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Azokouè

Artist Romuald Hazoumè (Beninese, born 1962)
Date2016
MediumFound objects
DimensionsOverall: 14 1/4 × 12 7/8 × 2 3/4 inches (36.2 × 32.7 × 6.99 cm)
Credit LinePurchase: acquired through the generosity of the William W. Baker Art Acquisition Fund
Object number2017.52.2
Signedverso: “AZOKOUÈ” 2016 FRHAZOUMÈ"
On View
On view
Gallery Location
  • L9
Collections
DescriptionThe object is a mask made from found materials. The body of the mask is made from a round plastic container lid with the handle of the lid representing the nose and the pouring spout representing the mouth of the mask. A crack in the plastic above the ‘nose’ has been sutured close with copper wire. Ten wooden pipes have been placed in holes drilled into the top edge of the lid. What appears to be melted plastic is centered on the forehead. The black plastic appears to be considerably faded. Copper wire is used as the hanging mechanism.Gallery Label

"I send back to the West that which belongs to them, that is to say, the refuse of consumer society that invades us every day." - Romuald Hazoumè

At first glance, these masks made from found objects may appear whimsical. The plastic jerrycans featured here, however, have a different meaning in the artist’s home country. In Benin, these jugs are used on the black market to transport gasoline. The lack of accessible gasoline is one example of the lingering economic disparity between African countries and former colonial powers. By using these objects in his art, Hazoumè tackles issues of postcolonial power structures in addition to consumption and consumerism.

Provenance

With October Gallery Trust, London, 2017;

Purchased from the October Gallery Trust by The Nelson-Atkins Museum of Art, Kansas City, MO, 2017.

Copyright© Romuald Hazoumè and Artists Rights Society (ARS), New York / ADAGP, Paris
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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