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Seated Bodhisattva

CultureChinese
Dateca. 750 C.E.
MediumBuff-gray sandstone with traces of coloring
DimensionsOverall: 38 1/2 × 15 1/2 × 9 inches (97.79 × 39.37 × 22.86 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number33-9/1
On View
On view
Gallery Location
  • 204
Collections
DescriptionSeated figure, left leg pendant, right leg bent, with foot touching left leg. Left hand on left knee. Wears Indian dhoti, necklace with pendant jewels, bracelet and long ribbons hanging from a headdress over the shoulders and arms. Head is restored.Exhibition History

International Exhibition of Chinese Art, Burlington House, London, 1935, no. 2391.

Provenance

Cave Seventeen, Tianlongshan, Shanxi Province, China;

Yamanaka & Co., New York;

Purchased from Yamanaka & Co. by The Nelson-Atkins Museum of Art, Kansas City, MO, 1933.

Published References

The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Handbook of the William Rockhill Nelson Gallery of Art (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1933), 99 (repro.).

International Exhibition of Chinese Art, London: Burlington House, 1935, no. 2391, ill (repro.).

Art Digest, 8:30 (Dec. 1933), ill (repro.).

Ludwig Bachhofer, Short History of Chinese Art, p. 76, fig. 68 (repro.).

Harry Vanderstappen and Marhylin Rhie, “The Sculpture of T’ien Lung Shan: Reconstruction & Dating”  Artibus Asiae, vol. 27, no. 3 (1965), 189-220, fig. 57 (repro.).

Ross E. Taggart, George L. McKenna, and Marc F. Wilson, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. II, Art of the Orient. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973) (repro.).

Li Yuqun and Li Gong.  Tianlongshan shiku (Beijing: Kexue chubanshe, 2003), fig. 69, 149 (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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