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Portrait of George Babington, Battalion Surgeon of the 3rd Foot Guards
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Portrait of George Babington, Battalion Surgeon of the 3rd Foot Guards

Artist John Smart Junior (English, 1777 - 1809)
Date1807
MediumWatercolor on ivory; Gilt copper alloy case
DimensionsSight: 2 5/8 × 1 15/16 inches (6.67 × 4.92 cm)
Framed: 3 7/8 × 2 3/4 × 1/8 inches (9.84 × 6.99 × 0.32 cm)
Credit LineGift of the Starr Foundation, Inc.
Object numberF71-29/1
InscribedInscribed on recto, lower left: "JS.J / 1807".
On View
On view
Gallery Location
  • 128
Collections
DescriptionPortrait miniature of a man with powdered hair wearing a red military coat before a brown background.Exhibition History
John Smart: Virtuoso in Miniature, The Nelson-Atkins Museum of Art, Kansas City, MO, December 21, 2024–January 4, 2026, no cat., as Portrait of George Babington, Battalion Surgeon of the 3rd Foot Guards.
Gallery Label

Of his five children, John Smart Junior (1777–1809) was the only one to follow Smart Senior’s path in painting. Smart Junior evoked his father’s characteristic style of using an olive background and making artistic choices that were not always flattering to the sitter. This influence is noticeable in Portrait of George Babington (no. 5) with the inclusion of Babington’s creased forehead.

Provenance

Probably commissioned by the sitter, George Babington (1776–1817), Amboyna, India, 1807–1817 [1];

Probably Charles William Dyson Perrins (1864–1958), Worcester, England, by 1929–1958 [2];

Purchased from his posthumous sale, Important English Portrait Miniatures, The Property of the late C. W. Dyson Perrins, Esq., D.C.L., F.S.A., Sotheby’s, London, December 11, 1958, lot 57, as A Miniature of an Officer, by Leggatt Brothers, London, probably on behalf of Mr. John W. (1905–2000) and Mrs. Martha Jane (1906–2011) Starr, Kansas City, MO, 1958–1971 [3];

Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1971.

Notes

[1] Babington’s wife Dorothy Metcalfe (1784–1858) probably brought the miniature back to England. She died in Mayfair, Middlesex. Dorothy and George had two sons, who may have inherited the miniature: George William Hopkins Babington (1813–1869) and Cornelius Metcalfe Stuart Babington (1816–1862).

[2] According to Basil Long, British Miniatures (London: Holland Press, 1929), 408: “Mr. Dyson Perrins has a miniature of an officer, signed J S J / 1807.”

[3] The sales catalogue describes the miniature: “A Miniature of an Officer by John Smart Junior, signed and dated 1807, head and shoulders three-quarters dexter, gaze directed at spectator, with short powdered hair and slight side whiskers, wearing a scarlet coat with gold epaulettes, against a stippled grey-brown ground, the reverse with a monogram and a coil of hair on an opalescent enamel ground, 2 7/8 in.”

An annotated sales catalogue is located at the University of Missouri-Kansas City, Miller Nichols Library. The catalogue was most likely annotated by Mr. or Mrs. Starr (although lot 57 is not annotated). Leggatt bought the miniature for 85 pounds. Archival research has shown that Leggatt Brothers served as purchasing agents for the Starrs. See correspondence between Betty Hogg and Martha Jane Starr, May 15 and June 3, 1950, Nelson-Atkins curatorial files.


Published References

Basil Long, British Miniatures (London: Holland Press, 1929), 408.

Catalogue of Important English Portrait Miniatures, The Property of the late C. W. Dyson Perrins, Esq., D.C.L., F.S.A. (London: Sotheby’s, December 11, 1958), 16, as A Miniature of an Officer.

Daphne Foskett, John Smart: The Man and His Miniatures (London: Cory, Adams, and Mackay, 1964), 59.

Ross E. Taggart, The Starr Collection of Miniatures in the William Rockhill Nelson Gallery (Kansas City, MO: Nelson Gallery-Atkins Museum, 1971), no. 151, p. 53, (repro.), as Unknown Man.

Maggie Keenan, “John Smart Junior, Portrait of George Babington, Battalion Surgeon of the 3rd Foot Guards, 1807,” catalogue entry in Aimee Marcereau DeGalan, Blythe Sobol, and Maggie Keenan, The Starr Collection of Portrait Miniatures, 1500–1850: The Collections of the Nelson-Atkins Museum of Art, vol. 4, ed. Aimee Marcereau DeGalan (Kansas City, MO: Nelson-Atkins Museum of Art, 2025), https://doi.org/10.37764/8322.5.1642.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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