The Sacred Egyptian Bean
Series TitleThe Temple of Flora
Artist
Thomas Burke
(Irish, 1749 - 1815)
Artist
Frederick Christian Lewis
(English, 1779 - 1856)
Publisher
Dr. Robert John Thornton
(English, ca. 1768 - 1837)
Artist After
Peter Charles Henderson
(English, born 1829)
Date1804
MediumAquatint with stipple engraving
DimensionsPlate: 21 3/4 × 17 1/2 inches (55.25 × 44.45 cm)
Credit LineGift of Herman R. Sutherland
Object numberF87-5/30
On View
On viewGallery Location
- 130
Collections
Exhibition HistoryMonet's Garden and the Secret Language of Flowers, The Nelson-Atkins Museum of Art, Kansas City, MO, April 5, 2025-April 19, 2026, no cat.
Religious writings, particularly those from the Bible, offer rich plant symbolism linked to purity and innocence. A Christian monk known as the Venerable Bede likened the Virgin Mary to a white lily: its petals symbolized her pure body and its golden anthers the radiance of her soul. In the Victorian language of flowers, known as floriography, white lilies embodied beauty, virtue, and unblemished love, making them staples in bridal bouquets.
The nun’s cap orchid, also known as the swamp orchid, evoked purity and innocence. White orchids—a favorite of Monet’s—symbolized virtue and refined beauty, often presented as tokens of admiration. Similarly, the lotus, rising unsullied from muddy waters, reflected purity and spiritual enlightenment.
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