Miss Etienne Joconde...Bécassine de Constitutionnel...
Sheet: 14 x 10 3/8 inches (35.56 x 26.37 cm)
Town and Country, The Nelson-Atkins Museum of Art, Kansas City, MO, July 23, 2011-January 22, 2012, no cat., as Miss Etienne Joconde...Bécassine de Constitutionnel....
Honoré Daumier made a living from his satirical images of city types, casting a particularly critical eye on France’s social classes. His biting caricature parodies a member of the French aristocracy, and was published in the fiercely anti-monarchist weekly paper La Caricature. The sitter’s bloated face, outlandish dress, and 18th-century hairstyle represent both the excesses and perseverance of France’s nobility under the restored monarchy of Louis-Philippe. Daumier’s caricatures, which were favored by the middle class, helped to popularize a new form of art.
With Thomas King (1911-1972) and Mila (née Hoover, 1916-1994) Baker, Kansas City, MO, by June 9, 1971;
Given by Thomas King and Mila Baker to The Nelson-Atkins Museum of Art, Kansas City, MO, 1971.
Loÿs Delteil, Le peintre-graveur illustré, vol. 20 (Paris: 1925), no. 78 II/II, unpaginated, (repro.), as Mlle Etienne Joconde…Bécassine de constitutionnel.
George L. McKenna, Prints, 1460-1995 (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 296, as Miss Etienne Joconde...Bécassine de Constitutionnel....