Sandpainting Tapestry (Whirling Logs pattern variant)
Artist
Gladys Manuelito
(North American Indian, Diné (Navajo), New Mexico, 1893 - 1987)
Dateca. 1950
MediumHandspun undyed, vegetal-dyed, and synthetic-dyed Merino fleece
DimensionsOverall: 71 × 69 inches (180.34 × 175.26 cm)
Credit LineGift of Susan De Jong in honor of the 75th anniversary of The Nelson-Atkins Museum of Art
Object number2016.53
On View
Not on viewCollections
DescriptionSquare wool rug with woven pictorial elements that resemble a sand painting.Gallery LabelSand painting textiles are tapestries woven from designs traditionally drawn in colored sand, ground mineral pigments and pollen by Navajo medicine men during curing rituals. The ceremonies are mythic narratives, essentially song ceremonials, and the accompanying sand paintings illustrate episodes of the narratives and function as an integral part of the cure. Sand paintings have always been regarded as sacred and impermanent. At some time between 1919 and 1930, respected holy man Hosteen Klah began to reproduce sand paintings as weavings; the practice made many Navajo uneasy, but the tradition has continued. Klah taught his techniques and designs to his two nieces, Gladys and Irene Manuelito, who became expert weavers in their own right. This superb textile combines elements of the Whirling Logs and Fringe Mouth designs.
Joe Gosnell, St. Louis Park, MN;
Susan and Conrad De Jong, Santa Fe, NM, 1991-2016;
Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 2016.
Torrence, Gaylord, ed. Continuum: North American Native Art at the Nelson-Atkins Museum of Art. Kansas City: Nelson-Atkins Museum of Art.
Copyright© Estate of Gladys Manuelito
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Mrs. Many Goats
ca. 1930
2018.77.3