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Hanging with Hōō and Pine Tree

Original Language Title松鳳凰模様刺繍壁掛
CultureJapanese
Datelate 1800s-1920s
MediumCotton tabby embroidered with silk and gold-wrapped threads.
DimensionsOverall: 84 3/8 × 57 1/2 inches (214.31 × 146.05 cm)
Credit LineBequest of Ella C. Loose
Object number45-70/53
On View
Not on view
Collections
Gallery Label
Two mythical, immortal birds called hōō perch on a mature pine tree in this hanging. Hōō have been a repeated motif in Japanese art, including textiles, since the 600s C.E. In the conventional East Asian ideal, Hōō symbolized the good governance of the ruler, and it was believed that the birds appear when society is at peace. Textile makers embroidered these positive symbols with the pine tree, a favored motif in Japan for its symbolism of prosperity and longevity. This imagery filled with favorable messages was sent outside of Japan as export goods. Of the various techniques used in fine art textiles, embroidery attracted American and European customers the most.
Provenance

Ella Clark Loose (Mrs. Jacob L. Loose, 1860-1945), Kansas City, MO and Washington, DC, by 1945 [1];

Her bequest to The Nelson-Atkins Museum of Art, Kansas City, MO, 1945.

[1] Loose was noted for her jewelry collection; many objects were purchased during her frequent travel overseas.

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