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Portrait of James Temple Mansel

Artist John Cox Dillman Engleheart (English, 1784 - 1862)
Date1813
MediumWatercolor on ivory; Gilt copper alloy case
DimensionsSight: 3 1/8 × 2 9/16 inches (7.94 × 6.51 cm)
Framed: 3 5/8 × 3 inches (9.21 × 7.62 cm)
Credit LineGift of Mr. and Mrs. John W. Starr and the Starr Foundation, Inc.
Object numberF58-60/49
InscribedInscribed on verso: "J. Dillman Engleheart / Pinxit 1813 / W Newman St. / London"
On View
On view
Gallery Location
  • 124
Collections
DescriptionPortrait miniature of a boy wearing a blue coat before a sky background.Gallery Label
Open-necked shirts and unpowdered curls abounded in the Regency era (about 1795–1837). A period in Britain associated with the rise of King George IV (see number 4) and the work of novelist Jane Austen, this time left its mark on fashion, too. The poet Lord Byron (see number 6) set the tone for the casual elegance of the period, and many men followed his example. He wore his collars open and his hair short, letting his curls cluster at the front. The period also witnessed the rise of the dandy who prided himself on his immaculate linen shirts with high collars and tailored dark coats. Although tastes evolve, modern-day equivalents of the dandy persist.
Provenance

Possibly with a member of the Mansel family, by 1917 [1];

Elsie Gertrude Kehoe (1888–1967), Saltdean, Sussex, by June 15, 1950 [2];

Purchased from her sale, Catalogue of Objects of Vertu, Fine Watches, Etc., Sotheby’s, London, June 15, 1950, lot 161, as James Temple Mansell, by Leggatt Brothers, London, probably on behalf of Mr. John W. (1905–2000) and Mrs. Martha Jane (1906–2011) Starr, Kansas City, MO, 1950–1958 [3];

Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1958.

Notes:

[1] The portrait miniature likely belonged to a family member when it was illustrated in the book History of the Family of Maunsell (Mansell, Mansel) in 1917. The only information provided with the illustration is, “James Temple Mansel. Eldest Son of Mansel Dawkin Mansel.” A family member, Charles Albert Maunsell, wrote the book. He writes that a snuffbox, given to James Temple Mansel’s father, is in the collection of Colonel Charles Grenville Mansel (1850–1940), the nephew of James Temple Mansel (by his brother, also called Charles Grenville Mansel, who died in 1886). James had five children who also could have inherited the portrait: William Henry Mansel (1835–1852) and another son, Mabel Mansel (1836?–1851), (Sarah?) Elizabeth (1837?–1844), and Mary Frances Mansel (1841–1851).

[2] Elsie Gertrude Noble married Bartle Charles Philip Kehoe (1886–1949) in 1913 in Salford, Lancashire. The couple lived at 29 Harrington Gds., South Kensington in 1927, 1 Royal Crescent, Marine Parade, Brighton in 1929, and Roedean Crescent, “Four Winds” in 1939. Bartle’s job was, “managing director public works contractor.” Elsie and Bartle traveled internationally; passenger lists show they traveled from Genoa, Italy, to Southampton in December 1927 and again in November 1929 (they were away for about a month in 1929). Bartle’s profession is also listed as, “Civil Engineer,” “Director,” and “Director Coy.” All according to records found on Ancestrylibrary.com. They do not appear to have had children. Bartle died November 2, 1949. According to his will, his effects were £10,665. See UK Probate Search: Kehoe, 1950, p. 26, https://probatesearch.service.gov.uk/Calendar?surname=kehoe&yearOfDeath=1950#calendar. Elsie died at 60 Greenways Ovingdean, Brighton on December 16, 1967. Her effects totaled £9,738.

Martha Jane Starr’s correspondence to her friend, Betty Hogg, from March 22, 1949: “A Mrs. Kehoe is a collector over there [London] and I was referred to her last year and just recently she mailed me a catalogue from Agnew with the sale prices of miniatures paid and some fine ones went very reasonably in comparison with American prices. If the distance isn’t too great perhaps you could phone or contact her for her opinion on the numbers and portraits I’m listing.” An undated letter from Mrs. Hogg, following an auction “. . . your lots 25 and 48 had me worried they seemed so popular! I did not call Mrs. Kehoe for I thought she might be a competitor and bid against me!!” The Starrs mentioned them in Antiques magazine in 1961: “A Mr. and Mrs. Kehoe of Brighton gave us gracious hospitality while showing us theirs [collection of miniatures].” Page 440.

[3] “James Temple Mansell, by John Dillman Engleheart, signed and dated 1813, it portrays James Temple Mansell as a boy, nearly full face, in white frilled collar and rich blue coat, cloud and sky background, hair at back, oval, 3 1/4 in. James Temple Mansell was the eldest son of Mansell Dawkin Mansell, of Lothbury Park, Newport Pagnell, Bucks. And the Miniature in question is illustrated in The History of the Family Maunsell, vol. II.” According to an attached price list, Leggatt bought lot 161 for £38. Archival research has shown that Leggatt Brothers served as purchasing agents for the Starrs. See correspondence between Betty Hogg and Martha Jane Starr, May 15 and June 3, 1950, Nelson-Atkins curatorial files.

Published References

Charles Albert Maunsell and Edward Phillips Stratham, History of the Family of Maunsell (Mansell, Mansel) (London: K. Paul, 1917), 2:137.

Catalogue of Objects of Vertu, Fine Watches, Etc. (London: Sotheby’s, June 15, 1950), 21, as James Temple Mansell.

Ross E. Taggart, ed., Handbook of the Collections in the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 4th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1959), 264, as James Temple Mansell.

Ross E. Taggart, The Starr Collection of Miniatures in the William Rockhill Nelson Gallery (Kansas City, MO: Nelson Gallery-Atkins Museum, 1971), no. 207, p. 70, (repro.), as James Temple Mansell.

Maggie Keenan, “John Cox Dillman Engleheart, Portrait of James Temple Mansel, 1813,” catalogue entry in Aimee Marcereau DeGalan, Blythe Sobol, and Maggie Keenan, The Starr Collection of Portrait Miniatures, 1500–1850: The Collections of the Nelson-Atkins Museum of Art, vol. 2, ed. Aimee Marcereau DeGalan (Kansas City: The Nelson-Atkins Museum of Art, 2024), https://doi.org/10.37764/8322.5.1400.


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