Composites: Atlantic City
Artist
Ray K. Metzker
(American, 1931 - 2014)
Date1966
MediumGelatin silver prints
DimensionsOverall: 41 × 41 inches (104.14 × 104.14 cm)
Image: 34 3/4 × 34 7/8 inches (88.27 × 88.58 cm)
Framed: 42 × 42 × 2 5/8 inches (106.68 × 106.68 × 6.67 cm)
Image: 34 3/4 × 34 7/8 inches (88.27 × 88.58 cm)
Framed: 42 × 42 × 2 5/8 inches (106.68 × 106.68 × 6.67 cm)
Credit LineGift of Hallmark Cards, Inc.
Object number2005.27.4979
On View
Not on viewCollections
DescriptionGelatin silver print composite; eleven gelatin silver print strips mounted on masonite, in a vintage frame.Exhibition HistoryRotation 3. The Nelson-Atkins Museum of Art, Kansas City, MO, March 20 – August 18, 2008, no cat.
The Photographs of Ray K. Metzker. The Nelson-Atkins Museum of Art, Kansas City, MO, 15 January-5 June 2011, no cat.
The Photographs of Ray K. Metzker and the Institute of Design. The J. Paul Getty Museum, Los Angeles, CA, September 1, 2012 - February 28, 2013, no. 50.
The Photographs of Ray K. Metzker. Henry Art Gallery, University of Washington, Seattle, WA, September 22, 2013 - January 5, 2014, no. 50.
Metzker's "Composites" of the 1960s were unprecedented in both scale and effect. When viewed from a distance, this work reads as a pure abstraction; on closer inspection, it is seen to be composed of many crisply detailed images. The "Composites" function somewhat like short loops of motion picture film, which create a hypnotic visual rhythm from the repetition of a simple action. The mystery of these brief narratives is further enhanced in works such as this in which Metzker's original roll of film was double-exposed. Here the graphic multiplicity of the overall image is combined with a delicate sense of interpenetration and disembodiment.
Copyright© Estate of Ray K. Metzker
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