The Day is Breaking, Let Us Get Away (No. 71)
Sheet: 11 1/2 x 7 1/2 inches (29.21 x 19.05 cm)
Cryptic: The Use of Allegory in Contemporary Art, with a Master Class from Goya, Contemporary Art Museum, St. Louis, MO, May 20-August 14, 2011, no cat.
With Alden Galleries, Kansas City, MO, October 25, 1933;
Purchased from Alden Galleries by The Nelson-Atkins Museum of Art, Kansas City, MO, 1933.Tomás Harris, Goya Engravings and Lithographs, vol. 2 (Oxford: Bruno Cassirer, 1964), no. 106, p. 149, (repro.), as Si amanece; nos vamos. (When day breaks we will be off.).
Pierre Gassier and Juliet Wilson-Bareau, The Life and Complete Work of Francisco Goya, 2nd ed. (New York: Harrison House, 1981), no. 594, p. 184, (repro.), as Si amanece; nos Vamos. (If day breaks, we go).
Alfonso E. Pérez-Sánchez and Julián Gállego, Goya: The Complete Etchings and Lithographs (Munich: Prestel, 1995), no. 71, p. 77, (repro.), as When day breaks we will be off.
George L. McKenna, Prints, 1460-1995 (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 134, 314, as Caprices (Los Caprichos).
