Boulevard des Capucines

E[rnest] Renart, Dictionnaire Biographique International des Collectionneurs (Paris: Imprimerie de l’Armorial Français, 1895), 22.

Emile Maton, Dictionnaire Biographique International des Artistes (Paris: Imprimerie de l’Armorial Français, 1901), 32.

Marc Elder, A [sic] Giverny, chez Claude Monet (Paris: Bernheim-Jeune, 1924), 85, (repro.), as Boulevard des Capucines.

Camille Mauclair, Claude Monet, 2nd ed. (1924; Paris: Les Éditions Rieder, 1927), 40, (repro.), as Le Boulevard, The boulevard, Der Boulevard, Il corso, and El “Boulevard”.

Exposition des Peintres de l’École française du XIX^e Siècle, exh. cat. (Paris: Knoedler, 1924), 13, as Les Grands Boulevards.

Raymond Régamey, “La Formation de Claude Monet,” Gazette des Beaux-Arts (February 1927): 82, as Boulevard des Capucines.

Xenia [de Tunzelman Bootle-Wilbraham] Lathom, Claude Monet (London: Phillip Allan, 1931), 64, (repro.), as Boulevard des Capucines and Le Boulevard.

Alfred M. Frankfurter, “Panorama of a Great Decade: ‘The 1870s’,” Art News 37, no. 10 (December 3, 1938): 10, 12, (repro.), as Les Grands Boulevards.

Maurice Malingue, Claude Monet (Monaco: Les Documents d'Art, 1943), 61, 146, (repro.), as Le Boulevard.

Possibly Camille Mauclair, Claude Monet et l'impressionnisme (Paris: J. Renard, 1943), 45, as Boulevards.

A Loan Exhibition of Paintings by Claude Monet for the Benefit of the Children of Giverny, exh. cat. (New York: Wildenstein, 1944), 28, 31, (repro.), as Les Grands Boulevards.

John Rewald, The History of Impressionism, rev. 4th ed. (1946; New York: Museum of Modern Art, 1973), 320–22, 324, 326, 340n30, (repro.), as Boulevard des Capucines, Paris.

Oscar Reuterswärd, Monet: En konstnärshistorik (Stockholm: Albert Bonniers Förlag, 1948), 70–72, 76, 81, 281, (repro.), as Boulevard des Capucines i snö. 

"What they said": Postscript to Art Criticism For the benefit of the Museum of Modern Art on its 20th Anniversary, exh. cat. (New York: Durand-Ruel, 1949), unpaginated, (repro.), as Boulevard des Capucines.

Great French Paintings: An Exhibition in Memory of Chauncey McCormick, exh. cat. (Chicago: Art Institute of Chicago, 1955), unpaginated, (repro.), as Les Grands Boulevards.

Jean Leymarie, Impressionism: Biographical and Critical Study, vol. 2, trans. James Emmons (Lausanne, Switzerland: Skira, 1955), 60–61, 64, 132, (repro.), as Boulevard des Capucines, Paris.

Isabel Stevenson Monro and Kate M. Monro, Index to Reproductions of European Paintings: A guide to pictures in more than three hundred books (New York: H. W. Wilson, 1956), 425.

Claude Monet: An exhibition of paintings arranged by the Arts Council of Great Britain in association with the Edinburgh Festival Society, exh. cat. (London: Tate Gallery, 1957), 11, 22, as Boulevard des Capucines.

Denis Rouart, Claude Monet, trans. James Emmons (Geneva: Éditions d’Art Albert Skira, 1958), 52–53.

Masterpieces of Impressionist and Post-Impressionist Painting, exh. cat. (Washington, D. C.: National Gallery of Art, 1959), 36, (repro.), as Boulevard des Capucines.

Ralph T. Coe, “Impressionist and Post-Impressionist Paintings in Washington,” Burlington Magazine 101, no. 675 (June 1959): 245, as Boulevard des Capucines.

William C[hapin] Seitz, Claude Monet (New York: Harry N. Abrams, [1960]), 92, (repro.), as Boulevard des Capucines.

Aaron Scharf, “Painting, Photography, and the Image of Movement,” Burlington Magazine 104, no. 710 (May 1962): 188, 190, (repro.), as Boulevard des Capucines.

Jean Leymarie, French Painting: The Nineteenth Century, trans. James Emmons (Geneva: Éditions d’Art Albert Skira, 1962), 158, 189, 229, (repro.), as Boulevard des Capucines, Paris.

Denis Rouart and Thérèse Charpentier, Charles de Meixmoron: 1839–1912, exh. cat. (Nancy: Musée des Beaux Arts, 1962), unpaginated.

Henry A. La Farge, “Independence through Interdependence,” Art News 64, no. 7 (November 1965): 50–51, 66, (repro.), as Boulevard des Capucines.

Olympia’s Progeny: French Impressionist and Post–Impressionist Paintings (1865–1905), exh. cat. (New York: Wildenstein, 1965), unpaginated, (repro.), as Boulevard des Capucines.

John Rewald, Die Geschichte des Impressionismus: Schicksal und Werk der Maler einer grossen Epoche der Kunst (Cologne: Verlag M. DuMont Schauberg, 1965), 138–39, 196, 198, 399, (repro.), as Boulevard des Capucines, Paris.

S[amuel] C. Burchell, Age of Progress (Great Ages of Man: A History of the World’s Cultures series), vol. 11 (New York: Time, 1966), 62, (repro.).

Charles Merrill Mount, Monet (New York: Simon and Schuster, 1966), 233–34, 430, as Boulevard des Capucines.

Margaretta M. Salinger, Claude Monet (1840–1926) (New York: Harry N. Abrams, [1966]), unpaginated, (repro.), as Boulevard des Capucines.

H[jorvardur] H[arvard] Arnason and Peter Kalb, History of Modern Art: Painting, Sculpture, Architecture, Photography, 5th ed. (1968; Upper Saddle River, NJ: Prentice Hall, 2004), 31–32, 36, (repro.), as Boulevard des Capucines, Paris (Les Grands Boulevards).

Marie Berhaut, Caillebotte: The Impressionist, trans. Dana Imber (Lausanne: International Art Book, 1968), 30, 34, as Boulevard des Capucines.

Four Masters of Impressionism: For the Benefit of the Lenox Hill Hospital New York, exh. cat. (New York: Acquavella Galleries, 1968), unpaginated, (repro.), as Boulevard des Capucines, Paris.

Richard W. Murphy, The World of Cézanne: 1839–1906 (1968; New York: Time-Life Books, 1971), 58, 64–65, (repro.), as Boulevard des Capucines.

Aaron Scharf, Art and Photography, rev. ed. (1968; Harmondsworth, United Kingdom: Penguin, 1974), 170–72, 352, 383, 394, (repro.), as Boulevard des Capucines.

“One Hundred Years of Impressionism”: A Tribute to Durand-Ruel; A Loan Exhibition for the Benefit of the New York University Art Collection, exh. cat. (New York: Wildenstein, 1970), (repro.), as Boulevard des Capucines.

Phoebe Pool, Impressionism (London: Thames and Hudson, 1970), 16–17, 117, 272, 284, (repro.), as Boulevard des Capucines.

“Departmental Accessions,” Annual Report of the Trustees of the Metropolitan Museum of Art, no. 102 (July 1, 1971–June 30, 1972): 41, as Boulevard des Capucines.

Ellen Wilson, American Painter in Paris: A Life of Mary Cassatt (New York: Farrar, Straus and Giroux, 1971), 59–61, 203, (repro.), as Boulevard des Capucines.

Luigina Rossi Bortolatto, L'opera completa di Claude Monet, 1870–1889, new series (1972; Milan: Rizzoli, 1978), no. 74, pp. 73–74, 113, 115, (repro.), as Boulevard des Capucines a Parigi.

Kunio Tsuji, Yoshiaki Inui, and Shuji Takashina, Monet et l’Impressionnisme (Tokyo: Chuokoron-Sha, 1972), 119, (repro.), as Boulevard des Capucines.

Joy Newton, “Emile Zola and the French Impressionist Novel,” L’Esprit Créateur 13, no. 4 (Winter 1973): 322, 325, as Boulevard des Capucines.

John Rewald, “The Impressionist Brush,” Metropolitan Museum of Art Bulletin 32, no. 3 (1973–1974): 24, 27–28, (repro.), as Boulevard des Capucines, Paris.

Donald Hoffmann, “A Beautiful Monet is Acquired by Nelson Gallery,” Star: Sunday Magazine of Kansas City Star 93, no. 126 (January 21, 1973): S10–13, (repro.), as Boulevard des Capucines.

“Monet’s Snowy Boulevard,” Kansas City Star 93, no. 129 (January 24, 1973): unpaginated, as Boulevard des Capucines.

“Try this Quick Quiz,” Kansas City Star 93, no. 133 (January 28, 1973): 4B, as Boulevard des Capucines.

Douglas Davis, “Picture Puzzle at the Met,” Newsweek (January 29, 1973): 77, (repro.), as Boulevard des Capucines.

“Major Accession,” Gallery Events (The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts) (February 1973): unpaginated, (repro.), as Boulevard des Capucines, Paris.

B. Drummond Ayres Jr., “Kansas City Says Its Time Is Here,” Special to New York Times 122, no. 42,062 (March 23, 1973): 78, as Boulevard des Capucines.

Mrs. R.E. Weavering, “A Joy Forever: Nelson Gallery visitors cluster around the new acquisition, Monet’s 'Boulevard des Capucines.' The impressionist work will give pleasure to many for many years to come, says one reader,” Kansas City Star (March 26, 1973): (repro.), as Boulevard des Capucines.

“Gifts to Nelson Art Gallery Result in Record Purchases,” Kansas City Star 93, no. 210 (April 15, 1973): 10A, as Boulevard des Capucines.

Donald Hoffmann, “Gifts to the Gallery,” Kansas City Star 93, no. 294 (July 8, 1973): E[1], as Boulevard des Capucines.

“Recent Accessions of American and Canadian Museums: October–December 1972,” Art Quarterly 36, no. 3 (Autumn 1973): 268, 283, (repro.), as Boulevard des Capucines.

Elsye W. Allison, “Jeans Party Provides Last Fling for BOTARs: On the Scene,” Kansas City Star (October 29, 1973): 12C, as Boulevard des Capucines, Paris.

Donald Hoffmann, “Gifts Grace Gallery’s 40^th Year,” Kansas City Times 106, no. 82 (December 12, 1973): 1, as Boulevard des Capucines.

“Kansas City Woman Gives Nelson Gallery A $1–Million Degas,” Special to New York Times 123, no. 42,326 (December 12, 1973): 62, as Boulevard des Capucines.

Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5^th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 150, 258, (repro.), as Boulevard des Capucines, Paris.

Donald Hoffmann, “Nelson Gallery Construction To Start on the Second Floor,” Kansas City Times 106, no. 265 (July 13, 1974): 3A, as Boulevard des Capucines.

Carl R. Baldwin, The Impressionist Epoch, exh. cat. (New York: Metropolitan Museum of Art, 1974), 2, 15–16, (repro.), as Boulevard des Capucines, Paris.

M. A. Bessonova, ed., Zhivopis' impressionistov. stoletnemu jubileju pervoj vystavki francuzkih hudoznikov–impressionistov (1874–1974), exh. cat. (USSR: Ministry of Culture, 1974), unpaginated.

Anne Dayez, Michel Hoog, and Charles S. Moffett, Impressionism: A Centenary Exhibition, exh. cat. (New York: Metropolitan Museum of Art, 1974), 46, 59, 159–64, 171, (repro.), as Boulevard des Capucines, Paris.

Hélène Adhémar, “Centenaire de l'Impressionnisme,” Le petit Journal des grandes Expositions (1974): unpaginated, (repro.), as Boulevard des Capucines.

Jean Haley, ‘‘Million-Dollar Monet Goes Home,’’ Kansas City Times 106, no. 312 (September 6, 1974): [1], (repro.), as Boulevard des Capucines.

“Le Centenaire de l’Impressionisme,” Jours de France 51, no. 1031 (September 16–22, 1974): 75, (repro.), as Boulevard des Capucines.

Edith Hoffmann, “Impressionists at the Grand Palais,” Burlington Magazine 116, no. 860 (November 1974): 699, as Boulevard des Capucines.

Marcel Wallenstein, “Impressionists Back Home in Paris,” Kansas City Times 107, no. 48 (November 2, 1974): 18C, (repro.), as Boulevard des Capucines.

John House, Impressionism: Its Masters, its Precursors, and its Influence in Britain, exh. cat. (London: Royal Academy of Arts, 1974), 40.

Daniel Wildenstein, Claude Monet: Biographie et catalogue raisonné, vol. 1, 1840–1881: Peintures (Lausanne: La Bibliothèque des Arts, 1974), no. 293, pp. 65, 240–41, (repro.), as Le Boulevard des Capucines.

“Editorial: The Centenary of Impressionism,” Apollo 101, no. 155 (January 1975): 5–7, (repro.), as Boulevard des Capucines.

Elyse W. Allison, “Chinese Exhibition Social Organizer Knows Her Art,” Kansas City Star 95, no. 201 (April 6, 1975): 4C, as Boulevard des Capucines, Paris.

Linda Dalrymple Henderson, “Alfred Sisley’s ‘The Flood on the Road to Saint–Germain’,” Bulletin: The Museum of Fine Arts, Houston 6, nos. 2–4 (Summer 1975–Winter 1976): 25–26, (repro.), as Boulevard des Capucines.

Joel Isaacson, “Monet in Chicago,” Burlington Magazine 117, no. 867 (June 1975): 429, as Boulevard des Capucines.

Steven Z. Levine, “Monet’s Pairs,” Arts Magazine 49, no. 10 (June 1975): 74, as Boulevard des Capucines.

Der Einzelne und die Masse: Kunstwerke des 19. Und 20. Jahrhunderts, exh. cat. (Recklinghausen, Germany: Städtische Kunsthalle Recklinghausen, 1975), unpaginated, (repro.), as Boulevard des Capucines.

Impressionnisme en Lorraine, exh. cat. (Nancy: Musée des Beaux-Arts, 1975), unpaginated, as Boulevard des Capucines.

André Masson, Grace Seiberling, and J. Patrice Marandel, Paintings by Monet, exh. cat. (Chicago: Art Institute of Chicago, 1975), 26–27, 30, 34, 90–91, (repro.), as Boulevard des Capucines.

Ralph T. Coe, “Claude Monet’s ‘Boulevard des Capucines’: After a Century,” Bulletin (The Nelson Gallery and Atkins Museum) 5, no. 3 (February 1976): 5–10, 12–15, 16n9, (repro.), as Boulevard des Capucines.

Kirk Varnedoe, “Gustave Caillebotte in Context,” Arts Magazine 50, no. 9 (May 1976): 95, (repro.), as Boulevard des Capucines.

Denys Sutton, “Book Reviews: Le Dossier Monet,” Apollo 103, no. 172 (June 1976): 530.

Alice Bellony-Rewald, The Lost World of the Impressionists (London: Weidenfeld and Nicolson, 1976), 180, 183, 186, 283, (repro.), as Boulevard des Capucines, Paris.

Maria and Godfrey Blunden, Impressionists and Impressionism, trans. James Emmons (New York: Rizzoli, 1976), 136, 237, (repro.), as Boulevard des Capucines.

Sam Hunter, John Jacobus, and Daniel Wheeler, Modern Art: Painting, Sculpture, Architecture, Photography, 3rd rev. ed. (1976; Upper Saddle River, NJ: Prentice Hall, 2004), 10, 19–20, 93, (repro.), as Boulevard des Capucines, Paris.

J. Kirk T. Varnedoe and Thomas P. Lee, Gustave Caillebotte: A Retrospective Exhibition, exh. cat. (Houston: Museum of Fine Arts, 1976), 111, 147–48, (repro.), as Boulevard des Capucines. 

Patricia Pate Havlice, World Painting Index (Metuchen, NJ: Scarecrow Press, 1977), 1:809; 2:1320, as Boulevard des Capucines.

Ralph T. Coe, The Kenneth and Helen Spencer Art Reference Library: Given to Complement the Nelson Gallery Collections 1962 (Independence, MO: Graham Graphics, 1978), unpaginated, as Boulevard des Capucines.

Michel Hoog, Monet (London: Eyre Methuen, 1978), unpaginated, (repro.), as Boulevard des Capucines.

Joel Isaacson, Claude Monet: Observation and Reflection (Oxford: Phaidon, 1978), 8, 16, 205.

Barbara Ehrlich White, ed., Impressionism in Perspective (Englewood Cliffs, NJ: Prentice-Hall, 1978), 47, (repro.), as Boulevard des Capucines, Paris (Les Grands Boulevards).

Robert H. Terte, “The Phenomenal Nelson Gallery,” Antiques World 1, no. 3 (January 1979): 46.

Steven Z. Levine, “The Window Metaphor and Monet’s Windows,” Arts Magazine 54, no. 3 (November 1979): 101, (repro.), as Boulevard des Capucines.

Brian Petrie, Claude Monet: The First of the Impressionists (Oxford: Phaidon, 1979), 5, 9–10, 40, 42, (repro.), as Boulevard des Capucines.

William C. Seitz, Claude Monet (Cologne: Verlag M. DuMont Schauberg, 1979), 92, (repro.), as Boulevard des Capucines.

Kirk Varnedoe, “The Artifice of Candor: Impressionism and Photography Reconsidered,” Art in America 68, no. 1 (January 1980): 71, 73, (repro.), as Boulevard des Capucines.

“Director,” Kansas City Star 100, no. 107 (May 4, 1980): 4G, as Boulevard des Capucines.

Erika Billeter, “Malerei und Photographie: Begegnung zweier Medien,” Du: Die Kunstzeitschrift, no. 476 (October 1980): 40, 42, 47, (repro.), as Boulevard des Capucines.

Diane Kelder, The Great Book of French Impressionism, 2nd ed. (1980; New York: Artabras, 1997), 7, 109, 122–23, 179, 388, (repro.), as Boulevard des Capucines.

Betty Beale, “Party scene still is burning bright,” Kansas City Star 101, no. 189 (April 25, 1981): 3C.

Donald Hoffmann, “The fine art of contributing to the gallery: Benefactors’ gifts help keep inflation at bay at the Nelson,” Kansas City Star 101, no. 225 (June 7, 1981): 1F, as Boulevard des Capucines.

Luigina Rossi Bortolatto, Tout l’œuvre peint de Monet:1870–1889, ed. Janine Bailly-Herzberg, trans. Simone Darses (Paris: Flammarion, 1981), no. 90, pp. 94–95, (repro.), as Le Boulevard des Capucines. 

Jacques Dufwa, Winds from the East: A Study in the Art of Manet, Degas, Monet and Whistler, 1856–86 (Stockholm: Almqvist and Wiksell International, 1981), 148–49, 190, (repro.), as Le Boulevard des Capucines.

Diane Kelder, Die großen Impressionisten (Munich: Hirmer Verlag, 1981), 13, 123, 137, 196, 440, 444, (repro.), as Boulevard des Capucines.

Yala H. Korwin, Index to Two–Dimensional Art Works (Metuchen, NJ: Scarecrow Press, 1981), 1:552; 2:1028, as Boulevard des Capucines.

Sophie Monneret, L’Impressionnisme et son Époque, vol. 4 (Paris: Éditions Denoël, 1981), 24, as Le Boulevard des Capucines.

Mark Fraser and E.A. Torriero, “Nelson Gallery hopes changes will paint a new portrait,” Kansas City Times (January 30, 1982): A10, as Boulevard Des Capucines.

Patricia Pate Havlice, World Painting Index, First Supplement: 1973–1980 (Metuchen, NJ: Scarecrow Press, 1982), 1:445; 2:736, as Boulevard des Capucines.

Paul Hayes Tucker, Monet at Argenteuil (New Haven: Yale University Press, 1982), xii, 163, 172, (repro.), as Boulevard des Capucines (Le Boulevard des Capucines).

Helen O. Borowitz, “The Rembrandt and Monet of Marcel Proust,” Bulletin of the Cleveland Museum of Art 70, no. 2 (February 1983): 90, as Boulevard of Capucines.

George L. McKenna, “My favorite things: What do the curators like?,” Kansas City Star 103, no. 186 (April 24, 1983): 13, as Boulevard des Capucines.

Laura Babcock, “The Nelson Art Gallery: a salute to the past,” Kansas City Star 104, no. 19 (October 9, 1983): 2F, as Boulevard des Capucines.

Patricia Failing, Best–Loved Art from American Museums (New York: Clarkson N. Potter, 1983), 58–59, (repro.), as Boulevard des Capucines.

Robert Gordon and Andrew Forge, Monet (New York: Harry N. Abrams, 1983), 72, 290, (repro.), as Le Boulevard des Capucines (The Boulevard des Capucines).

Ross E. Taggart and Roger B. Ward, City Views, exh. cat. (Kansas City, MO: The Nelson-Atkins Museum of Art, 1983), 7, 14, 33, (repro.), as Paris. Boulevard des Capucines.

