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Footed Bowl with Arabesque Decoration
Footed Bowl with Arabesque Decoration

Footed Bowl with Arabesque Decoration

CulturePersian
Date13th century
MediumFritware, under-glaze cobalt slip painting, and over-glaze painting with clear lead glaze
DimensionsOverall: 3 7/8 × 8 1/2 inches (9.84 × 21.59 cm)
Credit LinePurchase: acquired through the generosity of Mr. and Mrs. Milton McGreevy through the Mission Fund
Object numberF72-32
On View
Not on view
Exhibition History

The Heritage of Islam: an exhibition organized by the National Committee to Honor the 14th Centennial of Islam, Houston Museum of Natural Science, March 10–May 30, 1982; The California Academy of Sciences, San Francisco, July 2, 1982–January 2, 1983; Museum of Art, Carnegie Institute, Pittsburgh, February 26–April 24, 1983; National Museum of Natural History, Smithsonian Institution, Washington D.C., June 1–September 5, 1983, no. 11 as Ceramic Bowl.

Echoes: Islamic Art and Contemporary Artists, The Nelson-Atkins Museum of Art, Kansas City, Missouri, August 31, 2013-April 27, 2014, no cat.

Gallery Label
The brilliant blue color of this bowl is matched by its exuberant decoration of scrolling, overlapping vines.  Loose, black, calligraphic lines outline white curving stems and split leaves, the characteristic elements of Islamic arabesque decoration.  While Chinese porcelains commonly come to mind when thinking of blue and white ceramics, the use of cobalt slip against a white or light ground was first developed in the Islamic lands, by 9th century potters in Basra, Iraq.
Provenance

With Galerie für Grieschische, Römische, und Byzantische Kunst, Frankfurt, Germany, by 1972;

Purchased from Galerie für Grieschische, Römische, und Byzantische Kunst by Milton (1903-1980) and Barbara (née James, 1905-1996) McGreevy, Shawnee Mission, KS, 1972;

Their gift to The Nelson-Atkins Museum of Art, Kanas City, MO, 1972.

Published References

National Committee to Honor the Fourteenth Centennial of Islam, Patterns and Precision, the arts and sciences of Islam, exh. cat. (National Committee to Honor the Fourteenth Centennial of Islam: Washington, D. C., 1982), 49.

Thomas W. Lippman, “Cultural Heritage of Islam through Fourteen Centures,” Smithsonian 14, no. 3 (June 1983): 66, 68, (repro.).

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 399, (repro.).

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 27, fig. 12, (repro.).

Robert Cohon et al. Ceramics:  Highlights from the Collection of the Nelson-Atkins Museum of Art (Kansas City, MO: Nelson-Atkins Museum of Art, 2016), 44-45, (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


interior overall
late 12th-early 13th century
32-24
interior overall
late 12th-early 13th century
35-31/4
overall
18th century
32-57/12
overall
18th century
32-56/8
overall
19th century
32-57/4
side A overall
12th century
32-115/10
Bowl
10th century C.E.
54-79
overall interior
10th century C.E.
54-80