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Late Classic Serape

CultureDiné (Navajo), Arizona or New Mexico
Dateca. 1865
MediumRaveled cochineal-dyed bayeta, handspun vegetal-dyed and indigo-dyed Churro fleece, and commercial machine-spun undyed Germantown wool yarn
DimensionsOverall: 70 3/4 × 52 1/4 inches (179.71 × 132.72 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number33-1431
On View
Not on view
Exhibition History
Origins: Collecting to Create the Nelson-Atkins, The Nelson-Atkins Museum of Art, Kansas City, MO, August 14, 2021-March 6, 2022.
Gallery Label
Of all Navajo blanket types the serape is the only one not related to classic Pueblo textiles, which are considered by many scholars to be the basis of Navajo weaving. In these dramatic works, Navajos appropriated Spanish and Mexican design elements-horizontally striped grids, diamond motifs and zigzag lines-incorporating them into complex, visually dynamic compositions. Late classic designs are more loosely organized than the tightly integrated arrangements that distinguish earlier serapes; also, most late classic weavings such as this feature a clearly defined background, which is often a vivid red. As a result, individual motifs appear to float apart from the ground. In this work, synthetically dyed, commercial wools acquired in trade augment the rich natural colors produced by the weaver.
Provenance

With Fred Harvey Company, Albuquerque, NM, by 1933;

Purchased from Fred Harvey Company by The Nelson-Atkins Museum of Art, Kansas City, MO, 1933.

Published References
Torrence, Gaylord, ed. Continuum: North American Native Art at the Nelson-Atkins Museum of Art. Kansas City: Nelson-Atkins Museum of Art.
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