Michael Wilson, The Impressionists (Oxford, UK: Phaidon, 1983), 124, 126, 186, (repro.), as Boulevard des Capucines.

Paul [Hayes] Tucker, “The first Impressionist exhibition and Monet’s Impression, Sunrise: a tale of times, commerce and patriotism,” Art History 7, no. 4 (December 1984): 475n1, as Boulevard des Capucines.

Andrea P. A. Belloli, ed., A Day in the Country: Impressionism and the French Landscape, exh. cat. (Los Angeles: Los Angeles County Museum of Art, 1984), 355.

T. J. Clark, The Painting of Modern Life: Paris in the Art of Manet and his Followers, rev. ed. (1984; Princeton, NJ: Princeton University Press, 1999), xi, 70–71, (repro.), as Le Boulevard des Capucines.

Nina Kalitina, Anna Barskaya, and Eugenia Georgievskaya, Claude Monet: Paintings in Soviet Museums, trans. Hugh Aplin and Ruslan Smirnov (Leningrad: Aurora Art, 1984), 127, (repro.), as Boulevard des Capucines.

John Rewald and Frances Weitzenhoffer, eds., Aspects of Monet: A Symposium on the Artist's Life and Times (New York: Harry N. Abrams, 1984), 94, 109, 119n10, (repro.), as Le Boulevard des Capucines.

Robert Rosenblum and H. W. Janson, 19th-Century Art: Painting, Sculpture, rev. ed. (1984; Upper Saddle River, NJ: Prentice Hall, 2005), 350–52, 373, (repro.) as Boulevard des Capucines, Paris.

“Education Insights,” Calendar of Events (The Nelson-Atkins Museum of Art) (June 1985): unpaginated, (repro.), as Boulevard des Capucines, Paris.

Marina Bessonova, Impressionist and Post–Impressionist Paintings in Soviet Museums, trans. Yuri Pamfilov (Leningrad: Aurora Art, 1985), 335.

Horst Keller, Claude Monet (Munich: Verlag F. Bruckmann KG, 1985), 60–61, 72, 166, (repro.), as Der Boulevard des Capucines.

Arlene Doran Kirkpatrick, ed., Masterworks of Impressionism (Winston-Salem, NC: Masterworks Art Publications, 1985), unpaginated, (repro.), as Boulevard des Capucines, Paris.

John Rewald, Studies in Impressionism, eds. Irene Gordon and Frances Weitzenhoffer (New York: Harry N. Abrams, 1985), V, 229, 231, (repro.), as Boulevard des Capucines, Paris.

The Great Artists, Their Lives, Works and Inspiration, Part 3: Monet (London: Marshall Cavendish, 1985), 78, 80, (repro.), as Boulevard des Capucines.

Bruce Bernard, ed., The Impressionist Revolution (London: Orbis, 1986), 27, 268, (repro.), as Boulevard des Capucines.

John House, Monet: Nature into Art (New Haven, CT: Yale University Press, 1986), 238n13, as The Boulevard des Capucines.

Eunice Lipton, Looking Into Degas: Uneasy Images of Women and Modern Life (Berkeley, CA: University of California Press, 1986), 94, as Boulevard des Capucines.

Charles S. Moffett, The New Painting: Impressionism 1874–1886, exh. cat. (Geneva: Richard Burton SA, 1986), 23, 108, 114n3, 117n92, 121, 130, (repro.), as Boulevard des Capucines.

“The New Painting: Impressionism 1874–1886,” Western Art Digest 13, no. 1 (January–February 1986): 76, 78, (repro.), as Boulevard des Capucines, Paris.

Donald Hoffmann, “Excitement in the revolution again: ‘New Painting’ is a fresh breath of impressionism,” Kansas City Star 106, no. 133 (February 23, 1986): 1D, 6D, (repro.), as Boulevard des Capucines.

Mark M. Johnson, “The New Painting: ‘Impressionism 1874–1886’,” Arts and Activities 99, no. 2 (March 1986): 30, (repro.), as Boulevard des Capucines.

Gabriel P. Weisberg, “The Real Impressionist Crisis: ‘The New Painting’ Exhibition,” Arts Magazine 60, no. 7 (March 1986): 72, (repro.), as Boulevard des Capucines.

Denys Sutton, “Impressionism and Revisionism,” Apollo 123, no. 292 (June 1986): 404, 413n1, (repro.), as Boulevard des Capucines.

“Museums to Sports, KC Has It All,” American Water Works Association Journal 79, no. 4 (April 1987): 133.

Lorenz Eitner, An Outline of 19th Century European Painting: From David Through Cézanne, vol. 1, Text (New York: Harper and Row, 1987), 355, 413, as View of the Boulevard des Capucines.

Eberhard Roters and Bernhard Schulz, eds., Ich und die Stadt: Mensch und Großstadt in der deutschen Kunst des 20. Jahrhunderts, exh. cat. (Berlin: Nicolaische Verlagsbuchhandlung Beuermann GmbH, 1987), 42–43, 43n7, as Le Boulevard des Capucines.

Kirk Varnadoe, Gustave Caillebotte, exh. cat. (1987; repr. New Haven: Yale University Press, 2000), 88, 114, 140, 156, (repro.), as Boulevard des Capucines.

Roger Ward, ed., A Bountiful Decade: Selected Acquisitions, 1977–1987, exh. cat. (Kansas City, MO: Nelson-Atkins Museum of Art, 1987), 13, as Boulevard des Capucines.

Bradley Collins, Jr., “Reviews Work(s): Looking into Degas: Uneasy Images of Women and Modern Life by Eunice Lipton,” Woman’s Art Journal 9, no. 1 (Spring–Summer 1988): 39.

Ellen R. Goheen, The Collections of the Nelson-Atkins Museum of Art (New York: Harry N. Abrams, 1988), 14, 16, 100–01, (repro.), as Boulevard des Capucines, Paris.

S. Hollis Clayson, "The Family and the Father: The "Grande Jatte" and Its Absences," Art Institute of Chicago Museum Studies 14, no. 2 (1989): 242n14, as Boulevard des Capucines.

“Nelson Gallery, institute form solid base for art landscape,” Kansas City Star 109, no. 135 (February 22, 1989): 26, as Boulevard des Capucines.

R. R. Bernier, “Monet’s ‘Language of the Sketch’,” Art History 12, no. 3 (September 1989): 319n4, as Boulevard des Capucines.

Marc S. Gerstein, Impressionism: Selections from Five American Museums, exh. cat. (New York: Hudson Hills, 1989), 12, 20, 120–22, 140, 144, 148, 158, 164, 168, 178, (repro.), as Boulevard des Capucines.

Toni Wood, “The impressionists broke all the rules: Modern viewers love impressionism,” Kansas City Star 110, no. 184 (April 15, 1990): H–4, as Boulevard des Capucines.

Scott Cantrell, “Keepers of the Light: Working from individual blueprints, impressionists laid colorful bricks in the foundation of modern art,” Kansas City Star 110, no. 191 (April 22, 1990): I–4, as Boulevard des Capucines.

Toni Wood, “Expatriate paintings in Midwest: Works took diverse routes to exhibit,” Kansas City Star 110, no. 233 (June 3, 1990): G–5, as Boulevard des Capucines.

Colta Ives, Helen Giambruni, and Sasha M. Newman, Pierre Bonnard: The Graphic Art, exh. cat. (New York: Metropolitan Museum of Art, 1989), 124, 127, (repro.), as Boulevard des Capucines.

Kenneth McConkey, British Impressionism (New York: Harry N. Abrams, 1989), 41, 160, as Boulevard des Capucines.

Joel Isaacson, “Reviewed Work(s): Impressionism: Art, Leisure, and Parisian Society by Robert L. Herbert,” Art Journal 49, no. 1 (Spring 1990): 63.

Henry Adams, "Winslow Homer's "Impressionism" and Its Relation to His Trip to France," Studies in the History of Art 26 (1990): 84n1, as Boulevard des Capucines.

Janet Braide and Nancy Parke–Taylor, Caroline and Frank Armington: Canadian Painter–Etchers in Paris ([Brampton, Canada]: Art Gallery of Peel, 1990), 44, 78n99, (repro.), as Boulevard des Capucines.

Clive Gregory and Sue Lyon, eds., Impressionism: Edouard Manet, Edgar Degas, Claude Monet, Pierre–Auguste Renoir, vol. 7, Great Artists of the Western World (London: Marshall Cavendish, 1990), 90, 142–43, (repro.), as Boulevard des Capucines.

Horst Keller, Claude Monet: Der Impressionist (Serie Piper), vol. 1188 (Munich: R. Piper GmbH, 1990), 9, 56, (repro.), as Boulevard des Capucines.

Katsumi Miyazaki, The Great History of Art (Kyoto, Japan: Dōhōsha Shuppan, 1990), 67, 142, 144, (repro.).

Karin Sagner–Düchting, Claude Monet, 1840–1926: Ein Fest für die Augen (Cologne: Benedikt Taschen Verlag GmbH, 1990), 56–57, 60–61, 74, 97, (repro.), as Der Boulevard des Capucines, Le Boulevard des Capucines, and Le Boulevard des Capucines. 

Lester M. Sdorow, Psychology, 3rd ed. (1990; Madison, WI: Brown and Benchmark, 1995), 606, C–3, (repro.), as Boulevard des Capucines.

Roger Ward, “Selected Acquisitions of European and American Paintings at The Nelson-Atkins Museum of Art, Kansas City, 1986–1990,” Burlington Magazine 133, no. 1055 (February 1991): 150, as Boulevard des Capucines.

Matthew Bessell, Caumsett: The Home of Marshall Field III in Lloyd Harbor, New York (Huntington, NY: Huntington Town Board, 1991), 25, 51n48, as Boulevard.

Michael Howard, ed., The Impressionists by Themselves: A selection of their paintings, drawings, and sketches with extracts from their writings (London: Conran Octopus, 1991), 72, 317, (repro.), as Boulevard des Capucines.

Martha Kapos, ed., The Impressionists: A Retrospective (New York: Hugh Lauter Levin Associates, 1991), 83, 86–87, (repro.), as Boulevard des Capucines.

Sylvie Patin, Monet: “un œil… mais, bon dieu, quel œil!” (Paris: Gallimard, 1991), 56–57, 65, 170, (repro.), as Le Boulevard des Capucines.

Charles F. Stuckey, French Painting (New York: Hugh Lauter Levin Associates, 1991), 150–51, 316, 319, (repro.), as Boulevard des Capucines, Paris.

Daniel Wheeler, Art since Mid-Century: 1945 to the Present (New York: Vendome, 1991), 12–13, (repro.), as Boulevard des Capucines, Paris.

