Cap Mask
Original Language TitleChi wara
CultureBambara peoples
Date20th century
MediumWood and basketry
DimensionsApproximate: 31 1/2 × 10 × 6 inches (80.01 × 25.4 × 15.24 cm)
Credit LineGift of Donald and Sally Tranin
Object numberF84-87/2
On View
On viewGallery Location
- L9
Collections
Gallery LabelThese headdresses combine slender, elegant forms suggestive of antelope with abstract pattern, as seen in the curved neck and breast area of the larger, male figure. Called Ci-wara ("farming beast"), the pair represents a mythic ancestral couple-half human, half animal-who introduced agriculture to the Bamana people, expressing the connection between civilized humanity and wilderness power. Ci-wara antelope headdresses appear in male-female pairs, sometimes, as in this case, with offspring carried upon the mother's back. This pair would have been worn in performances glorifying agricultural work and the complementary relationship between men and women in farming and populating society.
With Tribal Arts Gallery, New York, by June 1980;
Purchased from Tribal Arts Gallery by Donald (1927-2007) and Sally (1930-2017) Tranin, Kansas City, MO, June 1980-1984 [1];
Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1984.
NOTES:
[1] Tribal Arts Gallery invoice in NAMA curatorial files. Tribal Arts Gallery was operated from 1968 to 1985 by Albert F. Gordon.
Joyce M. Youmans, “African Art at the Nelson-Atkins Museum of Art,” African Arts 33, no. 4 (Winter 2000), 48, 50, (repro.).
Information about a particular artwork or image, including provenance information,
is based upon historic information and may not be currently accurate or complete.
Research on artwork and images is an ongoing process, and the information about a
particular artwork or image may not reflect the most current information available to the Museum.
If you notice a mistake or have additional information about a particular artwork or image,
please e-mail provenance@nelson-atkins.org.
79-59
2013.47.56