Saint Thecla with Wild Beasts and Angels

The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, The William Rockhill Nelson Collection, 3^rd ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1949), 32.

Ross E. Taggart, ed., Handbook of the Collections in the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 4^th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1959), 43.

Helmut Buschhausen, “Frühchristliches Silberreliquiar aus Isaurien,” Jahrbuch des österreichischen byzantinischen Gesellschaft 11, 12 (1962-63): 148, fig 6.

Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 56.

J. Leibbrand, “Thekla,” in Lexicon der christlichen Ikonographie, vol. 8 (Rome: Herder, 1976), 433, fig. 1.

Cornelius Vermeule, Romans and Barbarians, exh. cat. (Boston: Museum of Fine Arts, 1976), 201-02, no. 236.

Nancy Patterson Ševčenko, “513. Roundel with St. Thecla,” in The Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century, ed. Kurt Weitzmann, exh. cat. (New York: Metropolitan Museum of Art, 1977), 574-75, (repro.). 

Kurt Weitzmann, ed., Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century, exh. cat. (New York: Metropolitan Museum of Art, 1979), 574–75, (repro.).

Catherine Metzger, Les ampoules à eulogie du musée du Louvre, Notes et Documents des musées de France 3 (Paris: Editions de la Réunion des musées nationaux, 1981), 13.

Claudia Nauerth and Rüdiger Warns, Thekla. Ihre Bilder in der frühchristlichen Kunst, Göttinger Orientforschungen, 2 Reihe, Studien zur spatantiken und frühchristlichen Kunst, Band 3 (Wiesbaden: Otto Harrassowitz, 1981), 26n4, 31-34, plate 7, fig. 14.

Dennis Ronald MacDonald, The Legend and the Apostle: The Battle for Paul in Story and Canon (Philadelphia: Westminster, 1983), (repro.).  

Dennis Macdonald and Andrew Scrimgeour, “Pseudo-Chrysostrom’s Panegyric to Thecla: The Heroine of the Acts of Paul in Homily and Art,” Semela 38 (1986): 158.

Rüdiger Warns, “Weitere Darstellungen der heiligen Thekla,” in Studien zur frühchristlichen Kunst II, Göttinger Orientforschungen, 2 Reihe, Studien zur spatantiken und frühchristlichen Kunst, Band 8, ed. Guntram Koch (Wiesbaden: Otto Harrassowitz, 1986), 79.

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 125.

Diane Apostolos-Cappadona, Encyclopedia of Women in Religious Art (New York: Continuum Publishing Company, 1996), fig. 95.

Eva Schurr, Die Ikonographie der Heiligen: Eine Entwicklungsgeschichte ihrer Attribute von den Anfängen bis zum achten Jahrhundert (Dettelbach: J. H. Röll, 1997), 212, 216, 218, 220, no. 7.

John Hermann and Anneweis van den Hoek, “116. Saint Thecla in the Arena,” in Antioch: The Lost Ancient City, ed. Christine Kondoleon, exh. cat. (Princeton University Press, 2000), 226-27, no. 116, (repro.).  

Christine Kondoleon, “The Lost City of Ancient Antioch,” Minerva 11, no. 5 (2000): 17, (repro.).

David Cartlidge and J. Keith Elliott, Art and the Christian Apocrypha (New York: Routledge, 2001), 154-55, fig. 5.10.

Stephen Davis, The Cult of Saint Thecla: A Tradition of Women’s Piety in Late Antiquity (Oxford: University Press, 2001), 235, fig. 29.  

J. Kirsten Smith, “68. Medallion of Thekla Bound to Two Beasts,” in Byzantine Women and Their World, ed. Ioli Kalavrezou, exh. cat. (Cambridge: Harvard University Press, 2002), 136-37, (repro.).  

Elizabeth Castelli, Martyrdom and Memory: Early Christian Culture Making (New York: Columbia University Press, 2004), 162-64, fig. 1.

Carolyn Connor, Women of Byzantium (New Haven: Yale University Press, 2004), 9, fig. 1.

Helen Rhee, Early Christian literature: Christ and culture in the second and third centuries (New York: Routledge, 2005), (repro.).

Jeremy Barrier, “A Critical Introduction and Commentary on the Acts of Paul and Thecla,” (PhD diss., Brite Divinity School, Fort Worth, Texas: 2008), 96, fig. 21.

Anna Clark, Desire: A History of European Sexuality (New York: Routledge, 2008), 43, fig. 3.1.

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 21, fig. 55.

Jeremy W. Barrier, The Acts of Paul and Thecla, A Critical Introduction and Commentary, Wissenschaftliche Untersuchungen zum Neuen Testament, 2 Reihe (Tübingen: Mohr Siebeck, 2009), 52n222, 62, fig. 15.

Caroline Vander Stichele and Todd Penner, Contextualizing Gender in Early Christian Discourse: Thinking beyond Thecla (London: T&T Clark International, 2009), (repro.).

Sheila Briggs, “Gender, Slavery, and Technology: The Shaping of the Early Christian Moral Imagination,” in Beyond Slavery: Overcoming its Religious and Sexual Legacies, ed. Bernadette Brooten (New York: Pallgrave Macmillan, 2010), 168-69, fig. 9.1.

Celal Şimşek and Barış Yener, “An Ivory Relief of Saint Thecla,” Adalya 13 (2010): 327.

Robert Cohon, “Saint Thecla Clothed as Aphrodite,” in American Research Center in Egypt Annual Conference, Abstracts, ed. Kathleen Scott (San Antonio, 2013), 31-32.