Daniel Wildenstein, Claude Monet: Catalogue raisonné, vol. 5, Supplément aux peintures, dessins, pastels, index (Lausanne: Wildenstein Institute, 1991), no. 293, pp. 293, 303, 308, 315, 317, 328, 331, 333, 335, 337, 340.

Richard R. Brettell and Joachim Pissarro, The Impressionist and the City: Pissarro’s Series Paintings, exh. cat. (London: Royal Academy of Arts, 1992), xv–xvi, (repro.), as Boulevard des Capucines.

Sophie Fourny-Dargère, Monet ([Paris]: Éditions de Chêne, 1992), 15–16, 78–79, 156, 160, (repro.), as Le Boulevard des Capucines.

Manfred Koch-Hillebrecht, Museen in den USA: Gemälde (Munich: Hirmer Verlag GmbH, 1992), 244–45, (repro.), as Boulevard des Capucines, Paris.

Gene Mittler and Rosalind Ragans, Understanding Art (1992; New York: Glencoe/McGraw–Hill, 2007), 246, (repro.), as Boulevard des Capucines.

Nathalie Reymond, Claude Monet (Paris: Éditions Jean-Claude Lattès, 1992), 153–54, as Boulevard des Capucines.

Virginia Spate, Claude Monet: Life and Work (New York: Rizzoli, 1992), 88, 96, 128, as The Boulevard des Capucines.

Sandro Sproccati, Monet (Edison, NJ: Chartwell Books, 1992), 13, 23, 93, 104, 285, (repro.), as Boulevard des Capucines.

Alice Thorson, “The Nelson celebrates its 60th; Museum built its reputation, collection virtually ‘from scratch’,” Kansas City Star (July 18, 1993): J1, as Boulevard des Capucines, Paris.

Marianne Alphant, Claude Monet: Une Vie dans le Paysage (Paris: Hazan, 1993), 282, 288–89, 468, 698, as Le Boulevard des Capucines.

Michael Churchman and Scott Erbes, High Ideals and Aspirations: The Nelson-Atkins Museum of Art 1933–1993 (Kansas City, MO: Nelson-Atkins Museum of Art, 1993), 95, (repro.), as Boulevard des Capucines.

Bernard Denvir, The Chronicle of Impressionism: An Intimate Diary of the Lives and World of the Great Artists (London: Thames and Hudson, 1993), 279, as Boulevard des Capucines.

Peter H. Feist, Impressionism in France, vol. 1, Impressionist Art, 1860–1920, ed., Ingo F. Walther (Cologne: Benedikt Taschen Verlag GmbH, 1993), 102–03, 129–30, 138, 141, (repro.), as The Boulevard des Capucines (Le Boulevard des Capucines).

Christoph Heinrich, Claude Monet, 1840–1926 (Cologne: Benedikt Taschen Verlag GmbH, 1993), 32–33, (repro.), as Boulevard des Capucines.

Jaarboek Haags Gemeentemuseum (The Hague: Haags Gemeentemuseum, 1993), 85, (repro.), as Le Boulevard des Capucines.

Richard Kendall, Degas Landscapes (New Haven: Yale University Press, 1993), 179, as Boulevard des Capucines.

Georg-W. Költzsch, ed. Morozov and Shchukin – The Russian Collectors: Monet to Picasso, trans. Eileen Martin, exh. cat. (Cologne: DuMont Buchverlag, 1993), 372.

Claude Pétry–Parisot, De Charles de Meixmoron à Étienne Cournault: Rétrospective 1892–1950, exh. cat. (Nancy: Musée des Beaux-Arts, 1993), 45, as Boulevard des Capucines.

Larry Silver, Art in History (New York: Abbeville, 1993), 337, (repro.), as Boulevard des Capucines.

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills, 1993), 14, 18, 44, 130, 206, (repro.), as Boulevard des Capucines.

Jude Welton, Impressionism (London: Dorling Kindersley, 1993), 29, (repro.), as Boulevard des Capucines.

Rosanne H. Lightstone, “Gustave Caillebotte’s Oblique Perspective: A New Source for ‘Le Pont de l’Europe’,” Burlington Magazine 136, no. 1100 (November 1994): 762, as Boulevard des Capucines.

Philip E. Bishop, Adventures in the Human Spirit, 5th ed. (1994; Upper Saddle River, NJ: Pearson Prentice Hall, 2007), 12, 358–60, 461, (repro.), as Boulevard des Capucines, Paris.

Rupert Christiansen, Tales of the New Babylon: Paris 1869–1875 (London: Sinclair-Stevenson, 1994), x, (repro.), as The Boulevard des Capucines.

Anne Distel et al., Gustave Caillebotte, 1848–1894, exh. cat. (Paris: Editions de la Réunion des musées nationaux, 1994), 179, 196, 374, (repro.), as Boulevard des Capucines.

Jed Jackson, Art: A Comparative Study (Dubuque, IA: Kendall/Hunt, 1994), 238–39, 277, (repro.), as Boulevard des Capucines, Paris.

Martha Kapos, ed., Impresionismo (Cologne: Könemann, 1994), 83, 86–87, 375, 377–78, (repro.), as Boulevard des Capucines.

Thomas F. X. Noble et al., Western Civilization: The Continuing Experiment (Boston: Houghton Mifflin, 1994), 949, A–10, (repro.), as Boulevard des Capucines.

Norris Kelly Smith, Here I Stand: Perspective from Another Point of View (New York: Columbia University Press, 1994), xi, 168–69, (repro.), as Boulevard des Capucines.

Shigeru Tsuji, Kazuki Nishimura, and Kaori Kawataki, Manet to Monet, exh. cat. (Tokyo: Hakugadō Shuppan, 1994), unpaginated, (repro.), as Boulevard des Capucines.

Paul Hayes Tucker, Katsunori Fukaya, and Katsumi Miyazaki, Monet: A Retrospective, exh. cat. (Nagoya, Japan: Chunichi Shimbun, 1994), 3, 5, 102–03, 106–07, 118–19, 255, 259n10, 278, 298, (repro.), as Le boulevard des Capucines.

David Van Zanten, Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830–1870 (Cambridge: Cambridge University Press, 1994), IX, 9, 11, 348, (repro.), as Boulevard des Capucines.

Roger Ward, “Degas Masterwork on Loan to Nelson-Atkins,” Newsletter (The Nelson-Atkins Museum of Art) (Summer 1995): 2, as Boulevard des Capucines.

Alice Thorson, “Take Note: UNICEF Uses Nelson’s Monet,” Kansas City Star 116, no. 5 (September 22, 1995): E7, (repro.), as Boulevard des Capucines.

Charles F. Stuckey, Claude Monet, 1840–1926, exh. cat. (Chicago: Art Institute of Chicago, 1995), 62, 198, (repro.), as Boulevard des Capucines.

Alice Thorson, “Monet-mania strikes – Chicago Art Institute presents largest showing of impressionist's works,” Kansas City Star (July 23, 1995): J1, as Boulevard des Capucines.

Richard R. Brettell, “Claude Monet, 1840–1926. Chicago,” Burlington Magazine 137, no. 1112 (November 1995): 772, as Boulevard des Capucines.

Patricia Pate Havlice, Second Supplement, 1980–1989 (Metuchen, NJ: Scarecrow Press, 1995), 1:702; 2:1151 as Boulevard des Capucines.

Nina Kalitina, Anna Barskaya, and Eugenia Georgievskaya, Claude Monet: The Power and the Harmony of Impressionism, trans. Hugh Aplin and Ruslan Smirnov (Bournemouth, UK: Parkstone, 1995), 74–75, (repro.), as Boulevard des Capucines.

Monet: yureru hikari (Tokyo: Kōdansha, 1995), 51, 123, (repro.), as Le Boulevard des Capucines.

Paul Smith, Impressionism: Beneath the Surface (New York: Harry N. Abrams, 1995), 18–19, (repro.), as Boulevard des Capucines.

Marilyn Stokstad, Art History, 2nd ed., vol. 2 (1995; New York: Harry N. Abrams, 2002), 1022, (repro.), as Boulevard des Capucines, Paris.

George Gurley, “It is ‘Art History,’ indeed KU’s Marilyn Stokstad labored eight years to produce a work of tremendous scope,” Kansas City Star (April 28, 1996): J1, as Boulevard des Capucines, Paris.

“Music Teachers National Association National Convention, March 23–27, 1996, Kansas City, Missouri,” American Music Teacher 45, no. 4 (February–March 1996): 23.

Peter Clothier, “Star Attractions,” ARTnews 95, no. 7 (Summer 1996): 42, as Boulevard des Capucines.

Alice Thorson, “Have an art attack at museums, galleries,” Kansas City Star (June 23, 1996): 52, as Boulevard des Capucines.

Ellen Williams, “Impressions of Paris,” Guggenheim Magazine 9 (Fall 1996): 46–47, (repro.), as Boulevard des Capucines.

Ruth Berson, The New Painting, Impressionism, 1874–1886 (San Francisco: Fine Arts Museums of San Francisco, 1996), 1:6, 13, 16, 18, 24–27, 35, 40; 2:9, 24, (repro.), as Boulevard des Capucines.

Robert Boardingham, Impressionist Masterpieces in American Museums (Westport, CT: Hugh Lauter Levin Associates, 1996), 10, 50–51, (repro.), as Boulevard des Capucines.

William U. Eiland, Donald Keyes, and Janice Simon eds., Crosscurrents in American Impressionism at the Turn of the Century (Athens, GA: Georgia Museum of Art, University of Georgia, 1996), 93–94, (repro.), as Boulevard des Capucines.

Ulrich Hamm and Gerhard Pick, Traum und Wirklichkeit:Malerei–Musik–Literatur der Jahrhundertwende (Stuttgart, Germany: Ernst Klett Verlag GmbH, 1996), 18, as Le Boulevard des Capucines.

Johann Georg, Prinz von Hohenzollern, and Peter-Klaus Schuster, eds., Manet bis Van Gogh: Hugo von Tschudi und der Kampf um die Moderne, exh. cat. (Munich: Prestel, 1996), 90, (repro.), as Le Boulevard des Capucines.

Richard Kendall, ed., Monet by himself: paintings, drawings, pastels, letters, trans. Bridget Strevens Romer (Edison, NJ: Chartwell Books, 1996), 10, 327, as Boulevard des Capucines.

Stephan Koja, Claude Monet (Munich: Prestel, 1996), 14, 24, 28–29, 186, (repro.), as Boulevard des Capucines.

Alan Krell, Manet and the Painters of Contemporary Life (London: Thames and Hudson, 1996), 119, 121, (repro.), as Boulevard des Capucines.

