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Portrait of a Man

Artist Thomas Flatman (English, 1635 - 1688)
Dateca. 1660
MediumGouache on prepared card; Ormolu case
DimensionsSight: 2 9/16 × 2 1/8 inches (6.51 × 5.4 cm)
Framed: 3 1/16 × 2 1/4 × 1/8 inches (7.78 × 5.72 × 0.32 cm)
Credit LineGift of Mr. and Mrs. John W. Starr and the Starr Foundation, Inc.
Object numberF58-60/51
InscribedInscribed on recto, lower left: "TF".
On View
Not on view
Collections
DescriptionPortrait miniature of a man wearing a black coat before a window.Exhibition History

Art Treasures Exhibition 1932, Christie, Manson, and Woods, London, October 12–November 5, 1932, no. 394, as Gentleman.

The Starr Foundation Collection of Miniatures, The Royal Ontario Museum, Toronto, December 8, 1972–January 14, 1973, no cat., no. 14, as Unknown Man.

Samuel Cooper and His Contemporaries, National Portrait Gallery, London, February 6–May 12, 1974, no. 180, as Portrait of an Unknown Man.

Provenance

Possibly the Dukes of Bolton, by descent [1];

With S. J. Phillips, London, by May 1932–at least 1935 [2];

Mr. John W. (1905–2000) and Mrs. Martha Jane (1906–2011) Starr, Kansas City, MO, by 1958;

Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1958.

Notes

[1] S. J. Phillips advertised the miniature as, “From the Earl of Bolton’s Collection,” but the title “Earl of Bolton” does not exist, and the title “Duke of Bolton” became extinct when Harry Powlett, 6th Duke of Bolton (1719/20–1794) died. There are, however, Baron Boltons, including William Thomas Orde-Powlett, 4th Baron Bolton (1845–1922), William George Algar Orde-Powlett, 5th Baron Bolton (1869–1944), and Nigel Amyas Orde-Powlett, 6th Baron Bolton (1900–1963).

 For a similar provenance, see a miniature by Samuel Cooper, Portrait of a Lady Traditionally Identified as Mary Paulet, Marchioness of Winchester, ca. 1660, which sold at The Pohl-Ströher Collection of Portrait Miniatures, Part III, Sotheby’s, London, December 5, 2019, lot 129. In the catalogue, the provenance is listed as “The Earls of Bolton, by repute; with S. J. Phillips, London, by 1932.”

[2] S. J. Phillips advertised the Cooper mentioned in [1] and the Nelson-Atkins Flatman in 1932 as, “Miniature of the Duchess of Bolton, by S. Cooper, signed. Miniature of Young Man, by T. Flatman, signed. From the Earl of Bolton’s Collection. Specimens from my Collection of XVII Century English Miniatures.” See Burlington Magazine for Connoisseurs 60, no. 350 (May 1932): xvi, (repro.). Phillips also advertised the two miniatures in Art News 33, no. 33 (May 18, 1935).

Published References

Advertisement, Burlington Magazine for Connoisseurs 60, no. 350 (May 1932): xvi, (repro.), as Miniature of Young Man.

Advertisement, Art News 33, no. 33 (May 18, 1935): 5, (repro.), as Miniature of a Young Man.

Martha Jane and John W. Starr, “Collecting Portrait Miniatures,” Antiques 80, no. 5 (November 1961): 439, (repro.), as Portrait of a Man.

Ross E. Taggart, The Starr Collection of Miniatures in the William Rockhill Nelson Gallery (Kansas City, MO: Nelson Gallery-Atkins Museum, 1971), no. 14, p. 12, (repro.), as Unknown Man.

Daphne Foskett, ed., Samuel Cooper and His Contemporaries, exh. cat. (London: H.M. Stationery Office and National Portrait Gallery, 1974), 95, (repro.), as Portrait of an Unknown Man.

Aimee Marcereau DeGalan, “Thomas Flatman, Portrait of a Man, ca. 1660,” catalogue entry in Aimee Marcereau DeGalan, Blythe Sobol, and Maggie Keenan, The Starr Collection of Portrait Miniatures, 1500–1850: The Collections of the Nelson-Atkins Museum of Art, vol. 2, ed. Aimee Marcereau DeGalan (Kansas City, MO: Nelson-Atkins Museum of Art, 2024), https://doi.org/10.37764/8322.5.1216.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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