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Charger

Artist Ralph Toft (English, active 1660 - 1689)
Dateca. 1660-1680
MediumEarthenware with slip and lead glaze
DimensionsOverall: 3 × 18 inches (7.62 × 45.72 cm)
Credit LineGift of Mr. and Mrs. Frank P. Burnap
Object number41-23/787
On View
On view
Gallery Location
  • 112
Gallery Label
The bold names and dates incorporated into the pottery's decoration promote a position of status for both the patron who could afford such objects and the potter who wished to market his wares. Some of the most elaborately executed slipware pieces are associated with members of the Toft family, such as this charger by Ralph Toft. Here, a mermaid with long, flowing hair and coiled fishtail holds her attributes, a comb and mirror. Mermaids, a popular motif during this period, are often related to the sirens of Greek mythology whose enchanting songs lured sailors to shipwreck.

Slip is the term for a mixture of clay and water. Slip of a thin consistency can be painted on with a brush to add two-dimensional decoration, while a thick slip can be applied to add three-dimensional embellishment. These large dishes, called chargers, were decorated with multi-colored slips, covered with a transparent lead glaze and then fired. Slipware was either potted on a wheel or press molded by pressing clay into or onto a mold. Although many slipware pieces were functional, works such as those displayed here were designed to hang on the wall as decorative objects.
Provenance

Mr. Frank P. (1861-1957) and Mrs. Harriet C. (1866-1947) Burnap, Kansas City, MO, by 1941;

Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1941.

Published References

D. Barrett Tanner, “Burnap Collection of English Pottery, Part II, the Early Wares,” The Magazine Antiques vol. 49 (March 1946): 170-171 (repro.).

Ivor Noël Hume, “The Mermaid Mystique,” Colonial Williamsburg: The Journal of the Colonial Williamsburg Foundation vol. 15 no.4 (Summer 1993): 38-39 (repro.).

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 80 (repro.).


Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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