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Mosaic Spandrels of an Arch

CulturePersian
Dateearly 17th century
MediumGlazed ceramic tile and gold leaf
DimensionsAssembled: 102 5/8 x 233 1/8 inches (260.68 x 592.15 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number33-663/1-10
On View
Not on view
Exhibition History

Echoes: Islamic Art and Contemporary Artists, The Nelson-Atkins Museum of Art, Kansas City, Missouri, August 31, 2013-April 27, 2014.

Origins: Collecting to Create the Nelson-Atkins, The Nelson-Atkins Museum of Art, Kansas City, MO, August 14, 2021-March 6, 2022.

Gallery Label

This mosaic was created to decorate an arched entrance portal, known as an iwan, similar to the one shown in the photograph. It dates to the reign of Shah Abbas I (r. 1587–1629), who moved the capital of his Safavid kingdom to Isfahan in central Iran. After the move, Abbas began a massive urban planning project, creating a new city center and constructing new and renovating old buildings. The style of decoration of this mosaic is characteristic of this period, and would have been adorn a grand entranceway in the Shah’s new city.

 

During the 14th century, Iranian artists perfected the technique of creating ceramic mosaics. Mosaics were labor-intensive but allowed artists to create finely detailed designs in multiple colors. To create mosaics, potters would manufacture large tiles in a variety of glazes and colors. These were cut into small pieces and laid over a cartoon (a drawn pattern for the larger design). Then, plaster was poured on the back to affix the mosaic to a backing. The mosaic was then cut into sections and hung onto a wall.

Provenance

With Ayoub Rabenou (1902-1984), Paris, by 1933 [1];

With Arthur Upham Pope (1881-1969), New York and Itran, Iran, by 1933;

Purchased from Arthur Upham Pope by The Nelson-Atkins Museum of Art, Kansas City, MO, 1933.

 

[1] It is very likely that Pope learned of the spandrels from Rabenou, a dealer and close associate of Pope.  See Yuka Kadoi, ed., Arthur Upham Pope and a New Survey of Persian Art, vol. 10, Studies in Persian Cultural History (Leiden: Brill, 2016).

Published References

The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Handbook of the William Rockhill Nelson Gallery of Art (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1933), 89, (repro.).

Sundar Waqar, "Islamic art: Echo and Return." in The Express Tribune [online], September 23, 2013, (repro.).

Masteller, Kimberly. “Meiguo Na’evxun-Atejinsi Meishuguan [The Nelson-Atkins Museum of Art in the United States].” in Meichen Zai Jiu [Orientations] 2 (November 2014): 107, (repro.). 

Masteller, Kimberly. “Pope and Collecting Persian Art for Kansas City.” In Arthur Upham Pope and a New Survey of Persian Art, edited by Yuka Kadoi (Leiden and Boston: Brill, 2016), 261, 281–85, 289, fig. 10.1, fig. 10.7 (repro.).

Robert Cohon, et al. Ceramics:  Highlights from the Collection of the Nelson-Atkins Museum of Art (Kansas City, MO: Nelson-Atkins Museum of Art, 2016), 46-47, (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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