Baptism
Artist
Doris Ulmann
(American, 1882 - 1934)
Date1929-1931
MediumPlatinum print
DimensionsImage and sheet: 8 1/16 × 6 1/16 inches (20.48 × 15.4 cm)
Mount: 14 1/4 × 11 1/4 inches (36.2 × 28.58 cm)
Mount: 14 1/4 × 11 1/4 inches (36.2 × 28.58 cm)
Credit LineGift of the Hall Family Foundation
Object number2017.61.42
SignedPer note on packing materials, photograph is signed, titled, and dated on sheet verso, top: “DORIS ULMANN BAPTISM, C.1929” [could not confirm]
Inscribednone
MarkingsOn mount verso, bottom, in pencil: “Pay720-3”
On View
Not on viewCollections
DescriptionImage of three individuals wearing white garments standing in water up to their knees. Two men stand on either side of a woman; their hands holding hers, which are clasped at her waist as she bows her head. A forest surrounds the narrow body of water.Gallery LabelDoris Ulmann’s best-known work was produced after she visited the South Carolina plantation of novelist Julia Peterkin. The plantation employed a large community of Gullah workers—descendants of West African slaves with a distinctive language and culture. This photograph was published in Ulmann and Peterkin’s book Roll Jordan Roll. Baptism combines the soft-focused aesthetic of the Pictorialist style with the photographer’s keen eye for social observation.
with Houk Friedman Gallery, New York, NY by 1995;
Purchased from them by Howard Stein (1926-2011) , New York, NY, 1995;
His gift to The Joy of Giving Foundation, New York, NY;
Purchased at their sale The Odyssey of Collecting: Photographs from Joy of Giving Something, Phillips, New York, NY, April 4, 2017, lot 67 by The Hall Family Foundation, Kansas City, MO, 2017;
Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 2017.
Purchased from them by Howard Stein (1926-2011) , New York, NY, 1995;
His gift to The Joy of Giving Foundation, New York, NY;
Purchased at their sale The Odyssey of Collecting: Photographs from Joy of Giving Something, Phillips, New York, NY, April 4, 2017, lot 67 by The Hall Family Foundation, Kansas City, MO, 2017;
Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 2017.
Information about a particular artwork or image, including provenance information,
is based upon historic information and may not be currently accurate or complete.
Research on artwork and images is an ongoing process, and the information about a
particular artwork or image may not reflect the most current information available to the Museum.
If you notice a mistake or have additional information about a particular artwork or image,
please e-mail provenance@nelson-atkins.org.