Presentation Cane
Artist
Charles Edenshaw
(North American Indian, Haida, 1839 - 1920)
Dateca. 1900-1910
MediumWood (crabapple), marine mammal ivory, silver, and abalone shell
DimensionsOverall: 37 7/8 × 1 7/8 × 2 3/4 inches (96.2 × 4.76 × 6.99 cm)
Credit LineFrom the Estelle and Morton Sosland Collection
Object number2009.41.12
On View
On viewGallery Location
- 206
Collections
DescriptionCarved wooden cane with serpent and an ivory finial carved with a progression of human faces.Gallery LabelCharles Edenshaw is perhaps the best known and most accomplished of all Haida artists of the historic period. His works are known for their superb artistry and craftsmanship, and both his creations and extensive knowledge of Haida traditions were eagerly sought by museums and anthropologists. These canes are three of perhaps a dozen elaborate versions he is known to have produced over a 25-year period. Most were made for presentation or as gifts to important and respected officials and dignitaries.
All three canes feature finely carved whale ivory handles set into engraved silver ferrules. The two outer canes date from Edenshaw's later period (ca. 1900-1910) and include geometric designs that transition into crabapple wood shafts carved with spiral snakes and abalone-inlaid branch nubs. The handle of the cane on the left depicts a well known Haida myth- the story of Raven discovering Mankind in a clamshell-while the handle on the right is carved with shamanistic imagery. An earlier version (ca. 1885) in the center portrays a human hand holding a whale; here, the image of a sea lion rather than snakes wraps around the shaft.
All three canes feature finely carved whale ivory handles set into engraved silver ferrules. The two outer canes date from Edenshaw's later period (ca. 1900-1910) and include geometric designs that transition into crabapple wood shafts carved with spiral snakes and abalone-inlaid branch nubs. The handle of the cane on the left depicts a well known Haida myth- the story of Raven discovering Mankind in a clamshell-while the handle on the right is carved with shamanistic imagery. An earlier version (ca. 1885) in the center portrays a human hand holding a whale; here, the image of a sea lion rather than snakes wraps around the shaft.
Torrence, Gaylord, ed. Continuum: North American Native Art at the Nelson-Atkins Museum of Art. Kansas City: Nelson-Atkins Museum of Art.
Information about a particular artwork or image, including provenance information,
is based upon historic information and may not be currently accurate or complete.
Research on artwork and images is an ongoing process, and the information about a
particular artwork or image may not reflect the most current information available to the Museum.
If you notice a mistake or have additional information about a particular artwork or image,
please e-mail provenance@nelson-atkins.org.