Patty Lurie, Guide to Impressionist Paris (Manchester, NH: Robson, 1996), 116–17, 179, (repro.), as Boulevard des Capucines.

John Merriman, A History of Modern Europe, vol. 2, From the French Revolution to the Present (New York: W. W. Norton, 1996), (repro.), as Boulevard des Capucines. 

Genevieve Morgan, ed., Monet: the artist speaks (San Francisco: Collins, 1996), 18, 94, (repro.), as Boulevard des Capucines.

Jane Mayo Roos, Early Impressionism and the French State (1866–1874) (Cambridge: Cambridge University Press, 1996), 207, 210, 298, (repro.), as Boulevard des Capucines.

Daniel Wildenstein, Monet or The Triumph of Impressionism (Cologne: Benedikt Taschen Verlag GmbH, 1996), no. 293, pp. 103–05, 479 (repro.), as The Boulevard des Capucines.

Daniel Wildenstein, Monet: Catalogue Raisonné; Werkverzeichnis, vol. 2, Nos. 1–968 (Cologne: Benedikt Taschen Verlag GmbH, 1996), no. 293, pp. 125, 1023, 1028, 1036, 1043, (repro.), as Le Boulevard des Capucines, The Boulevard des Capucines, and Der Boulevard des Capucines.

“Behind the Scenes: Several European Paintings to Travel,” Newsletter (The Nelson-Atkins Museum of Art) (October 1997): 4, as Boulevard des Capucines.

Alice Thorson, “Life imitates art That’s why the Nelson and other museums strive to police—and profit from—use of reproductions,” Kansas City Star (October 11, 1997): E1, as Boulevard des Capucines.

“1997 Winter and Spring Adult Classes: Gallery Class—On the Boulevard,” Newsletter (The Nelson-Atkins Museum of Art) (Winter 1997): unpaginated, (repro.), as Boulevard des Capucines, Paris.

Alice Thorson, “Traveling treasures Some gallery favorites to go on tour as Nelson gears up for expansion,” Kansas City Star (December 13, 1997): E1, as Boulevard.

Michael Howard, Encyclopedia of Impressionism (San Diego: Thunder Bay Press, 1997), 77, 252–53, 256, (repro.), as Boulevard des Capucines.

Meyer Schapiro, Impressionism: Reflections and Perceptions (New York: George Braziller, 1997), 62–63, 115, 348, (repro.), as Le Boulevard des Capucines.

Susanne Weiß, Claude Monet: Ein distanzierter Blick auf Stadt und Land: Werke 1859–1889 (Berlin: Dietrich Reimer Verlag, 1997), 39, 39n52, as Boulevard des Capucines.

Ellen Williams, The Impressionists’ Paris: Walking Tours of the Painters’ Studios, Homes, and the Sites They Painted (New York: The Little Bookroom, 1997), 48–50, 97, (repro.), as Boulevard des Capucines.

Dorathea K. Beard, “Reviewed Work(s): Early Impressionism and the French State (1866–1874) by Jane Mayo Roos,” Nineteenth-Century French Studies 26, no. 3/4 (Spring–Summer 1998): 480–481, as Boulevard des Capucines.

Pierre Daix, Pour une Histoire Culturelle de l’Art Moderne: De David à Cézanne (Paris: Éditions Odile Jacob, 1998), 232–233, as Boulevard des Capucines.

Matthias Arnold, Claude Monet (Reinbek bei Hamburg, Germany: Rowohlt, 1998), 98.

Augustín Arteaga, Sylvie Patin, and William H. Robinson, maestros del impresionismo, exh. cat. (Mexico City: Instituto Nacional de Bellas Artes, 1998), 37, 39, (repro.), as Boulevard des Capucines.

Michael Kelly, ed., Encyclopedia of Aesthetics, vol. 2 (New York: Oxford University Press, 1998), 474, (repro.), as Boulevard des Capucines.

Charles S. Moffett et al., Impressionists in Winter: Effets de Neige, exh. cat. (London: Phillip Wilson, 1998), 28, 34, 47, 78–79, 94–95, 196, 207–08, (repro.), as Boulevard des Capucines.

Soko Phay-Vakalis, Monet: Les Carnets de l’art (Paris: Éditions du Chêne, 1998), 54.

Richard Thomson, ed., Framing France: The representation of landscapes in France, 1870–1914 (Manchester: Manchester University Press, 1998), 38, 42, (repro.), as Boulevard des Capucines.

Paul Hayes Tucker, Monet in the 20^th Century, exh. cat. (New Haven: Yale University Press, 1998), 24, (repro.), as The Boulevard des Capucines.

Matthew Simms, “Cézanne’s Unfinish,” RES: Anthropology and Aesthetics, no. 36, Factura (Autumn 1999): 232–33, (repro.), as Boulevard des Capucines.

Caroline Igra, “Monuments to Prior Glory: The Foreign Perspective on Post-Commune Paris,” Zeitschrift für Kunstgeschichte 62, no. 4 (1999): 519, 524n14, (repro.), as Boulevard des Capucines.

Deborah Dorsey, “Giving Life to Your Landscapes,” Artist’s Magazine 16, no. 2 (February 1999): 52–53, (repro.), as Boulevard des Capucines.

Alice Thorson, “City has art to please any palate,” Kansas City Star (June 20, 1999): 90, as Boulevard des Capucines.

Warren Adelson, Jay E. Cantor, and William H. Gerdts, Childe Hassam: Impressionist (New York: Abbeville, 1999), 12, 32, 250, (repro.), as Boulevard des Capucines.

Claude Monet: La poesia della luce; Sette capolavori dell'Art Insitute di Chicago a Palazzo Pitti, exh. cat. (Florence: Giunti, 1999), 16, (repro.), as Boulevard des Capucines.

Andrea Frey, Der Stadtraum in der französischen Malerei 1860–1900 (Berlin: Reimer, 1999), 84, 84n14, 85–86, 89–91, as Boulevard des Capucines.

Ulrich Hamm and Gerhard Pick, Aufbruch in Die Moderne: Malerei, Literatur, Musik 1905–1920 (Leipzig, Germany: Ernst Klett Schulbuchverlag Leipzig GmbH, 1999), 22–24, (repro.), as Le Boulevard des Capucines.

Jack Stewart, The Vital Art of D. H. Lawrence: Vision and Expression (Carbondale, IL: Southern Illinois University Press, 1999), ix, 15, 21, 207n17, 245, (repro.), as Boulevard des Capucines.

Marilyn Stokstad, Art: A Brief History, 2nd ed. (1999; Upper Saddle River, NJ: Pearson Prentice Hall, 2004), 453, 547, (repro.), as Boulevard des Capucines, Paris.

Paul Wood, ed., Art and its Histories: The Challenge of the Avant–Garde (New Haven: Yale University Press, 1999), 44–45, (repro.), as Boulevard des Capucines.

Impressionist and Post–Impressionist Art (Evening Sale) (New York: Christie’s, May 8, 2000), 27–28, (repro.), as Le boulevard des Capucines.

Craig Horst, “Travel on Foot to See the Quirky and Classic Art of Kansas City,” Salt Lake Tribune 250, no. 65 (June 18, 2000): H1, as Boulevard des Capucines.

Craig Horst, “Kansas City museums offer the traditional and the quirky,” Ann Arbor News (June 25, 2000): unpaginated, as Boulevard des Capucines.

“Behind the Scenes: Museum’s European Paintings in Demand,” Newsletter (The Nelson-Atkins Museum of Art) (October 2000): 4, as Boulevard des Capucines.

Jan Schall, ed., Tempus Fugit: Time Flies, exh. cat. (Kansas City, MO: The Nelson-Atkins Museum of Art, 2000), 16, 238–39, 242–43, 331, (repro.), as Boulevard des Capucines.

Alice Thorson, “Quality ‘Time’ at the Nelson—‘Tempus Fugit’ exhibit succeeds in–displaying art through the ages,” Kansas City Star (October 29, 2000): 11, as Boulevard des Capucines.

“Special Exhibitions: Time Flies, So Don’t Miss Tempus Fugit,” Newsletter (The Nelson-Atkins Museum of Art) (December 2000): 3, as Boulevard des Capucines.

Anthea Callen, The Art of Impressionism: Painting Technique and The Making of Modernity (New Haven: Yale University Press, 2000), 40–43, 182, 184, 242, (repro.), as The Boulevard des Capucines.

Marco Goldin, La Nascita dell' Impressionismo (Conegliano, Italy: Linea d'ombra Libri, 2000), 85, (repro.), as Boulevard des Capucines.

Lynne Knight, Snow Effects: Poems on “Impressionists in Winter” (Concord, CA: Small Poetry, 2000), 26, (repro.), as Boulevard des Capucines.

Philip Nord, Impressionists and Politics: art and democracy in the nineteenth century (London: Routledge, 2000), 44.

Keiko Sakagami, 夢と光の画家たち: モデルニテ再考 [Les peintres des rêves et de la lumière– révision de la modernité] (Tokyo: Sukaidoa, 2000), 67, (repro.).

Alexander Sturgis, Telling Time, exh. cat. (London: National Gallery, 2000), 48–49, (repro.), as Boulevard des Capucines.

Belinda Thomson, Impressionism: Origins, Practice, Reception (London: Thames and Hudson, 2000), 28–30, 265, 271, (repro.), as Boulevard des Capucines.

John Sanford, “Monet’s works at Giverny don’t fit definition of Impressionism, professor argues,” Stanford Report 33, no. 22 (March 21, 2001): 5, (repro.), as Boulevard des Capucines.

Alisa Luxenberg, “‘Sticks and stones…’: naming and name–calling in Impressionist imagery,” Word and Image 17, no. 3 (July–September 2001): 284–85, 287, (repro.), as Boulevard des Capucines.

Virginia Spate and Gary Hickey, Monet and Japan, exh. cat. (Canberra: National Gallery of Australia, 2001), 20–21, 84, 195, (repro.), as Boulevard des Capucines.

Virginia Spate and Gary Hickey, “Exhibition: Monet and Japan; Waves of Influences,” Art Newspaper: International Edition 12, no. 111 (February 2001): 39, (repro.), as Boulevard des Capucines.

Angus Trumble, “Canberra and Perth: Monet and Japan,” Burlington Magazine 143, no. 1181 (August 2001): 521–22, (repro.), as Le Boulevard des Capucines.

Lindsay Snider, "A Lasting Impression: French Painters Revolutionize the Art World," The History Teacher 35, no. 1 (November 2001): 95, 99, (repro.), as Boulevard des Capucines.

“2002 Friends of Art Travel Program: Monet in Paris 2002,” Newsletter (The Nelson-Atkins Museum of Art) (December 2001): 7, (repro.), as Boulevard des Capucines.

