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Coming Out of the Opera

Artist Compte-Calix (French, 1813 - 1880)
Date19th century
MediumWatercolor and graphite on paper
DimensionsOverall: 7 3/16 × 9 7/8 inches (18.26 × 25.08 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number32-193/13
SignedSigned lower right: F. COMPTE-CALIX
Inscribedgraphite inscription on the verso of the drawing: Louis Verre
On View
Not on view
Collections
Exhibition History

Le Panorama Salon, Champs-Elysées et Champ-de-Mars, Paris, 1903, no. 23.

 

Paris: A Collage, Kansas Union Gallery, University of Kansas, Lawrence, January 25-February 13, 1976, no. 8.

 

Paris in the Belle Epoque: People and Places, St. Petersburg [FL] Museum of Fine Arts, March 1-April 6, 1980.

Provenance

Possibly Louis Verre [1];


With Richard Owen, Paris, by September 26, 1932-December 1, 1932 [2]; 


Purchased from Owen, through Harold Woodbury Parsons, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1932.


NOTES:


[1] There is a graphite inscription on the verso of the drawing: Louis Verre


[2] See letter from Harold Woodbury Parsons, art advisor to NAMA, to J. C. Nichols, NAMA Trustee, September 26, 1932.





Published References

Le Panorama Salon, exh. cat. (1903): no. 23.

 

Jeanne Stump and Howard Collinson, Paris, a Collage, exh. cat. (Lawrence, KS: Kansas Union Gallery, 1976).

 

Marion L. Grayson, Paris in the Belle Epoque: People and Places, exh. cat. (St. Petersburg, FL: Museum of Fine Arts, 1980).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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