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Horus of Buto

CultureEgyptian
Date664-525 B.C.E.
MediumBronze
DimensionsOverall: 23 1/4 × 6 1/4 inches (59.06 × 15.88 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number44-64
On View
On view
Gallery Location
  • 103
Collections
Exhibition History

Egyptian Art under the Greeks and Romans, 332 B.C. to A.D. 330, Museum of Art and Archaeology, University of Missouri-Columbia, September 26-November 15, 1987.

Gallery Label
Hoping to secure a favor or give thanks for one, a wealthy Egyptian commissioned this sculpture of Horus and dedicated it in his temple. Horus originally held in his right hand a sign of life, the ankh, and in his left, a scepter. He also wore a crown.

The round mane with delicately radiating hairs frames and draws attention to his face. It also covers a potentially awkward transition from a human neck to a lion's head. The upright posture suggests power and authority.

This lion-headed Horus, son of Wadjet, had his cult center in Buto, northern Egypt; his half-brother, Horus the Sky God, son of Isis, was more widely worshiped.
Provenance

Found at Denderah, Egypt, 1880s [1];

 

Dr. Joseph Eddé, Alexandria, Egypt;

 

With Jacob Hirsch, New York, by 1945;

 

Purchased from Hirsch by The Nelson-Atkins Museum of Art, Kansas City, MO, 1945.

 

NOTES:

 

[1] According to Dr. Jacob Hirsch, NAMA curatorial files.

Published References

The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, The William Rockhill Nelson Collection, 3rd ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1949), 15.

 

Pictorial History of the World (Year Pictorial Publications, 1956), 43, (repro.).

 

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 114.

           

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 9, fig. 19.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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