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My Cage

Original Language TitleMi Jaula
Artist Kcho (Cuban, born 1970)
Date1991
MediumTree branches and cane thread and mud
DimensionsOverall: 40 9/16 × 149 5/8 × 31 7/8 inches (103 × 380 × 81 cm)
Credit LineGift of Aldo Rubino
Object number2016.19.1-3
On View
Not on view
Collections
DescriptionThis sculpture is a long biomorphic shape that resembles a cage or trap composed of tree branches and cane thread. The form is long. It comes to a singular point at one end, while the opposite end terminates in two pointed shapes. The overall configuration is bound together by cane thread interwoven through the branches as circular loops.Exhibition History

KCHO: Todo Cambia, The Museum of Contemporary Art, Los Angeles, October 5, 1997-February 8, 1998, unnumbered.

 

Kcho. The Infinite Column, Palacio de Cristal, Museo Nacional Centro de Arte Reina Sofía, Madrid, February 8-May 7, 2000, unnumbered.

Gallery Label

Could you fit inside this sculpture? Made of traditional materials, My Cage recalls crafts—especially fish traps—but on a massive scale. My Cage’s title and size suggest the sculpture may be a metaphor for captivity. As the artist is Cuban, it may also represent the nation’s citizens’ confinement within their own country (until recently, Cubans couldn’t travel abroad without permission).

Kcho (KAH-cho) is one of the most important contemporary Cuban artists. Many of his works, including My Cage, reference waves and water. The artist acknowledges that life in Cuba impacts his art, stating, "Everything that defines Cuba came from the sea."

Provenance

Purchased from Sotheby's, New York, Latin American Art, May 28, 2009, lot 179 by Aldo Rubino, 2009;


His gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 2016.





Published References

Alma Ruiz, “Todo Cambia,” in Kcho: Todo Cambia, exh. cat. (Los Angeles:  The Museum of Contemporary Art, 1997): unpaginated.

Kcho. La Columna Infinita, exh. cat. (Madrid: Museo Nacional Centro de Arte Reina Sofia, 2000): 110.

Copyright© Kcho
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