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Upright Motive No. 9

Artist Henry Spencer Moore (English, 1898 - 1986)
Date1979
MediumBronze
DimensionsOverall: 144 × 41 1/2 × 41 1/2 inches (365.76 × 105.41 × 105.41 cm)
Credit LineGift of the Hall Family Foundation
Object numberF99-33/15
Signedno visible signature
Markingsleft rear side of base: "Morris Singer Founders London"
Edition/State/Proofed. of 6
On View
On view
Gallery Location
  • Donald J. Hall Sculpture Park
Collections
Gallery Label
Upright Motive No. 9 represents an abstract human form emerging from a kind of pedestal. Henry Moore acknowledged that he was inspired by the verticality of trees and Northwest Coast American Indian totem poles. On the Oak Street side of the Donald J. Hall Sculpture Park, Charles Heit and Kenny Mowatt's Totem Pole is an example of this form. Merging traditions, Moore's columnar form also refers to herms, the sculptued stone figures in European formal gardens of the 1600-1800s.
Copyright© Artists Rights Society (ARS), New York / DACS, London
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Three Motives Against Wall
Henry Spencer Moore
1959
F99-33/21
Maquette for Upright Internal/External Form: Flower
Henry Spencer Moore
1951; cast 1965
F99-33/61
Two-Piece Reclining Figure No. 9
Henry Spencer Moore
1968
F99-33/19
Working Model for Two Piece Reclining Figure: Cut
Henry Spencer Moore
1978-1979
F99-33/26
Working Model for Thin Reclining Figure
Henry Spencer Moore
1978
F99-33/27
Seated Woman on Curved Block
Henry Spencer Moore
1957
F99-33/51
Seated Woman
Henry Spencer Moore
1958-1959; cast 1983
F99-33/14
Family Group
Henry Spencer Moore
1944; cast 1946
F99-33/55
Mother and Child: Pisano
Henry Spencer Moore
1976
F99-33/58
overall
Henry Spencer Moore
1967
F99-33/36
Seated Figure: Armless Draped
Henry Spencer Moore
1961; cast 1983
F99-33/48
Small Maquette No. 1 for Festival Figure
Henry Spencer Moore
1950
F99-33/62