Untitled (March 5th) #2
- L6
Felix Gonzalez-Torres/Michael
Jenkins, Galerie Xavier Hufkens, Brussels, March 20-April 20, 1991, no cat.
Three or More: A Multiple
Exhibition, Wacoal Art Center, Spiral, Tokyo, Japan, 1992, no cat.
Absence, Activism, and the Body
Politic, Fischbach Gallery, New York, 1994, no cat.
Felix Gonzalez-Torres, Traveling,
The Museum of Contemporary Art, Los Angeles, April 24-June 19, 1994; Hirshhorn
Museum and Sculpture Garden, Washington, DC, June 16-September 11, 1994, hors. cat,
(Washington D.C. only).
Felix Gonzalez-Torres, Solomon
R. Guggenheim Museum, New York, 1995, 183, 182, (repro.), unnumbered.
Here, two factory-made light bulbs shine together to suggest a pair of lovers in one shared point of illumination. Although they glow brightly in unison, one bulb will inevitably burn out before the other, reminding us of the transience of human relationships and the temporality of life.
Andrea
Rosen Gallery, New York, by 2005;
Purchased from Andrea Rosen Gallery by the Nelson-Atkins Museum of Art, Kansas City, MO, 2005.
Nancy Spector, Gonzalez-Torres,
exh. cat. (New York: Solomon R. Guggenheim Museum, 1995), 183, 182, (repro.).
Nancy Spector, Felix Gonzalez-Torres,
Roni Horn (Munich: Sammlung-Goetz, 1995), 12.
Christopher Chapman, Personal Effects: On Aspects of Work by Felix Gonzalez-Torres (Spring:
BROADsheet, 1996), 16.
Nancy Spector, Felix Gonzalez-Torres: Quelle heure est-ll au paradis? (Musée Départmental de
Rochechouart, 1996), 10.
Jan Schall and Robert Storr, Sparks! The William T. Kemper Collecting Initiative at the Nelson-Atkins
Museum of Art (Kansas City: The Nelson-Atkins Museum of Art, 2008), 80, 81, (repro.).