Susan Wittig Albert et al., World Literature, 3rd ed. (Austin: Holt, Rinehart and Winston, 2001), 1037, (repro.), as Boulevard des Capucines.

Simona Bartolena, Monet (Milan: Electa, 2001), unpaginated, (repro.), as Boulevard des Capucines.

Maria Teresa Benedetti, Monet: i luoghi (Florence: Giunti Gruppo Editoriale, 2001), 10, as Boulevard des Capucines.

James Fieser, Moral Philosophy through the Ages (Mountain View, CA: Mayfield, 2001), unpaginated, (repro.), as Boulevard des Capucines.

Marco Goldin, Monet: I luoghi della pittura, exh. cat. (Conegliano: Linea d’ombra Libri, 2001), 123, 128–29, as Boulevard des Capucines.

Barbara Palmbach, Paris und der Impressionismus: Die Großstadt als Impuls für neue Wahrnehmungsformen und Ausdrucksmöglichkeiten in der Malerei (Weimar: VDG, 2001), 15, 17, 138, 161, 161n445, 162, 164, 168, 228–29, 231, 256, 298, (repro.), as Boulevard des Capucines.

Nobuyuki Senzoku, Art Nouveau and Art Deco (Tokyo: Shōgakkan, 2001), (repro.).

Paul Hayes Tucker et al., Renoir: From Outsider to Old Master, 1870–1892, exh. cat. (Nagoya, Japan: Chunichi Shimbun, 2001), 234, as Boulevard des Capucines.

Irina Antonova, Old Masters, Impressionists, and Moderns: French Masterworks from the State Pushkin Museum, Moscow (New Haven: Yale University Press, 2002), 114n1, as Boulevard des Capucines.

David A. Brenneman et al., Paris in the Age of Impressionism: Masterworks from the Musée d'Orsay, exh. cat. (Atlanta: High Museum of Art, 2002), 22–23, (repro.), as Boulevard des Capucines.

Norma Broude, ed., Gustave Caillebotte and the Fashioning of Identity in Impressionist Paris (New Brunswick, NJ: Rutgers University Press, 2002), viii, 55–57, (repro.), as Boulevard des Capucines.

Özkan Eroğlu, Two Winter Paintings, trans. Neşe Olcaytu (Istanbul: Nelli Sanatevi, 2002), 9–10, 13, 15, 20, 24, 32–35, 45–54, 57–60, 63–64, (repro.), as Capucines Boulevard, Capucines Bulvari, and Capuchine Boulevard.

Dario Gamboni, Potential Images: Ambiguity and Indeterminacy in Modern Art (London: Reaktion, 2002), 109, as Boulevard des Capucines.

Torsten Gunnarsson and Per Hedström, eds., Impressionism and the North: Late 19th Century French Avant–Garde Art and the Art in the Nordic Countries 1870–1920, exh. cat. (Stockholm: Nationalmuseum, 2002), 13, as Boulevard des Capucines.

Nancy G. Heller, Why a Painting is Like a Pizza: A Guide to Understanding and Enjoying Modern Art (Princeton: Princeton University Press, 2002), 67–68, (repro.), as Boulevard des Capucines.

Anne Ring Petersen, Storbyens Billeder: Fra Industrialisme til Informationsalder (Copenhagen: Museum Tusculanums Forlag, Københavns Universitet, 2002), 37–40, (repro.), as Boulevard des Capucines.

John Sillevis, Esther Darley, and Françoise Heilbrun, De tijd van Degas, exh. cat. (Zwolle, The Netherlands: Waanders Uitgevers, 2002), 19, (repro.), as Boulevard des Capucines.

“Installation of Elevators ‘Lifts Off’: Galleries Close to Make Way for Construction, Thousands of Works Remain on View,” Newsletter (The Nelson-Atkins Museum of Art) (March 2003): 2, (repro.), as Boulevard des Capucines.

Verena Dolle, ed., Eichstätter Kolloquium, vol. 10, Das schwierige Individuum: Menschenbilder im 19. Jahrhundert (Regensburg, Germany: Verlag Friedrich Pustet, 2003), 256, as Boulevard des Capucines.

Patricia Pate Havlice, Third Supplement 1990–1999, vol. 1, Bibliography, Paintings by Unknown Artists, Painters amd Their Works (Lanham, MD: Scarecrow Press, 2003), 777, as Boulevard des Capucines.

Debra N. Mancoff, Impressionism: Reflections of Beauty (Lincolnwood, IL: Publications International, 2003), 36–39, 126, (repro.), as Boulevard des Capucines.

Debra N. Mancoff, Monet: Nature into Art (Lincolnwood, IL: Publications International, 2003), 8, 32–34, (repro.), as Boulevard des Capucines.

Janet Marquardt and Stephen Eskilson, Frames of Reference: Art, History, and the World (2003; repr. Boston: McGraw–Hill, 2005), 227, 229, 243, 374n7.23, 380, (repro.), as Boulevard des Capucines.

Gilles Plazy, L’Aventure des grands impressionnistes (Paris: Pygmalion, 2003), 107.

William C. Seitz, Claude Monet (New York: Harry N. Abrams, 2003), 66, 68–69, (repro.), as Boulevard des Capucines.

Dean Sobel, Robert Mangold: Paintings, 1990–2002, exh. cat. (Aspen, CO: Aspen Art Museum, 2003), 22–23, (repro.), as Boulevard des Capucines.

“Art in Depth,” Newsletter (The Nelson-Atkins Museum of Art) (July–August 2004): 4, (repro.), as Boulevard des Capucines.

Robert Bersson, Responding to Art: Form, Content, and Context (Boston: McGraw–Hill, 2004), 503–04, I8, (repro.), as Boulevard des Capucines.

Akiko Fukai, Fashion in Colors, exh. cat. (New York: Assouline, 2004), 18, (repro.), as Boulevard des Capucines.

Marco Goldin, Monet, la Senna, le ninfee: il grande fiume e il nuovo secolo, exh. cat. (Conegliano, Italy: Linea d'ombra Libri, 2004), 57, (repro.), as Boulevard des Capucines.

Keith J. Hayward, City Limits: Crime, Consumer Culture and the Urban Experience (London: GlassHouse, 2004), vii, xi, 35, (repro.), as Boulevard des Capucines.

John House, Impressionism: Paint and Politics (New Haven: Yale University Press, 2004), 55, 107–08.

Jean–Jacques Lévêque, Claude Monet: L’œil ébloui (1840–1926) (Paris: ACR Edition Internationale, 2004), 51, (repro.), as Le Boulevard des Capucines.

Sylvie Patin, Claude Monet au Musée d’Orsay, exh. cat. (Paris: Réunion des musées nationaux, 2004), 45.

John Rewald, The History of Impressionism (Inshou ha no rekishi) (Tōkyō: Kadokawa Gakugei Shuppan, Heisei, 2004), 237.

Norio Shimada, The History of Impressionism (Inshōha bijutsukan) (Tokyo: Shōgakukan, 2004), 141, (repro.).

H[elene] Barbara Weinberg, Childe Hassam: American Impressionist, exh. cat. (New York: Metropolitan Museum of Art, 2004), 65, 93, 412, 418, (repro.), as Boulevard des Capucines.

Simona Bartolena, omaggio agli Impressionisti (Milan: Mondadori Arte, 2005), 99, 104–05, 345, (repro.), as Boulevard des Capucines.

Marina Bessonova and Evgenia Georievskaya, France: Second Half 19th–20th Century Painting Collection (Moscow: State Pushkin Museum of Fine Arts, 2005), 178.

Peter Brooks, Realist Vision (New Haven: Yale University Press, 2005), 149–50, 158, 246, (repro.), as Le Boulevard des Capucines.

Norma Broude, ed., Impressionismus: Eine internationale Kunstbewegung 1860–1920 (Cologne: DuMont, 2005), 122, as Boulevard des Capucines.

Vanessa Gavioli, ed., Art Classics: Monet (New York: Rizzoli, 2005), 37, 88.

Dorothee Hansen and Wulf Herzogenrath, eds., Monet und Camille: Frauenportraits im Impressionismus, exh. cat. (Munich: Hirmer Verlag GmbH, 2005), 32.

Impressionism (Rochester, UK: Grange Books, 2005), 14, 92–93, 248, (repro.), as Boulevard des Capucines.

Elizabeth Prettejohn, Beauty and Art, 1750–2000 (Oxford: Oxford University Press, 2005), 108–09, 216, (repro.), as Boulevard des Capucines.

Gene Mittler and Rosalind Ragans, Exploring Art: Teacher Wraparound Edition (New York: Glencoe/McGraw–Hill, 2005), 77–79, 327, 347, (repro.), as Boulevard des Capucines.

Victor I. Stoichita, Ver Y No Ver: La tematización de la mirada en la pintura impresionista, trans. Anna María Coderch (Madrid: Ediciones Siruela, 2005), 32–33, 41, (repro.), as Boulevard des Capucines.

Wolf Arnold, “Art and Photography,” Australian Photography (March 2006): 31–32, (repro.), as Boulevard des Capucines. 

Ann Spivak, “Memories are made of this,” Kansas City Star (April 9, 2006): 6, as Boulevard des Capucines.

Paul Horsley, “an exhibition of music—Arts groups are pairing Mussorgsky classic with visual counterparts,” Kansas City Star (October 22, 2006): 6, as Boulevard des Capuchines [sic].

Jennifer A. Bailey and Lucinda H. Gedeon, Masters of Light: Selections of American Impressionism from the Manoogian Collection, exh. cat. (Vero Beach, FL: Vero Beach Museum of Art, 2006), 15, 116n24, as Boulevard des Capucines.

Fleeting Impressions: Prints by James McNeill Whistler, exh. cat. (Montgomery, AL: Montgomery Museum of Fine Arts, 2006), 43–44, (repro.), as Boulevard des Capucines.

Marco Goldin, Turner e gli impressionisti: La grande storia del paesaggio moderno in Europa, exh. cat. (Treviso, Italy: Linea d’Ombri Libri, 2006), 253, 261n6, 280, (repro.), as Boulevard des Capucines.

Karin Sagner et al., eds., Die Eroberung der Strasse: von Monet bis Grosz, exh. cat. (Munich: Hirmer, 2006), 88, 213, 215, 293, 312–13, as Boulevard des Capucines.

Possibly Karin Sagner, Monet at Giverny (Munich: Prestel, 2006), 104, as Boulevard des Capucines.

Norio Shimada, Claude Monet (Tokyo: Shōgakukan, 2006), 50–51, (repro.).

