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The vast ceremonial hall of the château dwarfing Picasso and his son Paulo, as the artist explains his daydream plans for the vaulted room, which he never touched
The vast ceremonial hall of the château dwarfing Picasso and his son Paulo, as the artist explains his daydream plans for the vaulted room, which he never touched

The vast ceremonial hall of the château dwarfing Picasso and his son Paulo, as the artist explains his daydream plans for the vaulted room, which he never touched

Artist David Douglas Duncan (American, 1916 - 2018)
Date1956-1959; printed 2013
MediumInkjet print
DimensionsImage: 13 3/4 × 20 7/8 inches (34.93 × 53.02 cm)
Sheet: 20 1/16 × 24 inches (50.96 × 60.96 cm)
Credit LineGift of David Douglas Duncan
Object number2014.11.132
Signednone
Inscribednone
Markingsnone
On View
Not on view
Collections
DescriptionImage of Picasso standing in large vaulted room with another.
Copyright© Harry Ransom Center, The University of Texas at Austin
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


Picasso personally opened every letter, sometimes reading appeals so profound that he and Jacqueline seemed almost crushed, with the writer never knowing the impact of his words
Picasso personally opened every letter, sometimes reading appeals so profound that he and Jacqueline seemed almost crushed, with the writer never knowing the impact of his words
David Douglas Duncan
1957; printed 2013
2014.11.121
Picasso personally opened every letter, sometimes reading appeals so profound that he and Jacqueline seemed almost crushed, with the writer never knowing the impact of his words
Picasso personally opened every letter, sometimes reading appeals so profound that he and Jacqueline seemed almost crushed, with the writer never knowing the impact of his words
David Douglas Duncan
1957; printed 2013
2014.11.122
Picasso's home at Villa La Californie was a world apart, an enchanted place where the artist's oldest and newest friends seemed drawn by the same magic that had lured so many others to his bleak studio soon after he arrived in Paris from Barcelona. Daniel-Henry Kahnweiler and Picasso wear masks while New York gallery owner Eleanor Saidenberg looks on
Picasso's home at Villa La Californie was a world apart, an enchanted place where the artist's oldest and newest friends seemed drawn by the same magic that had lured so many others to his bleak studio soon after he arrived in Paris from Barcelona. Daniel-Henry Kahnweiler and Picasso wear masks while New York gallery owner Eleanor Saidenberg looks on
David Douglas Duncan
1957; printed 2013
2014.11.99
Picasso, Jacqueline, and Paulo moving pictures from the personal collection of the artist, including View of L'Estaque Behind the Trees by Cézanne, Château de Vauvenargues
Picasso, Jacqueline, and Paulo moving pictures from the personal collection of the artist, including View of L'Estaque Behind the Trees by Cézanne, Château de Vauvenargues
David Douglas Duncan
1959; printed 2013
2014.11.131
Picasso at the door of his Château de Vauvenargues
Picasso at the door of his Château de Vauvenargues
David Douglas Duncan
1962; printed 2013
2014.11.145
Picasso, pensive on the day of the move to Provence, sits at his dining room table one last time
Picasso, pensive on the day of the move to Provence, sits at his dining room table one last time
David Douglas Duncan
1958; printed 2013
2014.11.136
Pablo Picasso at Vauvenargues in his studio
Pablo Picasso at Vauvenargues in his studio
David Douglas Duncan
1962; printed 2013
2014.11.133
Picasso on La Californie's third-floor balcony, where his pigeons lived. Cannes and the Mediterranean fill the horizon beyond his garden
Picasso on La Californie's third-floor balcony, where his pigeons lived. Cannes and the Mediterranean fill the horizon beyond his garden
David Douglas Duncan
1957; printed 2013
2014.11.10
After Jacqueline gave up trying to teach Pablo a ballet routine, the moment she sat down, he twirled away in his own routine, stomping and whirling, a combination square dance and dervish
After Jacqueline gave up trying to teach Pablo a ballet routine, the moment she sat down, he twirled away in his own routine, stomping and whirling, a combination square dance and dervish
David Douglas Duncan
1957; printed 2013
2014.11.118
Know the Casual Abandon of the Bear, and His Pose - He Swats Up the Fish Like His Own Little Toys
Know the Casual Abandon of the Bear, and His Pose - He Swats Up the Fish Like His Own Little Toys
Arthur Tress
1988
F96-47/2
I don't feel that Richie playing with guns will have a negative effect on his personality. (He already wants to be a policeman). His childhood gun-playing won't make him into a cop-shooter.
I don't feel that Richie playing with guns will have a negative effect on his personality. (He already wants to be a policeman). His childhood gun-playing won't make him into a cop-shooter.
Bill Owens
ca. 1972; printed 1998
2007.54.71
Picasso with his Son Claude, a Visitor to La Californie
Picasso with his Son Claude, a Visitor to La Californie
David Douglas Duncan
1958
R58-18/54 A