Water Jar
CultureBambara peoples
Date20th century
MediumLow-fired clay
DimensionsOverall: 22 3/4 × 17 inches (57.79 × 43.18 cm)
Credit LinePurchase: William Rockhill Nelson Trust through the George H. and Elizabeth O. Davis Fund
Object number96-36/1
On View
Not on viewCollections
DescriptionLarge ceramic jar; the upper section is decorated with three stylized lizards in relief against a background of geometric engraved lines. The lower two thirds of the jar is decorated with a dimpled surface.Gallery LabelThe Bamana believe that raw clay possesses extraordinary, potentially harmful amounts of nyama, the vital, spiritual energy animating all things. The best clay comes from the bush, a powerful, dangerous, wilderness realm. Bamana pots must be made by a special lineage of women (numumusow) who possess the spiritual knowledge to work with clay and fire's transformative forces. Here, three lizards-creatures of water and land-span the water jar's upper and lower divisions, which also symbolize two cosmological realms.
With Ali Sillah, Guinea, by August 1990;
Purchased from Ali Sillah by Douglas Dawson, Chicago, IL, stock no. 1502, August 1990-August 1996 [1];
Purchased from Dawson by The Nelson-Atkins Museum of Art, Kansas City, MO, 1996.
NOTES:
[1] According to Douglas Dawson, in email correspondence with MacKenzie Mallon, Specialist, Provenance, July 17, 2022, NAMA curatorial files, Ali Sillah was a trader from Guinea.
Newsletter (The Nelson-Atkins Museum of Art, Summer 1997): 3, (repro.).
Catherine Futter et al., Ceramics: Highlights of the Nelson-Atkins Museum of Art (Kansas City, MO: Nelson-Atkins Museum of Art, 2016), 51, (repro.).
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