Skip to main content

Hunting Scene

In the tradition of Aqa Mirak (Persian, active 1539 - 1565)
School of Safavid School (Persian, 1501 - 1722)
Dateca. 1525-1540
MediumInk, opaque watercolor, and gold on paper
DimensionsOverall: 7 3/8 × 6 1/8 inches (18.73 × 15.56 cm)
Mat: 19 × 14 inches (48.26 × 35.56 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number43-6/3
On View
Not on view
Exhibition History

Exhibition of Muhammedan-Persian Art, The Galleries of Charles of London, New York, March-April, 1914, no. 99.

Islamic Painting from American Collections, The School of Art and The Department of Religion, Syracuse University, April 6-26, 1967, no. 75.

Provenance

Private collection, Paris;

With Hagop Kevorkian (1872-1962), New York, possibly by 1914 [1];

Purchased from Hagop Kevorkian by The Nelson-Atkins Museum of Art, Kansas City, MO, 1943.

[1] A 1914 exhibition catalog, Exhibition of The Kevorkian Collection including Objects Excavated under his Supervision, includes cat. no. 99 Hunting Scene, probably by Mirak.  Although his collection included several hunting scenes, this appears to be the only example associated with Mirak.

Published References

Hagop Kevorkian, Exhibition of the Kevorkian Collection including Objects Excavated under his Supervision, exh. cat. (London, Hagop Kevorkian, 1914), unpaginated.

Ross E. Taggart, ed., Handbook of the Collections in the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 4th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1959), 250, (repro.).

Ernst J. Grube, Islamic Painting from American Collections, exh. cat. (Syracuse, The School of Art, Syracuse University, 1967), 31.

Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 2, Art of the Orient, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 162, (repro.).

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 404, (repro.).

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 29, fig. 19, (repro.).

Kimberly Masteller, From Court to Marketplace: Persian and Indian Textiles in the Nelson-Atkins Collection and their Foreign Collectors,” Orientations 53, no. 3 (May/June 2022): 51, (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.