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Because He has Broken the Jug (No. 25)
Because He has Broken the Jug (No. 25)

Because He has Broken the Jug (No. 25)

Series TitleLos Caprichos
Artist Francisco José de Goya y Lucientes (Spanish, 1746 - 1828)
Date1799
MediumEtching with aquatint and other intaglio media
DimensionsPlate: 7 1/8 × 5 5/16 inches (18.1 × 13.49 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number33-1059
Edition/State/Proof1st ed.
On View
Not on view
Collections
Exhibition History

Goya: Paintings, Prints and Drawings, Virginia Museum of Fine Arts, Richmond, January 16-March 1, 1953.

Dürer to Tiepolo: Works on Paper, The Nelson-Atkins Museum of Art, Kansas City, MO, April 3-October 7, 2007, no cat.

Dürer to Tiepolo: Works on Paper, The Nelson-Atkins Museum of Art, Kansas City, MO, December 12, 2012-June 9, 2013, no cat.

Provenance

With Alden Galleries, Kansas City, MO, October 25, 1933;

Purchased from Alden Galleries by The Nelson-Atkins Museum of Art, Kansas City, MO, 1933.
Published References

Goya: Paintings, Prints and Drawings, exh. cat. (Richmond, VA: Virginia Museum of Fine Arts, 1953).

Tomás Harris, Goya Engravings and Lithographs (Oxford: Bruno Cassirer, 1964), 1: no. 60, p. 124, (repro.), as Si quebró el cantaro (Yes he broke the pot.); 2: no. 60, p. 95, (repro.), as Si quebró el cantaro (Yes he broke the pot.).

Pierre Gassier and Juliet Wilson-Bareau, The Life and Complete Work of Francisco Goya, 2nd ed. (New York: Harrison House, 1981), no. 500, p. 179, (repro.), as Si quebró el cantaro.

Alfonso E. Pérez-Sánchez and Julián Gállego, Goya: The Complete Etchings and Lithographs (Munich: Prestel, 1995), no. 25, p. 48, (repro.), as Yes, he broke the pot.

George L. McKenna, Prints, 1460-1995 (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 134, 314, as Caprices (Los Caprichos).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


Nobody Has Seen Us (No. 79)
Francisco José de Goya y Lucientes
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33-1113
Because she was susceptible (No. 32)
Francisco José de Goya y Lucientes
1799
33-1066
Of What Will He Die? (No. 40)
Francisco José de Goya y Lucientes
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33-1074
He Does not Recognize Her Thus (No. 7)
Francisco José de Goya y Lucientes
1799
33-1041
Hush (No. 28)
Francisco José de Goya y Lucientes
1799
33-1062
Correction (No. 46)
Francisco José de Goya y Lucientes
1799
33-1080
There is Much to Drink (No. 45)
Francisco José de Goya y Lucientes
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33-1079
Mated (No. 57)
Francisco José de Goya y Lucientes
1799
33-1091
Wait Until You Have Been Annointed (No. 67)
Francisco José de Goya y Lucientes
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33-1101
The Child of the Rollona (No. 4)
Francisco José de Goya y Lucientes
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33-1038
To Food, My Children (No. 11)
Francisco José de Goya y Lucientes
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33-1045
Bravissimo (No. 38)
Francisco José de Goya y Lucientes
1799
33-1072