Patrick Vauday, La Décolonisation du Tableau: Art et politique au XIX^e siècle; Delacroix, Gauguin, Monet (Paris: Éditions du Seuil, 2006), 96–97 (repro.), 152, 152n36, 153–54, (repro.), as Boulevard des Capucines.

Ian Kennedy, “Monet’s ‘Boulevard des Capucines’: USA or Russia?”, Apollo 165, no. 541 (March 2007): 69–71, (repro.), as Boulevard des Capucines.

Joseph Baillio, Claude Monet (1840–1926): A Tribute to Daniel Wildenstein and Katia Granoff, exh. cat. (New York: Wildenstein, 2007), 70, 127, 139, as Boulevard des Capucines.

Ronald R. Bernier, Monument, Moment, and Memory: Monet’s Cathedral in Fin-de-Siècle France (Lewisburg, PA: Bucknell University Press, 2007), 19–20, (repro.), as Boulevard des Capucines.

Albert Boime, Art in an Age of Civil Struggle, 1848–1871, vol. 4, A Social History of Modern Art (Chicago: University of Chicago Press, 2007), 753–55, (repro.), as Boulevard des Capucines.

Richard R. Brettell and Joachim Pissarro, Manet to Matisse: Impressionist Masters from the Marion and Henry Bloch Collection, exh. cat. (Kansas City, MO: Nelson-Atkins Museum of Art, 2007), 14, 163, 165, as Boulevard des Capucines.

Nathalia Brodskaïa, Impressionism (London: Parkstone Press, 2007), 105, 107, 109, 254, (repro.), as Le Boulevard des Capucines.

Heather Campbell Coyle and Joyce K. Schiller, John Sloan’s New York, exh. cat. (Wilmington, DE: Delaware Art Museum, 2007), 90–91, 112, (repro.), as Le Boulevard des Capucines.

Penelope J. E. Davies et. al., Janson’s History of Art: The Western Tradition, 7th ed. (Upper Saddle River, NJ: Pearson Prentice Hall, 2007), 875, (repro.), as Boulevard des Capucines, Paris.

Akiko Fukai et. al., Modachrome: El Color en la Historia de la Moda, exh. cat. ([Madrid]: Ministerio de Cultura, 2007), 31, (repro.), as Boulevard des Capucines.

Claudio Zambianchi, I Grandi Maestri Dell’Arte: L’artista e il suo tempo, vol. 2, Monet e la pittura en plein air (Florence: E-Ducation,it., 2007), 175, 178–79, (repro.), as Le Boulevard des Capucines.

“Couple Offers Special Support for Beloved Painting,” Member Magazine (The Nelson-Atkins Museum of Art) (Spring 2008): 14, (repro.), as Boulevard des Capucines.

Christine Dixon, Ron Radford, and Lucina Ward, Turner to Monet: The Triumph of Landscape Painting, exh. cat. (Canberra: National Gallery of Australia, 2008), 216, 218, as Boulevard des Capucines.

Michael Howard, Monet (Munich: ArsEdition, 2008), 32–33, 86, 88, (repro.), as Boulevard des Capucines.

Stéphane Lambert, L’Adieu au paysage: Les Nymphéas de Claude Monet (Paris: Éditions de la Différence, 2008), 51, 119, (repro.), as Le Boulevard des Capucines.

James H. Rubin, Impressionism and the Modern Landscape: Productivity, Technology, and Urbanization from Manet to Van Gogh (Berkeley: University of California Press, 2008), 5–6, 10, 30–32, 36, 46–47, 160, 203n36, 235, (repro.), as Boulevard des Capucines.

Simon Kelly, “Re–Viewing Landscape; Reviewed Works: Impressionism and the Modern Landscape. Productivity, Technology and Urbanization from Manet to Van Gogh by James H. Rubin; Landscape and Vision in Nineteenth–Century Britain and France by Michael Charlesworth,” Oxford Art Journal 32, no. 2 (2009): 317, as Boulevard des Capucines.

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), XIV, 35, 117, (repro.), as Boulevard des Capucines.

Françoise Heilbrun, “Impressionism and Photography,” History of Photography 33, no. 1 (February 2009): 21, 21n4, as Boulevard des Capucines.

“Eye Level—‘Boulevard des Capucines’,” Kansas City Star (February 8, 2009): MG17, as Boulevard des Capucines.

Richard R. Brettell and C. D. Dickerson III, From the Private Collections of Texas: European Art, Ancient to Modern, exh. cat. (Fort Worth, TX: Kimbell Art Museum, 2009), 293, 453, (repro.), as Boulevard des Capucines.

Jay A. Clarke, Becoming Edvard Munch: Influence, Anxiety, and Myth, exh. cat. (Chicago: Art Institute of Chicago, 2009), 44, 46, 203, 226, (repro.), as The Boulevard des Capucines.

Alice Thorson, “Art Institute of Chicago reinterprets Edvard Munch in a stunning exhibit,” Kansas City Star (March 8, 2009): F1, as Boulevard des Capucines.

Susie Hodge, Monet: His Life and Works in 500 Images (London: Lorenz, 2009), 41, 254, (repro.), as Boulevard des Capucines.

Isabel Kuhl, Impressionism: A Celebration of Light (Bath, UK: Parragon, 2009), 102, 104–05, 107–08, 221, (repro.), as Boulevard des Capucines.

Alfredo Cramerotti, ed., Unmapping the City: Perspectives of Flatness (Bristol, UK: Intellect, 2010), 34, as Boulevard des Capucines.

Stephen F. Eisenman, ed., From Corot to Monet: The Ecology of Impressionism (Milan: Skira, 2010), 240.

Hartwig Fischer and Sandra Gianfreda, Bilder einer Metropole: die Impressionisten in Paris, exh. cat. (Göttingen, Germany: Edition Folkwang/Steidl, 2010), 73, 77, as Der Boulevard des Capucines.

Frances Fowle, Van Gogh’s Twin: The Scottish Art Dealer Alexander Reid 1854–1928 (Edinburgh: National Galleries of Scotland, 2010), 131, 175n40, as Boulevard des Capucines.

Mary Mathews Gedo, Monet and his Muse: Camille Monet in the Artist’s Life (Chicago: University of Chicago Press, 2010), 136, 177, 283, as The Boulevard des Capucines.

Noémie Goldman, Monet: son musée, exh. cat. (Paris: Hazan, 2010), 40, 229n6, as Le Boulevard des Capucines.

Ségolène Le Men, Monet (Paris: Citadelles et Mazenod, 2010), 202–03, 206, 342, 454, (repro.), as Boulevard des Capucines.

Carsten Thau, Arkitekturen som tidsmaskine (Copenhagen: Kunstakademiets Arkitektskoles Forlag, 2010), 86, 92, 93–96, 98, 101, (repro.), as Boulevard des Capucines.

Daniel Wildenstein, Monet or the Triumph of Impressionism (Cologne: Benedikt Taschen Verlag GmbH, 2010), no. 293, pp. 103, 105, 472, (repro.), as The Boulevard des Capucines.

Laurence Madeline, “C’était l’été 74,” 48/14: La revue du Musée d’Orsay, no. 31 (Spring 2011): 59, 65n67, as Boulevard des Capucines.

Alice Thorson, “Three Times the Wonder: Claude Monet’s later work reflects his obsession with the color and reflections in his water garden,” Kansas City Star Magazine, supplement, Kansas City Star 131, no. 198 (April 3, 2011): S9, as Boulevard des Capucines.

“Society of Fellows: Gallery and Go Lunchtime Series,” Explore Art (The Nelson-Atkins Museum of Art) (May–June 2011): (repro.), as Boulevard des Capucines.

Camilla Storskog, "Literary Impressionism and Finland: A Critical Digest," Scandinavian Studies 83, no. 3 (Fall 2011): 406n27, as Boulevard des Capucines. 

Simona Bartolena, Monet (Munich: Prestel Verlag, 2011), 68–69, 143–44, 155, (repro.), as Boulevard des Capucines.  

Rosemarie A. Frederick, ed., Len Chmiel: an authentic nature (Centennial, CO: RFA, 2011), 12, 189, (repro.), as Boulevard des Capucines.

Caroline Mathieu, Isabelle Julia, and Carole Benaiteau, Paris au temps des impressionnistes, 1848–1914, exh. cat. (Paris: Skira Flammarion, 2011), 51–52, (repro.), as Boulevard des Capucines.

Ed Lilley, “A rediscovered English review of the 1874 Impressionist exhibition,” Burlington Magazine 154, no. 1317 (December 2012): 844.

Therese Dolan, ed., Perspectives on Manet (Farnham, UK: Ashgate, 2012), 84–85, 87, (repro.), as Boulevard des Capucines.

Benedict Leca, ed., Monet in Giverny: Landscapes of Reflection, exh. cat. (London: GILES, 2012), 66–67, 96, (repro.), as Boulevard des Capucines.

Philippe Thiébaut, Les impressionnistes et la mode, hors série, exh. cat. (Paris: Gallimard, 2012), unpaginated, (repro.), as Boulevard des Capucines.

Lutz Lesle, “Reviewed Work(s): ‘Capriccio: 20th and 21st–Century Works for Solo Oboe’,” in “LABYRINTH” special issue, Neue Zeitschrift für Musik 174, no. 5 (2013): 86, as Boulevard des Capucines. 

Richard M. Berrong, Putting Monet and Rembrandt into Words: Pierre Loti’s Recreation and Theorization of Claude Monet’s Impressionism and Rembrandt’s Landscapes in Literature (Chapel Hill, NC: University of North Carolina at Chapel Hill, Department of Romance Languages, 2013), 42, 44, 88n14, as Boulevard des Capucines.

Frédéric Cousinié, ed., L’impressionnisme: du plein air au territoire (Mont–Saint–Aignan, France: Presses universitaires de Rouen et du Havre, 2013), 167–68, 223–24, 251, 253, (repro.), as Boulevard des Capucines and as Le boulevard des Capucines, erroneously cited as being in the Pushkin Museum.

Philippe Cros, Monet: au cœur de la vie, exh. cat. (Cinisello Balsamo, Milan: Silvana Editoriale, 2013), 28, as Boulevard des Capucines.

Peter H. Feist, Impressionism 1860–1920, Part I, Impressionism in France, ed. Ingo F. Walther (Cologne: Taschen, 2013), 102–03, 129–30, 138, 682, (repro.), as The Boulevard des Capucines (Le Boulevard des Capucines).

Simon Kelly and April M. Watson, Impressionist France: Visons of Nation from Le Grey to Monet, exh. cat. (Saint Louis: Saint Louis Art Museum, 2013), 49, 102–03, 107n4, 110, (repro.), as Boulevard des Capucines.

