Tile with Inscription
Echoes: Islamic Art and Contemporary Artists, The Nelson-Atkins Museum of Art, Kansas City, Missouri, August 31, 2013-April 27, 2014, no cat.
The application of copper to alkaline glaze in the 12th century revolutionized Persian ceramics by producing a distinctive turquoise blue glaze. This vivid color became a hallmark of Islamic ceramics and was used for centuries in the decoration domestic wares and in the embellishment of buildings with architectural tiles.
This molded architectural tile bears a fragmentary calligraphic inscription and vegetal decoration. It would have belonged to a continuous frieze of tiles that carried inscriptions across the surface of a wall or doorway. These tile inscriptions were often based upon passages from the Qur’an when used on religious structures.
With Arthur Upham Pope (1881-1969), London and New York, by 1934 [1];
Purchased from Pope by The Nelson-Atkins Museum of Art, Kansas City, MO, 1935.
[1] Invoice no. 18672 generated by Pope on December 4, 1934, NAMA curatorial files.