On the Harlem
Framed: 38 1/4 × 48 1/4 × 3 1/2 inches (97.16 × 122.56 × 8.89 cm)
- 217
Winfield Public Schools, Kans., November 1940, no cat.
Winfield Public Schools, Kans., mid-June–July 1946, no cat.
The Great Eight, Des Moines Art Center Junior Museum, Iowa, October 13, 1963–January 5, 1964, no cat.
Nineteenth Century American Painting, William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Mo., February 17– March 31, 1974, no cat.
The Seasons: American Impressionist Painting, Madison Art Center, Wisc., December 8, 1984– February 3, 1985, no. 26.
The Impressionists’ New York, Montgomery Museum of Fine Art, Alabama, November 6, 1994–January 8, 1995; Memorial Art Gallery of the University of Rochester, N.Y., January 28–March 26, 1995; Equitable Gallery, New York, May 13–July 15, 1995, unnumbered.
Lawson was intimately connected with Kansas City. He received his first art training at the Kansas City Art Institute, where he met his wife Ella Holman. He returned to Kansas City to teach at various stages of his career.
(Effie Seachrest, Kansas City, Mo.);
Albert R. Jones and Mabel N. Jones, Kansas City, Mo.;
to the Nelson-Atkins Museum of Art, Kansas City, Mo., 1933.
“In Gallery and Studio,” Kansas City Star, March 3, 1934, 4 (as On the Hudson).
“Liberal with Art,” Kansas City Star, January 1, 1936, 8.
The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts: Founders and Benefactors (Kansas City, Mo.: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1940), 24.
The William Rockhill Nelson Collection, 2nd ed. (Kansas City, Mo.: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1941), 166.
Handbook of the Collections in the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 4th ed. (Kansas City, Mo.: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1959), 256.
George Shane, “The Visual Arts,” Des Moines (Iowa) Sunday Register, October 13, 1963, 2L (as On the Hudson).
Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 253.
Trent Myers, The Seasons: American Impressionist Painting, exh. cat. (Madison, Wisc.: Madison Art Center, 1984), unpaginated.
Henry Adams, Handbook of American Paintings in the Nelson-Atkins Museum of Art (Kansas City, Mo.: Nelson-Atkins Museum of Art, 1991), 137.
Christopher Payne, “Exhibit Showcases Impressions of New York,”
Montgomery (Ala.) Advertiser, December
4, 1994, 11H.
William H. Gerdts, The
Impressionists’ New York, exh. cat. (Rochester, N.Y.: Memorial Art Gallery,
1994), unpaginated.
William H. Gerdts, Impressionist New York (New York: Abbeville Press, 1994), 197–98 (reproduction is flopped).
Charles C. Eldredge, “Ernest Lawson’s Spain,” American Art 17 (Fall 2003), 86–88.
Margaret C. Conrads, ed. The Collections of the Nelson-Atkins Museum of Art: American Paintings to 1945 (Kansas City, Mo.: The Nelson-Atkins Museum of Art, 2007), 1: 376-78 (repro.), 2: 158 (repro.).
Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 174 (repro.).