Alice Thorson, “Nelson’s ‘Impressionist France’ offers an insider’s guide to a country in transition,” Kansas City Star (November 8, 2013): unpaginated, as Boulevard des Capucines.

Alice Thorson, “A Journey in Art and France,” Kansas City Star, no. 54 (November 10, 2013): D2, as Boulevard des Capucines.

Ségolène Le Men, La bibliothèque de Monet (Paris: Citadelles et Mazenod, 2013), 208–09, (repro.), as Boulevard des Capucines.

Martina Padberg, Impressionism (Cologne: Tandem Verlag GmbH, 2013), 82–83, 87, 209, 283, 287, (repro.), as Boulevard des Capucines.

James H. Rubin, How to Read Impressionism: Ways of Looking (New York: Abrams, 2013), 90–91, 96, 386, (repro.), as Boulevard des Capucines.

Guillermo Solana, Joachim Pissarro, and Richard R. Brettell, Pissarro, exh. cat. (Madrid: Museo Thyssen-Bornemisza, 2013), 31, 44, (repro.), as Boulevard des Capucines.

Aline Hauck, Collection Les Rencontres du patrimoine de la Générale, no. 2, Charles de Meixmoron: l’artiste caché (Schiltigheim, France: Aline Hauck, 2014), unpaginated, as Boulevard des Capucines.

Agnes Husslein-Arco and Stephan Koja, eds., Looking at Monet: The Great Impressionist and his Influence on Austrian Art, exh. cat. (Vienna: Belvedere, 2014), 18, 23, as Boulevard des Capucines.

Jon Kear, The Treasures of the Impressionists (London: André Deutsch, 2014), 10–11, (repro.), as Boulevard des Capucines.

Gorden Kerr, Claude Monet: Masterpieces of Art (London: Flame Tree, 2014), 64, (repro.), as Boulevard des Capucines.

George Mather, The Psychology of Visual Art: Eye, Brain and Art (Cambridge: Cambridge University Press, 2014), 96, as Boulevard des Capucines.

Marianne Mathieu and Dominique Lobstein, Monet’s Impression Sunrise: The Biography of a Painting, exh. cat. (Paris: Éditions Hazan, 2014), 106, 108, 115n3, (repro.), as Boulevard des Capucines.

Colin Martin, “Impressionism in Focus: Shows in Paris, London and Philadelphia,” Craft Arts International, no. 94 (2015): 69–70, (repro.), as Le Boulevard des Capucines.

Peter Baldinger, Andrea Bischof, and Bodo Hassel, Mit Blick auf Monet: Drei Zeitgenössische Positionen, ed. Stephan Koja (Salzburg: Artbook, 2015), 11, as Boulevard des Capucines.

Marina Ferretti Bocquillon and Xavier Rey, Degas: Un peintre impressioniste?, exh. cat. (Paris: Éditions Gallimard, 2015), 40.

Jorge Coli, Le corps de la liberté: essais sur la peinture du XIX^e siècle (Grenoble: ELLUG-MSH-Alpes, Université Grenoble-Alpes, 2015), 11, 14, 14n4, 17, 157, (repro.), as Boulevard des Capucines.

Anne Gray, Tom Roberts, exh. cat. (Canberra: National Gallery of Australia, 2015), 35, 125, 348, (repro.), as Boulevard des Capucines.

Felix Krämer, ed., Monet and the Birth of Impressionism, exh. cat. (Munich: Prestel, 2015), 9, 19, 24, 33, 149, 208, 224, 283, (repro.), as The Boulevard des Capucines/Le Boulevard des Capucines.

Mary Morton and George T. M. Shackelford, Gustave Caillebotte: The Painter’s Eye, exh. cat. (Washington, D.C.: National Gallery of Art, 2015), 53, 140, 254n5, as Boulevard des Capucines.

A. K. Prakash, Impressionism in Canada: A Journey of Rediscovery (Stuttgart: Arnoldsche Art Publishers, 2015), 99, 746, 771, (repro.), as Boulevard des Capucines.

Ralph Skea, Monet's Trees: Paintings and Drawings by Claude Mo   net (London: Thames and Hudson, 2015), 30–31, 111, (repro.), as Boulevard des Capucines.

Vlastimil Tetiva, Claude Monet: (1840–1926) (Prague: Regulus, 2015), 19, 60, (repro.), as Boulevard des Capucines.

Norbert Wolf, Impressionism: Reimagining Art (Munich: Prestel, 2015), 35, 37, 265, (repro.), as Boulevard des Capucines.

Nina Siegal, “Upon a Closer Review, The Credit Goes to Bosch,” New York Times 165, no. 57130 (February 2, 2016): C5.

“Nelson-Atkins to unveil renovated Bloch Galleries of European Art in winter 2017,” Artdaily.org (July 20, 2016), http://artdaily.com/news/88852/Nelson-Atkins–to–unveil–renovated–Bloch–Galleries–of–European–Art–in–winter–2017–#.WXjt4–SWxaR  

Kelly Baum, Andrea Bayer and Sheena Wagstaff, Unfinished: Thoughts Left Visible, exh. cat. (New York: Metropolitan Museum of Art, 2016), 132, 138, 156, 303–04, 330, 336, (repro.), as Boulevard des Capucines.

Tony Bonyhady et al., Australia’s Impressionists, ed., Christopher Riopelle, exh. cat. (London: National Gallery, 2016), 112–13, (repro.), as Boulevard des Capucines.

Helen M. Davies, Emile and Isaac Pereire: Bankers, Socialists and Sephardic Jews in nineteenth–century France (Manchester, UK: Manchester University Press, 2016), (repro.).

Catherine Futter et al., Bloch Galleries: Highlights from the Collection of the Nelson-Atkins Museum of Art (Kansas City, MO: Nelson-Atkins Museum of Art, 2016), 68–69, (repro.), as Boulevard des Capucines.

Marianna Hussl–Hörmann and Hans–Peter Wipplinger, eds., Theodor von Hörmann – Von Paris zur Secession, exh. cat. (Vienna: Leopold Museum, 2016), 114, 139, 143, (repro.), as Boulevard des Capucines.

Géraldine Lefebvre, ed., Monet au Havre: les années décisives, exh. cat. (Vanves, France: Éditions Hazan, 2016), 167, as Boulevard des Capucines.

Michael Marrinan, Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887 (Los Angeles: Getty Research Institute, 2016), 50–51, 80, 95, 386, (repro.), as Boulevard des Capucines.

George T.M. Shackelford, Monet: The Early Years, exh. cat. (Fort Worth, TX: Kimbell Art Museum, 2016), 60–61, (repro.), as Boulevard des Capucines.

Menachem Wecker, “Jewish Philanthropist Establishes Kansas City as Cultural Mecca,” The Forward (March 14, 2017), http://forward.com/culture/365264/jewish–philanthropist–establishes–kansas–city–as–cultural–mecca/ [repr. in Menachem Wecker, “Kansas City Collection Is A Chip Off the Old Bloch,” Forward (March 17, 2017): 20–22], as Boulevard des Capucines.

Carol Jacobi, The Impressionists: An Introduction, ed. Nicola Bion (London: Tate Publishing, 2017), 21, 50–51, (repro.), as Boulevard des Capucines.

Ortrud Westheider and Michael Philipp, eds., Impressionism: The Art of Landscape, exh. cat. (Munich: Prestel, 2017), 21, 23, 28, 30, 246, (repro.), as Boulevard des Capucines.

“Landmark Monet exhibition to premiere at Denver Art Museum,” Artdaily.org (July 24, 2018), http://artdaily.com/news/106403/Landmark–Monet–exhibition–to–premiere–at–Denver–Art–Museum, (repro.), as Boulevard des Capucines.

Heinz Widauer and Dieter Buchhart, eds. Claude Monet: A Floating World, exh. cat. (Vienna: Albertina, 2018), 38–39, 42, (repro.), as Boulevard des Capucines.

Courtney J. Campbell, Allegra Giovine, and Jennifer Keating, eds., Empty Spaces: perspectives on emptiness in modern history (London: University of London Press, 2019), 113, as Boulevard des Capucines.

Angelica Daneo et al., eds., Claude Monet: The Truth of Nature, exh. cat. (Munich: Prestel, 2019), 27, 55–56, 59, 98, 100, 104–05, 260n8, 262n2, 264, (repro.), as The Boulevard des Capucines.

“Landmark Monet exhibition to premiere at Denver Art Museum,” Artdaily.org (July 24, 2018), http://artdaily.com/news/106403/Landmark–Monet–exhibition–to–premiere–at–Denver–Art–Museum, (repro.), as Boulevard des Capucines.

“Denver premieres landmark Monet exhibition,” Artdaily.org (October 25, 2019), https://artdaily.cc/news/117822/Denver–premieres–landmark–Monet–exhibition#.XbMO2–SWyic, as Boulevard des Capucines.

“Homepage,” Artdaily.org (October 25, 2019), https://artdaily.cc/index.asp, (repro.), as Boulevard des Capucines.

Christine de Menthon, Sur les pas de Charles de Meixmoron peintre impressionniste et industriel à Nancy et à Diénay (Société d’histoire Tille–Ignon, 2019), 58–59, (repro.), as Boulevard des Capucines.

Maria Luisa Pacelli, Barbara Guidi, Hélène Pinet, De Nittis e la rivoluzione dello sguardo, exh. cat. (Ferrara, Italy: Fondazione Ferrara Arte, 2019), 79, 90n17, (repro.), as Boulevard des Capucines a Parigi.

Joel Isaacson, “Monet: Le Boulevard des Capucines en Carnival,” Nineteenth-Century Art Worldwide 20, no. 1 (Spring 2021): unpaginated, (repro.), https://doi.org/10.29411/ncaw.2021.20.1.3, as Le Boulevard des Capucines.

Christel H. Force, ed., Pioneers of the Global Art Market: Paris-Based Dealer Networks, 1850–1950 (London: Bloomsbury Visual Arts, 2020), 192–93, as Boulevard des Capucines.

Aimee Marcereau DeGalan, “Claude Monet, Boulevard des Capucines, 1873–1874,” catalogue entry, and Diana M. Jaskierny, “Claude Monet, Boulevard des Capucines, 1873–1874,” technical entry in Aimee Marcereau DeGalan, ed., French Paintings, 1600–1945: The Collections of the Nelson-Atkins Museum of Art (Kansas City: The Nelson-Atkins Museum of Art, 2021), https://doi.org/10.37764/78973.5.626.5407

Julian Zugazagoitia and Laura Spencer. Director's Highlights: The Nelson-Atkins Museum of Art Celebrating 90 Years, ed. Kaitlyn Bunch (The Nelson-Atkins Museum of Art, 2024), 92, (repro.).