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Ōnakatomi no Yoshinobu, One of the Thirty-Six Immortal Poets
Ōnakatomi no Yoshinobu, One of the Thirty-Six Immortal Poets

Ōnakatomi no Yoshinobu, One of the Thirty-Six Immortal Poets

Original Language Title江戸時代 岩佐又兵衛画、尊純法親王書 三十六歌仙巻断簡、大中臣能宣 紙本墨書画
Artist Iwasa Matabei (Japanese, 1578 - 1650)
Calligrapher Prince Shonjun (Japanese, 1591 - 1653)
DateEdo period (1615-1868)
MediumFragment of a handscroll mounted as a Hanging scroll; ink and color on paper
DimensionsOverall (with knobs): 47 1/2 × 18 7/8 inches (120.65 × 47.93 cm)
Overall (without knobs): 47 1/2 × 16 5/8 inches (120.65 × 42.24 cm)
Image: 11 3/16 × 12 3/4 inches (28.42 × 32.39 cm)
Credit LineBequest of Mrs. George H. Bunting Jr.
Object number81-27/33
On View
Not on view
Collections
DescriptionPoet shown in three-quarter rear view seated with legs folded on a blank ground and resting on his right arm. Dressed in Heian-period court garb, the black outer robe and voluminous trousers treated in a Yamato-e manner; unidentified inscription fills upper void of blank paper. Poem can be approximately translated as "To a lifetime of a 1000 years/ Even the life of the pine is/ short - but/ From today/ Under its spell/ It has become 10,000."Gallery Label

Ōnakatomi no Yoshinobu (921–991 C.E.) was one of thirty-six poets celebrated since the Heian period (794–1185) for their exemplary work. Prince Shonjun, a Kyoto aristocrat acquainted with the painter Iwasa Matabei, wrote Yoshinobu’s poem on this portrait:

The pine, by legend,

Is limited to a lifetime of a hundred years.

But under your benign influence

Will it perhaps last as long as ten thousand?

Provenance

With Takeuchi Ryūji, by 1973;

 

With Mathias Komor, New York, no. E437, by December 18, 1973-February 28, 1974;

 

Purchased from Komor by Karen Dean Bunting (1912-1981), Mission Hills, KS, February 28, 1974-1981 [1];

 

Her bequest to The Nelson-Atkins Museum of Art, Kansas City, MO, 1981.

 

NOTES:

 

[1] Komor’s invoice and correspondence with Bunting are in the Nelson-Atkins curatorial files.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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