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Sea Urchin Transformation Object

CultureKwakwaka'wakw (Kwakiutl), British Columbia, Canada
Dateca. 1890-1920
MediumWood, pigment, brass-plated steel hinges, cordage, and nails
DimensionsOverall (open): 11 × 32 5/8 × 9 3/8 inches (27.94 × 82.88 × 23.8 cm)
Credit LineFrom the Estelle and Morton Sosland Collection
Object number2009.41.2
On View
Not on view
Gallery Location
  • 206
DescriptionWooden object with carved base painted in white, green, red and black with two hinged closures painted on the interior with red and white stripes with green dashes.Gallery Label
The concept of transformation-the ability to change from one form to another-is fundamental to the religious beliefs of many Pacific Northwest Coast cultures. The term also refers to the portrayal of two or more aspects or identities within a single representation. Transformation is expressed in countless and varied forms of Northwest Coast art, but seldom more vividly than in articulated masks and performance objects such as this. In works of this kind, the outer image is made of two or more hinged parts that enabled the dancer to open it during the ceremony, revealing a second image within. Either suspended or supported from below and manipulated by cords, the object was transformed from sea urchin to human, which must have been both memorable and dramatic.
Published References
Torrence, Gaylord, ed. Continuum: North American Native Art at the Nelson-Atkins Museum of Art. Kansas City: Nelson-Atkins Museum of Art.
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