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Capital in the Shape of a Bull

CulturePersian
Date518-460 B.C.E.
MediumBituminous limestone
DimensionsOverall: 28 × 30 × 12 inches (71.12 × 76.2 × 30.48 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number50-14
On View
On view
Gallery Location
  • 103
Collections
Gallery Label
This bull was set back to back with a matching partner. The two rested on top of a column, supporting on their backs a crossbeam of a palace's giant roof. The bull's strength makes it an apt support for a roof; further, the bull itself is a symbol of the power of the Persian Empire. 

The back, legs, chest and a few parts of the bull's face have been restored. The separately made ears and horns are now missing; the original brilliant paint on the bull has disappeared.

Provenance

Excavated at Persepolis by Professor Ernst Herzfeld for the University of Chicago, between 1932-1934;

 

Oriental Institute, University of Chicago, 1934-1948;

 

Acquired from the Oriental Institute by the dealer Paul Mallon, New York, 1948-1950;

 

Purchased from Mallon by The Nelson-Atkins Museum of Art, Kansas City, MO, 1950.

Published References

“Head of a Bull in the William Rockhill Nelson Gallery of Art,” Art Quarterly 13 (1950): 342-45.

 

Ross E. Taggart, ed., Handbook of the Collections in the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 4th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1959), 13.

 

Roman Ghirshman, The Arts of Ancient Iran (New York: Golden Press, 1964), 217, fig. 266, 429.

 

Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 17.

 

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 109.

 

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 4, fig. 2.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.