Saint Thomas Aquinas
- 105
Exposición Internacional de Barcelona: 1929-1930: El Arte en España, Palacio Nacional, Barcelona, 1929-1930, no. 855.
Soldiers and Saints in Old Spain and New, Joslyn Art Museum, Omaha, NE, November 25, 1962-February 15, 1963, no. S3.
El Conde de Cirat, Madrid, by November 7, 1930;
Purchased from the Conde de Cirat by the dealer J. H. Duveen (b. 1873), November 7, 1930 [1];
Purchased from Duveen, through Maxwell Blake and Harold Woodbury Parsons, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1930.
NOTES:
[1] According to a handwritten note by the Conde de Cirat, November 7, 1930, NAMA curatorial files. The sculpture was lent to the Expositión Internacional de Barcelona: El Arte en España at the Palacio Nacional, Barcelona, 1929-1930, no. 855, by the Marqués de Valderrey, Madrid. It is unclear whether the Conde de Cirat and the Marqués de Valderrey were the same person.
Exposición Internacional de Barcelona: 1929-1930: El Arte en España, exh. cat. (Barcelona: Eugenio Subirana, 1929), 142, as Santo Tomás.
“Spain: Major Exhibitions for 1962,” exh. cat., Bulletin (Joslyn Art Museum), 4 (1962): 8, (repro.), as Saint Thomas.
Dorothy Gillerman, Gothic Sculpture in America, vol. 2, The Museums of the Midwest (Turnhout: Brepols, 2001), 226-27, (repro.).
