Skip to main content

Manjushri

Primary TitleManjuvara Vadiraj
Former TitleManjusri Seated on the Lion Throne
CultureIndian
Dateearly 9th century C.E.
MediumBronze
DimensionsOverall: 8 1/8 × 4 1/2 × 3 inches (20.64 × 11.43 × 7.62 cm)
Credit LineGift of Fred and Grace Kaler in honor of Laurence Sickman
Object number75-32/4
On View
On view
Gallery Location
  • 228
Exhibition History

Leaves from the Bodhi Tree: The Art of Pala India (8-12th Centuries) and Its International Legacy, The Dayton Art Institute, November 11, 1989-January 14, 1990; The Walters Art Gallery, February 17-April 15, 1990; The Newark Art Museum, May 19-August 26, 1990, no. 44 as Manjusri Kumara.

Gallery Label
Manjushri, the bodhisattva of wisdom, is seated in a relaxed pose with his hands raised in a gesture of teaching. The blooming lotus at his left shoulder is one of his distinguishing attributes. Seated upon an elaborate throne, this elegant, bejeweled figure represents the attainment of absolute knowledge in Buddhism.
Provenance

Baron Alexander von Staël-Holstein (1877-1937), Beijing, by 1937 [1];

With Draper and Draper, St. Louis, by 1950 [2];

Purchased from Draper and Draper by Fred W. (1904-1983) and Grace V. (nee Rutt, 1902-1991) Kaler, Damariscotta, ME, by 1951;

Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1975 [3].

[1] Baron Alexander von Stael-Holstein was born in Estonia, a province of the former Russian empire at the time of his birth.  Early studies at the University of Tartu (formerly Universität Dorpat) and then Germany show his burgeoning interest in Sanskrit and Indian literature.  Following diplomatic service (1903–04), he held professorial positions at the University of St. Petersburg and the National University of Beijing where he settled following the Bolshevik Revolution in Russia.  While in Beijing, Stael-Hoeltein established and became director of the Institute for Research in Sino-Indian Relations in connection with Harvard University.  At the time of his death, his collection included several hundred lamaistic statuettes and paintings. (See Ernst Schierlitz, “In Memory of Alexander Wilhelm Baron von Staël-Holstein,” in Monumenta Serica 3, no. 1 (1937): 286–291.)

[2] In a letter from Grace Kaler to George McKenna, NAMA curator, January 6, 1976, NAMA curatorial files, Kaler shares that she and her husband purchased this bronze from Draper and Draper in St. Louis.  Kaler also shares that they received a card from the Drapers, postmarked March 31, 1950, announcing, “Just bought a large part of the Baron A. von Staël-Holstein collection of lama bronzes.”

[3] Grace Kaler, in a letter to Laurence Sickman, NAMA director, August 24, 1965 (Based on the response by Sickman, the year was mistyped and should be 1975.), offers for sale bronzes formerly in the collection of Baron A. von Staël-Holstein.  The Kaler’s were aware that Sickman studied with Staël-Holstein (at Harvard and then at the University of Beijing).  After learning that we were unable to purchase the bronzes, Grace Kaler, in a letter dated November 16, 1975, (NAMA curatorial files), offered a gift of one or two of the bronzes from their remaining collection.

Published References

Susan L. Huntington and John C. Huntington, “Leaves from the Bodhi Tree:  The Art of Pala India (8th-12th Centuries) and Its International Legacy,” in Orientations 20, no. 10 (October 1989), 10, fig. 8, (repro.).

Susan L. Huntington and John C. Huntington, Leaves from the Bodhi Tree: The Art of Pala India (8th-12th centuries) and Its International Legacy, exh. cat. (Seattle: Dayton Art Institute, 1990), 172, plate 44, (repro.).

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 382, (repro.).

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 262, fig. 16, (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


Photo taken in 2018 prior to offsite move
late 18th-early 19th century
R88-2/3
Photo taken in 2018 prior to offsite move
18th century
74-36/45
Parvati
10th century C.E.
50-18
Shiva, Seated at Ease
12th century
61-7
Sundarar, a Shaiva Saint
15th-16th century
45-18
Parvati
12th century
34-9
Yakshi (Nature Spirit)
Kushana Mathura School
2nd century C.E.
53-52
Rama, an Avatar of Vishnu
15th-16th century
34-4