  

“Masterpiece of the Month,” Gallery News (The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts) 12, no. 10 (Summer 1946): 3-4.

Letters between Clyfford Trevor and Paul Gardner, January-May 1946, NAMA curatorial files.

Letter from Clyfford Trevor to E. Manning, May 24, 1947, Frick Art Reference Library, New York.

Ross E. Taggart, ed., Handbook of the Collections in the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 4th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1959), 261.

Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 259.

Hana Seifertová, “Kölner Bildnisse in Böhmen,” Wallraf-Richartz-Jahrbuch 50 (January 1989): 327n7.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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