Skip to main content

Vase

Manufacturer Elkington & Co. (English (Birmingham), 1829 - 1963)
Date1875
MediumEnamel on copper alloy with gilding
DimensionsOverall: 6 3/4 × 4 1/4 inches (17.15 × 10.8 cm)
Credit LinePurchase: the Lillian M. Diveley Fund
Object number2006.36.2
MarkingsMaltese cross stamped into the exterior bottom of the vase and "E & Co 1875" written in coison near the lower border to the proper left of stemmed flower
On View
On view
Gallery Location
  • 127
DescriptionThe vase's baluster-shaped profile curves outward from the base and tapers inward at the top. The lip and the base of the vases are gilded metal. The images placed on opposite sides of the vase depict a singing bird with grey-black wings and white underside sitting on a brown branch with green leaves and pink flowers against an oval of turquoise-blue background, and a sprig of white flowers with five petals on a green-brown stem with green leaves against a beed-blue background; the base is encircled by a geometric design of yellow, turquoise, white, and deep blue on a red band.Gallery Label

Europe meets Asia in these vividly colored vases. A Japanese-inspired image of a carp against a waterfall decorates one vase, while the other shows a traditional European depiction of nature. In the 1860s and 1870s, Asian goods such as cloisonné enamels (metal forms covered with enamel-filled metal wire cells) flooded Western markets. This stimulated international curiosity and fueled a desire for Asian products. As a result, European and American manufacturers were quick to imitate them.

Elkington & Co.

England (Birmingham), 1829–1963

Pair of Vases, ca. 1875

Enameled and gilded brass

The Nelson-Atkins Museum of Art, Purchase:the Lillian M. Diveley Fund, 2006.36.1, 2.Shown at the Centennial International Exhibition, Philadelphia, 1876.

By 1876, Europeans had initiated their own versions of Asian cloisonnés, as seen in the works of Elkington & Co. This pair of vases reveals differing stylistic influences. The vase depicting a carp against a waterfall reflects the strong inspiration of Japanese design. In contrast, the other vase, with its traditional depiction of a songbird demonstrates the intersection of European and Japanese designs and techniques.

To learn more about the process used to create these vases, please take a card and visit the interactive area in the center of the exhibition.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


side A overall
Elkington & Co.
1875
2006.36.1
Lidded Jar
1870s-1920s
2023.44.1,2
Still Life
Thomas Hart Benton
1936
2010.26
Couvert Verdun
Charles Nicolas Dodin
1759
90-36
Remembrance
Olimpia Ogilvie
1962
F62-29
Baluster Vase with Lid
18th century
71-41/7 A,B
Baluster Vase with Lid
18th century
71-41/5 A,B
Baluster Vase with Lid
18th century
71-41/6 A,B
Vase
1850
74-26/1
Vase
1850
74-26/2
"Butterfly Women" Vase (shape 2810)
Daisy Makeig-Jones
ca. 1916-1925
2021.4
Still Life with Nude
David L. Strout
1958
58-44