Boy Masquerading as a Sultan
Original Language TitleKnabe als Sultan
Modeler
Johann Peter Melchior
(German, 1742 - 1825)
Manufacturer
Höchst Ceramics Manufactory
(German, founded 1746)
Date1770-1775
MediumHard-paste porcelain with enamel and gilding
DimensionsOverall: 7 1/4 inches (18.42 cm)
Credit LinePurchase: the Caroline N. Berkowitz Fund
Object numberF73-18/1
On View
On viewGallery Location
- 121
Collections
DescriptionStanding male figure, head turned to proper right, proper left foot extended, proper right fist resting on protruding hip. Dressed in Turkish costume including turban and full length, pale, pinkish-violet cloak and turquoise sash over patterned shirt and full pantaloons; wears burnt orange shoes. Elaborate necklace rests on slightly bulging stomach. Black face mask held in proper left hand. Base is in the hspe of an irregular, grassy mound. Blue wheel mark painted on bottom.Exhibition HistoryLuxury and Passion: Inventing French Porcelain, The Nelson-Atkins Museum of Art, Kansas City, Missouri, August 13 2022–August 12 2024, no cat.
The aristocracy of 18th-century Europe favored an opulent lifestyle enriched with decorative wares in a variety of luxurious materials, including gold, silver and porcelain. Inspired by exoticism, the Meissen Pagod with a parrot perched on her arm is a European interpretation of a female version of the Asian god of happiness. Not simply decorative, the pagod's open mouth allowed incense aromas to escape from her hollow form. Bringing refinement to the table and, like the pagod and Boy Masquerading as a Sultan, reflecting the European fascination with foreign cultures, the Meissen Cream Pot is ornately decorated with gilded, exotic scenes including palm trees and monkeys. The gilded Sugar Box, produced in Augsburg, an 18th-century goldsmithing center, may have been part of a fashionable, elaborate traveling service.
Kurt Röder and Michel Oppenheim. Das Höchster Porzellan auf der Jahrtausend-Ausstellung in Mainz 1925, exh. cat. (Mainz, Germany: L. Wilckens, 1930): nos. 382, 384, p. 70; plates 71a, 71c, 71e
K.H. Esser and Horst Reber, Höchster Fayencen und Porzellane, exh. cat. (Mainz, Germany: Altertumsmuseum und Gemäldegalerie der Stadt Mainz, 1964): no. 175, p. 112 (ill).
Patricia Stahl. Höchster Porzellan, 1746-1796, exh. cat. (Frankfurt am Main: Historisches Museum der Stadt Frankfurt am Main/Edition Braus, 1994): no. 6.8.10 (with cmopanion). p. 254 (ill.)
Information about a particular artwork or image, including provenance information,
is based upon historic information and may not be currently accurate or complete.
Research on artwork and images is an ongoing process, and the information about a
particular artwork or image may not reflect the most current information available to the Museum.
If you notice a mistake or have additional information about a particular artwork or image,
please e-mail provenance@nelson-atkins.org.