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Lekythos with Depiction of Eos and Tithonus
Lekythos with Depiction of Eos and Tithonus

Lekythos with Depiction of Eos and Tithonus

In the tradition of Achilles Painter (Greek, active ca. 470-425 B.C.E.)
Date450-430 B.C.E.
MediumTerracotta
DimensionsOverall: 15 3/4 × 5 3/16 inches (40.01 × 13.18 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number33-3/2
On View
On view
Gallery Location
  • 103
Collections
Gallery Label
The winged goddess of dawn, Eos, amorously pursues here a youth named Tithonus. According to the myth, they became lovers. Eos then asked Zeus, the king of the gods, to make him immortal, and he granted her wish. Since, however, she failed to request that the youth remain eternally young, he grew astonishingly old. Eos decided to keep him in a locked room. The scene is a appropriate for this vase which was intended as a funerary offering.
Provenance

Found at Gela, Italy;

 

With Jacob Hirsch, by 1933 [1];

 

Purchased from Hirsch by The Nelson-Atkins Museum of Art, Kansas City, MO, 1933.

NOTES:

[1] Jacob Hirsch, PhD. (1874–1955) was born in Munich, studied at Deutsches Archäologisches Institut in Rome, and then founded a dealership in Munich in 1897. He moved to Lucerne in 1919 and founded Ars Classica in 1922. In 1931, he opened Jacob Hirsch Antiquities in New York. At some point, he also had a gallery in Paris. He handled coins and antiquities but also had his own collection. See Hadrien Rambach, “A List of coin dealers in nineteenth-century Germany,” in A Collection in Context. Kommentierte Edition der Briefe und Dokumente Sammlung Dr. Karl von Schäffer, ed. Henner Hardt and Stefan Krmnicek (Tübingen, Germany: Tübingen University Press, 2017),  69–70, hal-04345662. See also “Dr. Jacob Hirsch, 81, An Authority on Art,” New York Times, July 5, 1955, 29.

Published References

John Beazley, Attic Red-Figure Vase-Painters, 2nd ed. (Oxford: Clarendon Press, 1963), 1007. 

 

Sophia Kaempf-Dimitriadou, “Die Liebe der Götter in der attischen Kunst des 5. Jahrhunderts v. Chr.,” Antike Kunst, Beiheft 11 (1979): 18, 89, no. 163.

 

Carina Weiss, “Eos,” in Lexicon Iconographicum Mythologiae Classicae, vol. 3 (Zurich: Artemis Verlag, 1986), 767, plate 573.

 

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 117.

 

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 12, fig. 30.

Robert Cohon with Karin Jones, “Ancient Greek Ceramics,” in Ceramics: Highlights from the Collection of The Nelson-Atkins Museum of Art (Kansas City: Nelson-Atkins Museum of Art, 2016), 62, (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


overall side A
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