Episodes from the Career of a Yuan Official
- 222
Hsien- ch’i Tseng, Loan Exhibition of Chinese Paintings, Exh. Cat.: The Royal Ontario Museum of Archaeology, Toronto, 1956.
Freer Gallery of Art, Washington, DC. 1961.
The Art of Southern Sung China, Asia House Gallery, New York, February 15-April 15, 1962.
Eight Dynasties of Chinese Painting, Nelson-Gallery-Atkins Museum, Kansas City, November 7, 1980 – January 4, 1981; The Cleveland Museum of Art, February 7 – April 5, 1981; The Asia Society, December 3, 1981 – February 28, 1982; Tokyo National Museum, October 4 – November 17, 1982, no. 22.
The World of Khubilai Khan: Chinese Art in the Yuan Dynasty, Metropolitan Museum of Art, New York, NY, September 20, 2010- January 2, 2011. no. 230.
Sages and Heroes: Storytelling in Asian Art, The
Nelson-Atkins Museum of Art, Kansas City, MO, April 12, 2025–November 30, 2025,
no cat.
With C. T. Loo, Inc., New York, NY, stock no. G.9136, by May 1949-1958 [1];
Purchased from C. T. Loo Chinese Art by The Nelson-Atkins Museum of Art, Kansas City, MO, 1958.
NOTES:
[1] A previous stock number was GHL-7/1011. C. T. Loo and Frank Caro archive, Musée Guimet, Paris, copy of stock card in NAMA curatorial files. Following C. T. Loo's retirement, C. T. Loo, Inc. was dissolved by the summer of 1953 and the New York business continued as C. T. Loo Chinese Art under the direction of Frank Caro.
Shi qu bao ji xu bian [Catalogue of painting and calligraphy in the imperial collection: sequel ( part II)] . Compiled by Wang Chieh et al. ; commissioned by the Qianlong emperor 1791, completed 1793. Facsimile reprint. (Shanghai, Yushufang 1948), 106a-107b.
Hsien- ch’i Tseng, Loan Exhibition of Chinese Paintings, Exh. Cat.: Royal Ontario Museum of Archaeology (Toronto: 1956), no. 2.
Ross E. Taggart, ed., Handbook of the Collections in the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 4th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1959), 200.
James Cahill, The Art of Southern Sung China, Asia House Gallery (New York: 1962), no. 6, pl. 29.
Susan Bush, “Clearing after Snow in the Min Mountains’ and Chinese Chin Landscape Painting” Oriental Art vol. XI ( 1965), no. 3, 163-172, fig. 7.
Horizon History (1969), 180-181.
Terukazu Akiyama, Chugoku bijutsu, vol I, (1973), 222-223, pl. 12.
Ross E. Taggart, George L. McKenna, and Marc F. Wilson, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. II, Art of the Orient. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 53.
Kei Suzuki, “Japanese Landscape Painting” Museum (1977), 18, no. 313, fig. 9.
Wai-Kam Ho, et al., Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of Art. (The Cleveland Museum of Art in cooperation with Indiana University Press, c1980), 37-40, no. 22.
Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 316.
Fu Xinian, "Fangmei suojian Zhongguo gudai minghua zaji, xia" Wenwu, 1993, no.7, 73-80, figs. 1-2.
Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 347, fig. 197.
James C.Y. Watt, The World of Khubilai Khan: Chinese Art in the Yuan Dynasty, Metropolitan Museum of Art (New York: Yale University Press, 2010), 45, 212, Fig. 51, 230.
