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Brady Studio, 785 Broadway (at Tenth Street), New York City
Brady Studio, 785 Broadway (at Tenth Street), New York City

Brady Studio, 785 Broadway (at Tenth Street), New York City

Artist Mathew B. Brady (American, 1823 - 1896)
Dateca. 1865
MediumAlbumen print
DimensionsImage and sheet: 8 × 9 11/16 inches (20.32 × 24.61 cm)
Mount: 11 11/16 × 13 1/2 inches (29.69 × 34.29 cm)
Credit LineGift of Hallmark Cards, Inc.
Object number2005.27.243
SignedOn mount verso, bottom, in black type: "BRADY.", "NEW YORK."
Inscribednone
Markingsnone
On View
Not on view
Collections
DescriptionImage of a street scene with a row of shops (including Brady's Portrait Gallery) along the left and men in top hats driving horse drawn carriages.Exhibition History

Developing Greatness: The Origins of American Photography, 1839-1885. The Nelson-Atkins Museum of Art, Kansas City, MO, June 9 –  December 30, 2007, no. 410.

Gallery Label
This image depicts Mathew Brady’s New York photography studio, visible on the left across from Grace Church (located in today’s Greenwich Village neighborhood). It was here, in 1862, that Brady exhibited startling photographs of the aftermath of the Battle of Antietam, taken by Alexander Gardner and James Gibson. Their images of corpse-strewn battlefields brought to light the brutality of that one-day conflict, which left 23,000 soldiers dead. Upon viewing the exhibition, The New York Times reported “Mr. Brady has done something to bring home to us the terrible reality and earnestness of war.”
Provenance
Keith de Lellis, Inc., New York, NY;
Purchased from Keith de Lellis by Hallmark Cards, Inc., Kansas City, MO, 1999;   
Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 2005.
Published References
Mary Panzer, Mathew Brady and the Image of History (Washington, D.C.: Smithsonian Institution Press/National Portrait Gallery, 1997).
Keith F. Davis, The Origins of American Photography: from Daguerreotype to Dry-Plate, 1839-1885. With contributions by Jane L. Aspinwall. Kansas City, MO: Hall Family Foundation: in association with the Nelson-Atkins Museum of Art, 2007. Distributed by Yale University Press. Published in conjunction with Developing Greatness: the Origins of American Photography, 1839-1885, shown at the Nelson-Atkins Museum of Art, 245 (repro), 346.
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


Ruins of Bridge on the Richmond & York River RR
Studio of Mathew B. Brady
1862
2005.27.3784
Largest Confederate Gun (64 pound)
Studio of Mathew B. Brady
1862
2005.27.3821
Confederate Fortifications, Yorktown
Studio of Mathew B. Brady
1862
2005.27.3783
Professor Lowe inflating Balloon Intrepid
Studio of Mathew B. Brady
1862
2005.27.3781
Prof. Lowe reconnoitering at Battle of Fair Oaks
Studio of Mathew B. Brady
1862
2005.27.3820
Confederate Fortifications, Yorktown
Studio of Mathew B. Brady
1862
2005.27.3782
Brady's Photographic Wagon
Studio of Mathew B. Brady
ca. 1862
2005.27.472
McClellan and Staff
Studio of Mathew B. Brady
1862
2005.27.3822