Battle between Romans and Barbarians
Framed: 29 1/2 x 36 x 1 1/2 inches (74.93 x 91.44 x 3.81 cm)
Art and Anatomy, The Nelson-Atkins
Museum of Art, Kansas City, May 8–June 5, 1960, no. 99, as Battle between Romans and Barbarians.
French Masters: Rococo to Romanticism, University of
California Art Galleries, Los Angeles, March 5–April 18, 1961, no. 78, as Roman Battle Scene.
Hommage à Baudelaire, University of Maryland Art
Gallery, Baltimore, March 6–31, 1968.
In Quest of Excellence, Center for the
Fine Arts, Miami, January 12–April 22, 1984.
Master Drawings from the Nelson-Atkins Museum of Art, Washington
University Gallery of Art, St. Louis, September 12–December 3, 1989,
unnumbered, as Roman Battle Scene.
Master European
Drawings from Polish Collections, The Nelson-Atkins Museum of Art, Kansas
City, MO, April 17–June 6, 1993, no cat.
Dürer to Matisse: Master Drawings from the Nelson-Atkins Museum of Art, The Philbrook Museum of Art, Tulsa, OK, June 23–August 18, 1996; Cummer
Museum of Art and Gardens, Jacksonville, FL, September 20–November 24, 1996; Hood
Museum of Art, Dartmouth College, December 21, 1996–March 2, 1997, no. 70, as Battle Between Romans and Barbarians.
Dürer to Matisse:
Master Drawings from the Permanent Collection, The Nelson-Atkins Museum of Art,
Kansas City, MO, June 12–September 6, 1998, no. 86, as Battle between Romans and Barbarians.
War and Suffering, The Nelson-Atkins Museum of Art, Kansas
City, MO, November 17, 2007–May 18, 2008, no cat.
With Jacques
Seligmann and Co., New York, stock no. 8551, as Battle Scene, by September
29–December 4, 1959 [1];
Purchased from Seligmann
by The Nelson-Atkins Museum of Art, Kansas City, MO, 1959.
NOTES:
[1] See letter
from Marc Sandoz to Germain Seligman, September 29, 1959, Jacques Seligmann and
Co. records, 1904–1978, box 220, folder 6, Archives of American Art, New York;
copy in NAMA curatorial files.
“Art and Anatomy,” exh. cat., Bulletin (The Nelson Gallery and Atkins Museum) 3, no. 1 (May 8–June 5, 1960): 28, 30, (repro.), as Scene de Guerre Antique.
French Masters: Rococo to Romanticism, exh. cat. (Los Angeles: University of California Art Galleries, 1961), 54, 66, (repro.), as Roman Battle Scene.
Ellen Eisenberg, Hommage à Baudelaire, exh. cat. (Baltimore, MD: University of Maryland Art Gallery, 1968).
Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 187, (repro.), as Roman Battle Scene.
Possibly Marc Sandoz, Théodore Chassériau, 1819–1856: catalogue raisonné des peintures et estampes (Paris: Arts et métiers graphiques, 1974).
Jan Van der Marck and J. Carter Brown, In Quest of Excellence, exh. cat. (Miami: Center for the Fine Arts, 1984).
Roger Ward and Mark S. Weil, Master Drawings from the Nelson-Atkins Museum of Art, Kansas City, Missouri, exh. cat. (St. Louis, MO: Washington University Gallery of Art, 1989), 6–7, 10, 34, (repro.), as Roman Battle Scene.
Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills, 1993), 131, 202, (repro), as Battle between Romans and Barbarians.
Roger Ward, Dürer to Matisse: Master Drawings from the Nelson-Atkins Museum of Art, exh. cat. (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 10, 29, 214–15, (repro.), as Battle between Romans and Barbarians.
Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 113, (repro), as Battle between Romans and Barbarians.
