Here Comes the Bogey-Man (No. 3, Que viene el Coco)
Sheet: 11 5/8 x 7 5/8 inches (29.54 x 19.38 cm)
Exhibition, University of Kansas Museum of Art, Lawrence, KS, 1952, no cat.
Cryptic: The Use of Allegory in Contemporary Art, with a Master Class from Goya, Contemporary Art Museum, St. Louis, MO, May 20-August 14, 2011, no cat.
Goya/Chagoya, The Nelson-Atkins Museum of Art, Kansas City, MO, August 4, 2012-February 3, 2013, no cat., as Here Comes the Bogey-Man (No.3, Que viene el Coco).
With Alden Galleries, Kansas City, MO, October 25, 1933;
Purchased from Alden Galleries by The Nelson-Atkins Museum of Art, Kansas City, MO, 1933.Tomás Harris, Goya Engravings and Lithographs (Oxford: Bruno Cassirer, 1964), 1: no. 38, pp. 96, 118, (repro.), as Que viene el Coco. (Here comes the bogey-man); 2: no. 38, p. 73, (repro.), as Que viene el Coco. (Here comes the bogey-man.).
Pierre Gassier and Juliet Wilson-Bareau, The Life and Complete Work of Francisco Goya, 2nd ed. (New York: Harrison House, 1981), no. 455, pp. 128-29, 176, (repro.), as Que viene el Coco. (Here comes the bogey-man).
Alfonso E. Pérez-Sánchez and Julián Gállego, Goya: The Complete Etchings and Lithographs (Munich: Prestel, 1995), no. 3, p. 35, (repro.), as Here comes the bogeyman.
George L. McKenna, Prints, 1460-1995 (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 134, 314, as Caprices (Los Caprichos).