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Girl at Gee's Bend, Alabama

Artist Arthur Rothstein (American, 1915 - 1985)
DateApril 1937
MediumGelatin silver print
DimensionsImage: 9 5/8 × 12 15/16 inches (24.45 × 32.86 cm)
Sheet: 10 7/8 × 13 15/16 inches (27.62 × 35.4 cm)
Credit LineGift of Hallmark Cards, Inc.
Object number2005.27.2907
SignedSigned on sheet recto, lower right, in pencil: "Arthur Rothstein."
InscribedTitled and dated on sheet verso, bottom, in pencil: "Gee's Bend, Alabama - 1937"
MarkingsOn sheet verso, bottom, in pencil: "47-3-81", "P5.047.003.81"
On View
On view
Gallery Location
  • L10
Collections
DescriptionImage of a young girl looking out of an opening in the side of a log cabin. Newspaper lines the inside of the window covering.Exhibition History

Masters of 20th-Century Photography from the Hallmark Collection. Waterloo Municipal Galleries, Waterloo, IA, May 2 -June 13, 1982, no cat.

New Acquisitions to the Hallmark Photographic Collection, 1980-1983. The Nelson-Atkins Museum of Art, Kansas City, MO, April 1 –  May 1, 1983.

Faces:  An Exhibition from the Hallmark Photographic Collection. The Nelson-Atkins Museum of Art, Kansas City, MO, 16 September 16 –  October 21, 1984, no. 15 cat.

Selections from the Hallmark Photographic Collection. Highland Community College, Highland, KS, October 19 - November 11, 1993, no cat.

Dignity vs. Despair: Dorothea Lange and the Depression Era Photographers, 1933-1941. The Nelson-Atkins Museum of Art, Kansas City, MO, June 23 – November 26, 2017, no cat.

Gallery Label

In this photograph, a young girl gazes out the small window of a log cabin in Gee’s Bend, Alabama. This small, African American community, now celebrated for its multi-generational quiltmakers, was home to tenant farmers and sharecroppers who tended the same land as their enslaved ancestors.

During the Great Depression, Arthur Rothstein worked as a photographer for the Farm Security Administration (FSA), a government agency created to bring awareness to rural poverty. He traveled to communities in Alabama to visually document the need for government assistance programs. Scenes like this one furthered the FSA’s work while also creating a historical archive of American culture.

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