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Dance Staff

CultureYoruba peoples
Date20th century
MediumWood
Credit LineBequest of Donald D. Jones
Object number2001.3.162
On View
On view
Gallery Location
  • L9
Collections
Gallery Label
A dance staff such as this is held by the priest and priestess in the fourth register from the top of the Shangó door to your right. Devotees of Shangó, god of thunder, lightning and seasonal rains, used staffs to accentuate gestures during trance-possession dances. They were also displayed in Shangó shrines, contributing spiritual and aesthetic power to this sacred space. This staff's multiplicity of heads, symbolic of ase (divine, activating energy), embodies Shangó's abundant powers. Directly above them, the characteristic double-celt (ax) form recalls Shangó's terrifying thunderbolts and his dual capacities of danger and good fortune.
Provenance

With James Economos (1938-2019), New York, early 1960s [1];

Purchased from Economos by Donald D. Jones (d. 2000), Kansas City, MO, early 1960s-2000 [1];

His bequest to The Nelson-Atkins Museum of Art, Kansas City, MO, 2001.

NOTES:

[1] James Economos began working for New York dealer Julius Carlebach in 1947 (at the age of nine). In 1964, he was hired by Morton D. May as the curator of May Company Department Stores’ Fine Arts Department based in St. Louis, Missouri, where he remained until 1968. It is unclear whether Donald D. Jones acquired this object while Economos was working for Carlebach, May, or perhaps independently.

[2] NAMA Archives, Chief Curator Records, RG 16, Box 3, Folder “Last Will and Testament – Donald Jones,” Exhibit A to the Donald D. Jones Art Trust, December 10, 1996.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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